Afrofuturism is Pan-Africanism: Reclaiming Our Future Through Black Imagination and Liberation
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Afrofuturism is Pan-Africanism: Reclaiming Our Future Through Black Imagination and Liberation
The roughly 1.2 billion people who live on the African continent contribute the least to the world's e-waste problem, but in countries like Liberia and Ghana they deal with the trash left behind
DRAMA IN THE POLITICAL STRUGGLE IN SOUTH AFRICA by Elfigio Freeborn Muronda between apostrophes " ... " and commentary by me.
Pg1 "Life in South Africa consists of a network of legislation that enshrouds the Africans in legal restrictions every minute of their lives to such an extent that at any time, wherever he is and whatever he may be doing in South Africa, the African will most probably be breaking some law."
This was during Apartheid times. As an ode to that suffering not being lived through for nothing, the Constitution, that was enstated by the ANC in 1996, does just the opposite. Study that Constitution and you can initiate just about any upliftment and empowerment of yourself or others. This is the legacy of black people being in a position of "Like, am I allowed to breathe?"
"The South African Black population is a people that white South Africa has tried to physically exterminate socially, legally, politically as well as economically. How black people have survived in such a hostile climate is a manifestation of the endurance and perseverance of their spirit. They have survived with their culture, pride, even though both have taken some beating.
'Traditional' black South African drama like most African drama, is different from western drama. It is an oral drama, whose essence is in the performance. Its transmission and preservation is a social obligation of all members of the society, unlike western drama whose creation, maintenance and perpetuation is on the hands of a few, the scribes."
So, in other words, this poor theatre needs to speak to the heart as it is devoud of the trappings of a wealthy set OR because Africans are not so easily impressed with listening to a wealthy, white dude. Or any white. You really have to show a kinship to the people and a thorough knowledge of their culture. The work needs to grab people's attention, especially when it is a clip that will be used online. Used. There is the first problem. I can't perform something that will win people over for a brutal director whose mind belongs to the warden and his ways. In those days, we would perform in township amongst our people. For their entertainment and upliftment and for spreading ideas. Not for the warden and his friends so that they have all the info, details, players profiles and so on. It can be compared to handing your defense plan to the other team members and coach. By the author saying "it's transmission and preservation is a social obligation of all members of the society" (popularise the idea). Transmission says to me, it should be in the media, forced down people's throats. "Unlike Western drama ... is in the hands of the few, the scribes. "
African philosophy and infrastructure and modern history is currently being written. And it differs from Western ways. It is much more social, straightforward and transparent (like, you may look under my tunic; a willy leather cover).
It is more empowering and gives you the tools for change in the direction of empowerment of anyone who is acting to promote human rights and it shuns, ostracizes and casts out any wardening or enrichment or support of the wardens. Wardens are not given volume and are censored as a reminder of "Do we want that guy back in power?
Whereas in ancient times, antiquity and modern times, in drama, when the king was in the audience or would hear of the play, complaints were analogized so as not to anger or inform the king of a school of thought making the rounds. We do not down like that here but unfortunately where corporate or wardens benefitting from a certain system that we are complaining about, for example, the Malaria Must Die campaign that David Beckham initiated or was hired to endorse. In this case African governments, police and clinic and harbour officials all benefit from receiving free medicine for the people, which they either administer charging the recipients exorbitant rates, demanding bribes from those transporting the medicine, or demanding bribes from ships with free medicine and treatment on board for free as it was The Dulos, a floating hospital that was an organisation. So. When the performance is not direct, we can guess that the king is nearby in the audience and dis rooi. So, in that case, the government and it's officials, the corporate world who want to capitalise or profit from the sale of prophylactic and the social media site, which has to be audited for the amounts of views eg. R1 for every view of your YouTube post in which you added an ad. All views collected must go to the mandate of the organisation and it's implementation. Even those few doctors, former refugee camp resident who contracted malaria etc. Those are all local ambassadors and who should be paid the same rates as David Beckham.
So, those would be the potential audience, who we would have to convince, through the arts, that this is going to benefit them. Or else, you just st take THEIR family members and lock them in a room. Made to breed mosquitoes. The malaria-carrying variety.
Falz - This Is Nigeria
Upon first view, this appears to be a lament of the artist, giving what seems like an insider's view into a country falling apart. Naming, either visually or lyrically, is the stereotypes the world usually attributes to Nigerians: political fraudsters, corrupt officials who take kickbacks, decapitation of the nasarra and kidnappings of the wealthy, 'everybody be criminal', virginity checks, police stations closing at 6, no electricity, blackmail of politicians using their children who are attending universities etc. etc. This is when people are watching.
The reality is, in the background, you hear the word able, sampled. Nigeria is a church attending, Spirit filled, God fearing nation, in some places and they have a strong attendance at the international Universal Church of the Kingdom of God. Who is Abel? God is able.
Yahoo boys have been sorted with capital. Generators conquer the lack of electricity. I hope it is really just a middle finger to all abovementioned stereotypes and will be the beginning of the new Nigeria, which has the potential to be Africa's financiers. What, with Dangote, Davido, Burnaboy and the oodles of brains and talent.
With international protests reaching a fever pitch since Covid-19 took over our lives, the first edition of J-Warra Warra ( #the protest issue ) will page through the worst, the best and the most effective protests. Among some that we profile, you will read about #endsars, #blacklivesmatter, Remember Marikana, Legalize It, LaSapeurs and more.
We read about the very first protest in Philistia in 1120 B.C.E., some of the old-skool toi-tois that led to change and the last 2 years of crazy, worldwide, steek uit kind of protests.
We profile the biggest players in the world of protesting and analyse their game. Different arts and culture movements set the scene and we learn that serious issues don't start on the street. That is normally the last option. We take a look how to argue your point to the world and initiate sustainable change.
Different movements such as Civil Disobedience and Passive Resistance have paved the way to our current state.
Since The Struggle days, song and dance was used to keep us upbeat and in the zone to face police, the military and whoever else was tasked to keep us quiet; when THEY steek uit. Nowadays is no different. We list some of our favourite protest numbas and music videos, movies and plays. We also discover that aside from the usual music and movie method, there are the most innovative protests that can only be described as methods of madness.
The last 2 years saw a lot of arrests, people injured and killed and property destroyed, looted and burnt to ashes. This is what you call Anarchy. Read our piece on the mayhem that is sometimes necessary, when the system is stiflingly oppressive. Once the more peaceful methods have been exhausted and gone unheard, Anarchy becomes the only natural course of action. Amongst the precursory paths to Anarchy, we find poor/protest theatre, social media hashtag movements, murals or tagging and performance art. Fashion has also become the analogous middle finger. Read about Papa Wemba's anti-xeniphobic fashion movement LaSapeurs. We also have a look at 'Stomach in, chest out' that was born of Julius Malema and the political party he founded, the EFF and the South African music trend that took parliamentary sound samples to the music charts and beyond.
If you were planning a protest, read the guidelines to plan the most legal and most effective protest. Find also the so-called tools of the trade. We have an online guide to protesting by Right2Know.
Restorative justice is also an emerging form of protest, which can be applied liberally. A good example of this is an endeavour to be launched soon, in which a white chick takes on the cases of many horses that were confiscated by the Cart Horse Association, for a plethora of reasons. Amongst them, genuine cases of animal cruelty are abundant, which nobody is arguing. Unfortunately, though, other less culpable cases fell by the wayside and disappeared through the cracks of the system.
For instance, it's quite easy caring for a horse when you are a white person, who grew up owning dressage horses or attending a horse riding school on weekends etc. Many cart horse owners of colours inherited their horses from uncles, parents, employers or the skollie who picked one up on the way home from a farm burglary. The fact is that many of these owners lost their horses due to a lack of working knowledge regarding horse care.
Due to a lack of access to professionals like farriers, cartwrights, vets and leathermakers, the whole system is designed to create situations in which cart horse owners lose their horse, as the result of a the ashes left behind by the Apartheid Regime. There is a remedy in which people of colour can become proficient horsemen, be accredited to perform any function within the equestrian world, have access to lucrative careers and businesses through a model that requires nothing, from both people of colour and whites, but the desire to see real change.
And by change I mean change that will satisfy the pockets of former scrap cart horse operators , the law and Cart Horse Association as well as be the best for the horse, it's health, it's desperate need to work, be outdoors and socialize with the world. A equal profit share model that will equip cart horse operators with paid training amongst veterans in the horse world, earning badges that qualify the individual with specific skills that are in demand in the industry but will also acclimatise the student with horse sense. Having access to clients committed to climate change, sustainable revenue, office support, app support, connection to the internet, paid-for grazing areas in the vicinity and financial tools such as eWallets, cash sends, online banking etc. as well as access to professionals, who will equip the encumbant with a newly made cart, buggy, carriage etc, tack that fits the horse, cart and work and horse care professionals on an ongoing basis.
Due to the many cases of real horse abuse, encumbants must do a few weeks training, initially at a horse rescue centre, learning about the effects of abuse.
PROTEST CHALLENGE: AFTER ALL THAT INFO, WE CHALLENGE YOU TO COME UP WITH A PROTEST, USING ANY MEDIA TO CHALLENGE SOMETHING THAT NAGS AWAY AT YOUR CONSCIENCE.
" THE TIME IS NOW. I WANT EVERYTHING".
- WALE & MEEK MILL AMBITION
It has been a world-weary 2 years since Covid-19 entered our lives but it has been the most progressive period in modern history, globally and inter-continentally. For this effort from each and every one who took out time, made placards and those who stood up against some travesty, from the bottom of hearts of those who are still in the Struggle, our brothers and sisters, I thank you. And I thank you.
I AM LOOKING FOR A BODY TO PARTNER WITH, AS I WOULD LIKE THIS PUBLICATION TO BE DISTRIBUTED FREE IN PRISONS, AT POLICE STATIONS, TRANSLATED AND SENT TO REFUGEE CAMPS IN AFRICA AND TO BE AVAILABLE ONLINE.
There are also a few corporate deals in the mix, such as free stuff with the rag, a financial service and competitions to be managed. Advertising space will be available. I have a company in mind for the sales of advertising space and printing, distribution etc.
The theme of the rag is definitely human rights so the EFF, Right2Know, Amnesty International and so on would be ideal. Why am I thinking aloud again?
I live in a dream world, I suppose. OR I so desperately need something to believe that is a small glimmer of hope in an otherwise dark, unequal, scarce refugee camp reality (even if only in the mind. Just knowledge of the facts is bad enough to make me ill, on an ongoing basis. I really feel your pain and worry about you. I'm not the mother hen type but I have heard of your challenges).