Light damaged 120 roll film.
A sunken barge in the Thames estuary circa 2015.
Taken with 1955 Agfa Isolette 3, and Fuji provia 100.
seen from Netherlands

seen from United States
seen from Argentina
seen from United States
seen from United States
seen from United Kingdom
seen from United States

seen from Malaysia
seen from United States
seen from Philippines
seen from China
seen from United States
seen from United States

seen from United States

seen from Russia
seen from United States
seen from China
seen from United States
seen from China
seen from United States
Light damaged 120 roll film.
A sunken barge in the Thames estuary circa 2015.
Taken with 1955 Agfa Isolette 3, and Fuji provia 100.
A forgotten film I found from last year.
Off an Agfa Isolette
Hi! Somehow I got fortunate enough to be having a book of NYC street photography published this fall. It’s from a fairly luscious New York City art press called Glitterati Editions. They do beautiful work.
A lot of the photos in the book (it’s 256 pages) were taken with old film cameras. Mostly black and white.
The camera here is my Agfa Isolette III. It is from the mid-1950s. It’s an uncoupled rangefinder. It takes about six laborious steps to focus and expose a single image and that’s the most fun part of using it. Well, that and the bellows. The bellows are cool and retro and make a great crinkly noise when you open them and people stop you on the street to ask about the camera. Even in NYC.
My book, New York City Anonymous, will be published on October 1 and is available for pre-order at the following places:
https://glitteratieditions.com/collections/all/products/new-york-city-anonymous
(You’ll get it from Glitterati via pre-order first and fastest.)
And also:
amazon.com
indiebound.com
barnesandnoble.com
Analog. Mamiya Universal Agfa Isolette Mamiya.
Ulm