"Nice camouflage, for a minute there I didn't see you."
“Camoflage? I do not recall wearing any…,” he then turned behind him to face the large painting that hung in the Eyrie, an artistic interpretation of one of the darker scenes in Dante’s Inferno, which he had (unintentionally) blended into due to the shape of his head-wear and demeanor, “…hilarious, Talon. Absolutely hilarious…” he responded, in a tone that clearly conveyed the opposite emotion.












