A dumdum dandy.

seen from Malaysia

seen from Morocco
seen from Netherlands
seen from China

seen from Malaysia
seen from China
seen from Jordan

seen from Morocco

seen from United States
seen from United States
seen from China
seen from China

seen from Germany
seen from Netherlands
seen from United Kingdom
seen from Ukraine
seen from Türkiye
seen from United States

seen from Morocco
seen from China
A dumdum dandy.
Making up poses for Alfie as practice.
1. I’ve been doing studies to get better at drawing poses (a goal of mine this year). And homg they are paying off now. 2. Guess what, I really love drawing ocs with long knives.
Feat a single, random Ilias.
To apologise for the long as heck rant about Atlantis and ancient civilisation, lemme take you on a brief journey to LGBTQ subculture in 18th century England, featuring my OC Alfie Grimsley.
I am an unabashed history nerd and apparently I make comics to indulge in this nerdiness. Hey new followers.
Metsonas, but for my OCs. The men’s game at the gala was so weak it was almost non-existent!
Ilias: I don’t recall any male celeb taking on an angelic look, so here is mine. Jewelled thorn crown, elaborate feathered cape held in place by two eye lapel pins and a gold chain, a long coat with fire trim, kinda priest-esque.
Alfie: Vague saint look, hence the saint of X, but it’s also a pun on sex, so well, it’s a pretty genderqueer look. Soft red gradient eyeshadow, eyeliner, drawn tears of blood, bejeweled heart pasty, halo cap, heart tattoo stigmata (both sides of the palm), red nails, feathered boots (perhaps glittered).
Zeynel: The aesthetic of the gala was very catholic and Zeynel CANNOT wear that (NO NO NO). So I based his outfit off his Andalusian heritage instead, with an Ottoman twist (which fits the prompt anyway, if you know about Andalusian religious history). The pattern/colours are from the Mosque of Cordoba.
Feeling a particular kind of aesthetic tonight. Thanks to my 18th century bi fairy.
18th century bi