Sep 9, 2014
(via The Folly of Performance)
Performance art doesn’t have to be so heavy. It can be light, like diving head-first into the trash, in Tamar Ettun’s case. Some write off whimsy in art as juvenile shenanigans; others counter that it offers a precious release from the day’s stresses, empowering you to face tomorrow’s bullshit with renewed vim and vigor. The pro-folly crowd won big last Wednesday, turning Madison Square Park upside-down with performances both droll and quizzical.
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