Always onward
(Francis Miller. 1950)
seen from China

seen from Malaysia
seen from Russia

seen from China
seen from Maldives
seen from Ukraine

seen from Malaysia
seen from China

seen from Malaysia

seen from China
seen from United States
seen from Indonesia
seen from United States
seen from United States
seen from United States
seen from Russia
seen from China

seen from China

seen from Germany
seen from Ecuador
Always onward
(Francis Miller. 1950)
For the author questions: 9,13 and 14
9. do you set yourself deadlines?-Yes, believe it or not
13. hardest character to write-I haven’t written a lot of different characters obviously but out of the ones I’ve written getting Shiro’s dialogue right in character was difficult (we’ve seen only a few minutes of his interactions with Matt) and when I’m writing as Cinder I have to step back and remind myself how forward she is. Cinder is way tougher than I am so when I’m writing her I have to like, take a shot of motor oil and pretend of greasy mechanic who takes no shit, that’s hard for me who wears soft colors and is more traditionally feminine
14. easiest character to writeIt’s a tie between Matt and Pidge. Matt has had so little screen time there isn’t exactly a /wrong/ way to interpret him, just different ways. And I try to show that in the Holt Collective (everyone’s Matt is different it’s such a great place to draw inspiration from). And I guess I relate to his character a lot (partially through pidge)-With Pidge, she’s one of the more developed on screen VLD character so with that, I already have these kind of, guidelines I can work inside of to get her character almost canon in interactions. I also relate to pidge on a very personal level over a number of things, making her one of my all time favorite characters and the connection compels me to write her well. (I haven’t written a lot of pidge but I intend to very much do so.)