Y’know I completely forgot I had this in my folder. It’s Mercy, the gorgeous goat trans woman from Amorous! I love that she talks about being trans and what it means to her. She’s a great character and I just love her aghaghdfkjashdfkasd
seen from United States

seen from Netherlands
seen from Malaysia

seen from Malaysia
seen from United States

seen from Singapore
seen from Singapore

seen from Russia

seen from Malaysia
seen from China
seen from China
seen from Russia
seen from China
seen from United States
seen from United States
seen from Russia

seen from Russia

seen from United States

seen from New Zealand
seen from United States
Y’know I completely forgot I had this in my folder. It’s Mercy, the gorgeous goat trans woman from Amorous! I love that she talks about being trans and what it means to her. She’s a great character and I just love her aghaghdfkjashdfkasd
01 Painting of The amorous game, William Holman Hunt's The Awakening Conscience, Part 9 - With Footnotes
William Holman Hunt, 1827–1910The Awakening Conscience, c. 1853Oil paint on canvas762 x 559 mmTate A gentleman has installed his mistress (known to be such because of her absence of a wedding ring) in a house for their meetings. As they play and singt, she has a sudden spiritual revelation. Rising from her lover’s lap, she gazes into the sunlit garden beyond, which is reflected in the mirror…
View On WordPress
01 Painting, The amorous game, Gerard ter Borch the Younger's Woman Playing the Theorbo-Lute and a Cavalier, Part 42 - With Footnotes
01 Painting, The amorous game, Gerard ter Borch the Younger’s Woman Playing the Theorbo-Lute and a Cavalier, Part 42 – With Footnotes
Gerard ter Borch the Younger (Dutch, Zwolle 1617–1681 Deventer)A Woman Playing the Theorbo-Lute and a Cavalier, ca. 1658Oil on wood14 1/2 x 12 3/4 in. (36.8 x 32.4 cm)The Metropolitan Museum of Art Ter Borch was an astute observer of social behavior as well as the physical environment. In this intimate courtship scene, fine fabrics, silver objects, wood, paper, light, and shadows all reveal…
View On WordPress
Filippo Indoni, Two ladies and two gentleman 01 Painting, The amorous game, Part 41 - With Footnotes
Filippo Indoni, Two ladies and two gentleman 01 Painting, The amorous game, Part 41 – With Footnotes
Filippo Indoni, Italian (1800 – 1884) Two ladies and two gentleman strolling through a classical architectural landscape, Circa 1878 oil on canvas H 30″, W 24″ Private collection
Filippo Indoni, Italian (1800 – 1884). In a reaction against the frivolous and unrealistic images of early 19th century Romanticism, artists turned to less glamorous aspects of life and society in search of a direct…
View On WordPress
Harutyun Khachatryan, The Game 01 Paintings, The amorous game, Part 38 - With Footnotes
Harutyun Khachatryan, The Game 01 Paintings, The amorous game, Part 38 – With Footnotes
Harutyun Khachatryan, Russia The Game Oil on Canvas 63 H x 39.4 W x 1.5 in Private collection
Harutyun Khachatryan ( born 9 January 1955) is an Armenian film director, script writer, director of photography, film producer, General director of the Golden Apricot Yerevan International Film Festival, Meritorious Artist of the Republic of Armenia and voting Member of European Film Academy since…
View On WordPress
Filippo Indoni, Two ladies and two gentleman 01 Paintings, The amorous game, Part 41 - With Footnotes
Filippo Indoni, Two ladies and two gentleman 01 Paintings, The amorous game, Part 41 – With Footnotes
Filippo Indoni, Italian (1800 – 1884) Two ladies and two gentleman strolling through a classical architectural landscape, Circa 1878 oil on canvas H 30″, W 24″ Private collection
Filippo Indoni, Italian (1800 – 1884). In a reaction against the frivolous and unrealistic images of early 19th century Romanticism, artists turned to less glamorous aspects of life and society in search of a direct…
View On WordPress
Filippo Indoni, Two Peasants 01 Paintings, The amorous game, Part 40 - With Footnotes
Filippo Indoni, Two Peasants 01 Paintings, The amorous game, Part 40 – With Footnotes
Filippo Indoni, Italian (1800 – 1884) Two Peasants. Circa: Mid 19th century Watercolor on paper laid to paperboard 20 x 13 in Private collection
Filippo Indoni, Italian (1800 – 1884). In a reaction against the frivolous and unrealistic images of early 19th century Romanticism, artists turned to less glamorous aspects of life and society in search of a direct experience. By 1850, they had…
View On WordPress