• Kendrick dropping out of nowhere two tracks in one week that immediately made it to the TOP THREE of the Hot 100
• Kendrick propelling “Like That” via feature to #6 in the Hot 100
• “Not Like Us” being a club banger that’s being played all over the nation. Just unbelievably hilarious for Drake to brag about having fame and numbers over Kendrick—only for Kendrick, who notoriously hates fame and doesn't give a shit about commercial metrics, to wreck him in those very things. Absolutely brutal, I love it so much
• “Not Like Us” having a catchy sound and hook AND YET still being jaw-droppingly dense lyrically, and even imparting an important history lesson, proving that popular rap can have substance, but Drake is just incapable of writing it (or hiring ghostwriters to write it, as the case may be)
• I mean, just. The song being played all over the nation explicitly calling Drake out for being a pedophile and everyone singing along and further spreading this message LMAO
• Also what better humiliation and exposure is there than the fact that every time news outlets report on it, the only image they can use is the song cover art that overtly claims Drake and his entourage should be on the sex offender registry
• “Not Like Us” being the track with the Bay sound and us getting a shoutout in it!! Especially after that disgraceful AI Tupac mess
• “Not Like Us” breaking multiple of Drake’s all-time records (and Taylor Swift’s!!)
• Actually all of these Kendrick tracks beating Taylor Swift, who I will never forgive for the 2016 Grammys
• But also Drake invoking Taylor Swift and then Kendrick hiring a noted producer and co-writer of Taylor Swift's to work on “6:16” LOL
• No doubt that “6:16” would be on here if it were on streaming platforms. Hope that sample can get cleared so Kendrick can obliterate the charts even further
• “Meet the Grahams,” which is like the furthest thing from a catchy pop song and more like grim, menacing spoken word evisceration, making it all the way to #12
• Kendrick not doing any promotion, no social media posts, nothing, and still demolishing Drake, who was constantly posting, in streaming numbers
• Probably the best Drake track in this beef sitting at #17, cackling
Pour one out for all the hip-hop heads suffering from emotional withdrawal this weekend after getting FIVE juicy songs in 48 hours last weekend and knowing we probably won't hear another K.Dot track for five years.
Honestly the entirety of last week was so funny for me; "euphoria" coming out the same day as the TBB finale made my head explode, and I've just been doing nonstop media analysis in both realms since. I even had some great and thoughtful debates with friends about race, cultural appropriation, colorism, code switching, generational trauma, profiteering, all sorts of fantastic stuff—all while my brain was continuing to screech about copypaste men at the same time. And while I was watching TOTE, too. And then signing on to here to scream about the Star War and reblog amazing May the 4th art and not seeing anyone talking about this earth-shattering beef was also so funny for me.
(Still not over how Kendrick not only used a Merriam-Webster screenshot as the cover for the first song, but also used the definition and the sentence examples as disses??? This editor was FED.)
If you think they changed their minds about revealing Tech to be alive, you might not want to read this. I'm not trying to debate or dissuade anyone; this is just my personal take.
Also, please be forewarned that this is quite Hunter critical. I love to write the man, but god, he’s so bad for my blood pressure.
This is still such a hard thing for me to talk about. To be honest, I ducked out of the TBB fandom between the time when i finished “i keep what i can of you” and S3 started because it felt like I couldn’t say what I thought without either hurting the people who thought Tech was dead and were traumatized or inciting the wrath of those believed he was alive, some of whom got so haughty and/or oddly hostile whenever any other possibilities were stated in their vicinity. It seems that after I left, the opposite started happening too? The hellish fandom ouroboros.
Anyway, so here are my unfiltered thoughts, because I might explode if I don't write them down. After I watched “Plan 99,” I thought Tech was dead, and I was extremely traumatized and hysterical about it. I remember that night I couldn’t sleep, and I stayed up till morning trying to process the sense of betrayal I felt and figure out what to do with the sweet little WIP I had been working on, which was about Tech and Wrecker facing the concept of death for the first time. (I have now rewritten it to be much darker but for Tech to live, and as CX-2, so I hope that proves I mean well with this post.)
Because it’s me and it’s media, I was not only traumatized but also furious. To be frank, I’m not usually this deeply affected by character deaths. I have written a lot of major character death fics and grief/mourning is a component of like 60 percent of my writing. In fact, when character deaths are done well, I think they’re fantastic. The worthy, well-done ones can make the characters shine even more brightly.
That is not the case here. Tech dies for literally nothing. The protagonists don’t achieve anything at all from it besides returning to square one, less a member. They don’t find the coordinates to Tantiss. They don’t find anything about who Hemlock is or what the Advanced Science Division does. They don’t overhear any vital intel from the meeting with all the Imperial bigwigs. They don’t gain any insight from Saw. They don’t even find out whether Crosshair was actually in captivity and whether his saying Plan 88 was him laying a trap for them or not.
And that is some of the worst messaging I’ve ever seen in a Y-7 American action cartoon. And believe me, I’ve watched a lot of them.
Allow me to beat the dead horse one last time. Finally, after two entire seasons of the show, a member of the main cast is like, “Hey, remember how Crosshair used to be one of us? Even if he kind of sucks, shouldn’t we help him? He did just try to warn us.” And I was ECSTATIC. Didn’t expect the autistic character to be the one to be like, no, fuck you, we should do the right thing no matter the risk (autistic characters are so often morally gray and it’s so frustrating), but I loved it so much! That’s me!!
…And then he literally dies because he wanted to do the right thing. Hunter, the character who does not want to help people, who rejects the idea of going to Eriadu and has to be convinced otherwise, IS PROVEN CORRECT. What the ever-loving fuck is that messaging? That’s right, kids—if you selflessly try to help other people, you’ll be killed. So maybe don’t bother, actually. And this show just underlines that message over and over again! The only people who matter are those you consider family. Everyone else can rot. In fact, people who are willing to risk their lives to help people are foolish and idealistic. The things Hunter says to Echo are repeatedly so fucked up ("When will it be enough?" Dude wtf???), and it's nuts that the show doesn't offer Hunter's narrow-minded perspective as a contrast to Echo's determination to do the right thing—it offers Echo as a contrast to Hunter's motivations to retire (which we understand because when the two of them split up, we follow Hunter instead of Echo—and not even in addition to Echo! He only shows up again because he's visiting Hunter's story!).
That’s straight-up American conservative ideology. I will never not be pissed at them for making the fucking deuteragonist—and a clone character at that—like that. And in Star Wars! The franchise that is overwhelmingly and consistently about fighting fascists! Made by the company founded and based in the Bay Area, the most progressive region of the country!!!
To be frank, I almost turned the TV off right then. But I thought, okay…a horrible way to get to it, but…maybe now is the moment? Maybe now they’ll finally join Echo and Rex, and be super determined to find Tantiss and Crosshair and the many other clones whose designations were on the roster—to complete the mission that Tech so passionately insisted on before he sacrificed himself.
BUT NO! Hunter immediately pressures Omega into going to Pabu. And why wouldn’t he? The narrative proved him right! By trying to do the right thing, Tech died. So we’ll just go back to ignoring the suffering of countless beings across the galaxy, including our own kind. Millions of straight-up metaphorical versions of us. Cool.
And then Omega gets captured. So because Tech wants to do the right thing, he dies, and because Omega agrees with him, she gets taken away. And then suddenly Hunter puts away Pabu entirely and becomes super gung-ho about finding her. Which is just…why did they write him like this. Why did they even have the conversation about Pabu?? Leaving it out would have made Hunter's motivations flow so much better. Because by introducing that, they invite the crucial question: Why was that what it took for him to stop running but losing Crosshair and Tech didn’t??? Because he only cares about this one child's well-being and it's his single motivation as a character???
A contingent of Crosshair fans have seemed to vocally dislike Hunter from the start because he left Crosshair, and I’m like no, you don’t understand. It’s not about the character, it’s about the writing. In some cases, it does end up being the character rather than the writing, and you can usually tell because the writing condemns that in the character. Not here though! Hunter's decisions throughout the show are celebrated by it. And Hunter gets his way, as we see now with them retiring on Pabu and ignoring the fight even as "the Rebellion needs pilots now more than ever." Thank god the finale at least posited that Echo was also right, which is kind of like the bare minimum they could've done in that regard.
So Tech’s death hit me particularly hard because it felt like just a waste of two entire episodes, a waste of an enjoyable character they had just given some really poignant depth, and a waste of the chance to give Hunter the character development I was desperate for—and also like a betrayal, a slap in the face, because it was like the show was saying that heroes are stupid, that Tech was foolish for wanting to do the right thing. Which is nuts given the rest of the SW animated oeuvre. And is fucking hurtful. And bad for kids.
So when the theories about Tech’s survival started floating around that night, I thought, okay, yeah, maybe this was such a stupid death and waste of screen time because it’s to set up something really cool. I could get behind that, even if the entire setup would still be faulty and honestly kind of repulsive to me.
I engulfed everyone’s theories in those weeks I spent mourning, desperate to be convinced—but as much as I wanted to believe there was a plan at work, I just couldn’t buy it 100 percent because…would the people who wrote this awful arc, and who made all the oddest choices possible at any given time throughout both seasons thus far, really intend to set up and execute something so well thought out and complex?
Of course not. People kept being like, “We have to trust the writers. They have a grand plan. They wouldn’t just throw away Tech. It would be ableist, and that’s why he’s not dead.” Like??? The show was already ableist! One of the main characters is disabled and his being disabled is specifically relevant to why he’s even in this squad and in this show—and it’s never remotely discussed! The closest is the most oblique reference ever to how Echo doesn't like to be alone. That's it. Just because they actually managed to write this wonderful moment about Tech being autistic doesn’t mean their track record was suddenly irrelevant! Killing off their neurodivergent character is exactly the kind of ableist shit they would do! And see now: Crosshair's hand. Also Echo suddenly having a hand after not having one for so long and it being completely untouched upon. It's par for the course!
So the Tech Lives theories all hinged on the writing being really clever, but I just. Already hated so much of the writing, and it felt way more likely that they were just continuing to be bad writers and continuing to go with the poorer plot choice option every single time they had the opportunity to go a direction that would be thought provoking and emotionally affecting.
I felt very much and very sadly proven right when the season started, and we got no mention of Tech being dead until the FIFTH episode. The Batch never talked about Crosshair and why he tried to kill them, so I guess why would they talk about Tech dying, sigh. And it was so bizarre how people were arguing that Omega and Crosshair's little exchange about Tech was super touching and gave us everything we needed. It absolutely did not! The fact that we couldn't agree on whether Crosshair even knew tells you everything you need to know about the wacky writing choices! Why was it so vague?? They literally could have added one word:
Crosshair: Did they teach you plan 72?
Omega: Mm-hmm. Tech had me memorize all the plans, before...
Crosshair: Of course he did.
On that note, I began to feel uneasy about the fandom again, because it started feeling like an echo chamber, and I was worried everyone was getting too hyped about something that might not happen, and even if it did, might end up being some kind of poorly done fanservice. I started seeing a lot of defensive posts being like, “Well, the reason they’re not mentioning Tech is because he’s not dead, and you’re an idiot, unlike me, if you’re falling for their sneaky tricks.”
Like??? The prevalence of ride-or-die sentiments like that started making me feel like I was losing my grip on reality and watching a completely different show from everyone else. Wouldn’t the dramatic effect of Tech being alive be strengthened by the characters all mourning him, thus making us mourn him, thus making the plot twist that he’s alive even more effective?? Wouldn't the characters being shown to be affected by his death instead of just ignoring it be the most promising sign of his impending return?
To me, the characters not mourning Tech meant that the writers had put him aside and moved on (which is, again, terrible writing because it doesn’t give the viewers the space to grieve and then move on, and it makes the characters feel terribly heartless, which, well. At least they were consistent). And that blasé moving on made the possibility of him being dead WAY more likely to me. Of course they would kill their neurodivergent character and then just all but pretend it didn't happen. Of course they would act as if he had just been a convenient plot device! Of course they would only bring him up and act like they missed him when he wasn't there to miraculously do the characters' work for them and the writers' work for them! Fuck that so hard.
So then “Infiltration” and “Extraction” were a big surprise! I was like, oh, huh, guess I was totally wrong and they’re really doing it, wow. Okay, let’s see if they can actually pull it off. I liked the writing a lot better this season, so it felt more plausible that they were finally getting down to business. The fact that the clues felt so heavy handed was kind of weird to me, and I complained a lot about there not being red herrings, but I love a good Came Back Wrong story, so I was willing to believe I had been too pessimistic and cynical, as I often am.
After “Bad Territory” and “The Harbinger,” however, I started doubting it again. Fitting both this M-count mystery that had already taken up so much screen time plus a Tech Lives mystery just felt like a lot of ground to cover, and this was the show that couldn’t even seem to fit more than five seconds of the main characters being sad about the death of their squad mate. Did they really have what it would take to pace it?
Of course not!!!
After “Point of No Return,” I started to feel like if they did bring Tech back, it would be at the cost of it being done poorly. And to me, for his purported death AND his resurrection to be badly written would be way worse than just the former. And the draw of the whole Winter Soldier deal is the fallout; the guilt and doubt the characters harbor; the way they have to reckon with the fact that even if their loved one is back, they will never be the same again, because they did die in a way—and the less time allotted after a reveal like that, the fewer of those key things there would be, which would just make it feel so tacked on for cheap shock value and social media chatter. Especially because there had been so little buildup to such a thing at the beginning of the season. These writers' abilities are just not remotely close to Ed Brubaker's, y'all.
Then Rampart being introduced afterward felt like the death knell (oop) because it was a new plot thread they would need to wrap up by the end. But the Clone X thread was still dangling, so I felt like it wasn’t out of the question. But I guess after my complaints about the Tech connections being too obvious and there needing to be more red herrings, it turned out that the Tech connections themselves were the red herrings.
Although I feel like that's probably even giving the writers too much credit. I don't know if I really believe they were trying to mislead us. I feel like they just clumsily ended up doing things that coincided with the Tech Lives theories. Like I honestly wouldn't be surprised if when they used "domicile" it was completely without realizing they had previously had Tech say it and that this would lead to the viewers drawing an erroneous conclusion. They probably just wanted CX-2 to say something fancy and mysterious tbh, and the same words tend to float in writers' minds. Rip us.
I guess now I understand what I could never work out—if CX-2 was Tech, then why did he so specifically use rifles like Crosshair does and so proficiently, i.e. specifically better than Crosshair did? Why wouldn't he dual wield hand blasters?
Also, although I was in some ways relieved that at least they didn't write a bad resurrection for Tech, and there's absolutely no way it wouldn't have been shit if it'd just been shoved anywhere in the last three episodes, all this is not to say the Clone X concept didn't end up being super hamfisted as well. Just the fact that there are other Clone X types with different weapons and uniforms makes the concept even more confusing. Clearly these guys were meant to mirror the Batch, but then why did all the ones we encountered before CX-2 wear the same uniform as him?? Did they sort the clones into categories of which Clone X they would be? It would actually be cool if the point was to sow fear in the galaxy because it would seem like the person in the CX-2 suit was undefeatable, especially because they were completely covered and their build would be the same every time. But that would be too cool and coherent for this show, sigh.
Also, was Hemlock project managing them, or was Scorch? Neither really makes sense, but who was sending them after Rex's rebel cell? Was there a military higher-up giving the Advanced Science Division that directive? Why did CX-2 and the one that Rex's cell captured hate Crosshair so much? Why the fuck did CX-2 cut off his hand???
Anyway. I could go on forever, but I think at the end of the day, we all read too much into it because we are just collectively better writers than the writers are tbh. Sadly, a classic fandom experience. I guess what ultimately saved me the most from heartbreak and allowed me to earnestly enjoy the finale was that I had already spent a year believing Tech had died and suffered through my grief (by, you guessed it, writing a grief/mourning fic), and I just couldn’t shake the feeling that there was no way these writers could pull off something so emotional and complex. I swear I didn’t actually want to be right!
I think if nothing else, one thing we can all agree on is that Tech surviving could’ve been one kickass story, and it was a hell of a missed opportunity.
A truly absurd amount of meta and thoughts and screaming under the cut:
Overall
• I...loved it????? This is the biggest plot twist of all for me. Like I've said incessantly, I've had so many issues with the writing choices for this show, and I'm so grateful the brainrot set in so I could start watching it through a fandom lens and have way more fun with it than through a media critic lens and being a hater. But like...that was actually really satisfying to me within the parameters of where the show had led to in the last four episodes??
• As everyone on the planet probably knows by now, I would've been much happier if this show had led to the Batch choosing to do the right thing and joining the clone resistance, and if we never get another clone series, I will continue to be unbearable and salty about the lost potential of telling that story. But after Echo left and we stopped following his story, I gave that hope up. And ofc nothing about my criticism of this season is invalidated. But given the pieces on the board, I'd pretty wholeheartedly give the finale my stamp of approval!
• I'm ultimately glad that this show ended on a "We don't leave our own behind" note, because that's the clone energy and general Star Wars energy I'm looking for, and they did a great job of applying that theme to every non-villain in this episode, minor and unnamed characters included—but it's still so darkly funny for them to have continued to push this idea even though the first season is literally about them leaving their own behind and moving on. And then Crosshair calls them out on it. And then he just...leaves himself behind. Even in their first appearance in TCW, the Batch's entire vibe is that they keep trying to convince Rex to leave his own behind lmao. I just feel like the show wanted this adage to tie everything together, but then forgot to keep applying it somewhere along the way. But hurrah for this abundant use of it!
• My overall biggest criticism was that even within this one episode we got back on the rescue/captured/rescue/captured treadmill. It's the biggest plot crutch of the show. It's so goofy that Omega and Echo rescued both the children and the imprisoned clones by themselves. The setup made it so that by going to rescue Omega, Hunter, Wrecker, and Crosshair actually put her in more danger. And because they were there, more clones died, wtf!! But I do like the narrative flip—Echo and Omega were both saved by the Batch in their introductions in this era, and here are they are being the ones to save them in return. Omega and Echo also are the characters in the main cast who deserve the rescuer plotline the most, since they have been consistently portrayed as helping those in need no matter what.
• Hilariously, one of the most pivotal roles that the Forest Trio plays in regards to the GFFA at large is that they were essentially Rampart's rideshare drivers, thus enabling him to be there and force Nala Se not to hesitate to destroy Project Necromancer.
Rampart and Nala Se
• Hemlock saying his work makes him indispensable is fantastic dialogue; it just seems like some dickish thing he would say to shit on Rampart, but it ends up giving Rampart the idea to try to leverage his work to become indispensable himself, and in saying that line, Hemlock ushers his own ruin!!! This is the kind of script work I've been begging for.
• Also I was so right about Rampart being like a Kallus foil! That infamous shot of him in his sad, sterile room after Bahryn is mirrored here with Rampart sitting in pretty much the same position, except his path is the opposite from Kallus's.
• They did an EXCELLENT job with Rampart's fate. I was worried they were neutering him these last couple eps, even if the comedy was gold, but this was very well done. Everything that happens leading up to his death makes complete sense for his character, and it accomplishes the very key plot point of destroying Tantiss. At the start of the season I couldn't figure out how and why the Batch was going to end up delaying Project Necromancer for like thirty years, so I feel validated that they pretty much don't. Very typical of this show to not have the protagonists do the heroic work, but fuck it, I like this instance.
• The humanizing of Nala Se in this show has always been a bit of an interesting choice given that this is feels like such a direct successor to TCW and she was so clearly a villain there. But although they don't quite redeem her, her motivations and her fate were also artfully executed here. Her conversation with Omega pretty much takes into account every Nala Se scene in this show, which is a great way to wrap her character up. And I really like the mirror of Nala Se giving Omega her datapad in the season premiere, and Omega giving Nala Se a datapad here. Both times, Nala Se is determined to set Omega free.
• And I'm so glad there was a follow-up to the destruction of Kamino as well! Nala Se getting a bit of revenge against one of the beings responsible for the genocide of her people and destruction of her homeworld is not something I expected at all, and I love it. And the setup of Nala Se picking up the detonator and Rampart picking up the blaster is just fantastic, because you know from just those two shots that Rampart is willing to kill to gain Palpatine's favor for himself, and Nala Se is willing to die to make sure the being she loves will be free.
Echo and Omega supremacy
• Give me an Echo-led rebel show where he convinces all sorts of people in the Empire and the underworld to defect/help them, please!!! He's so good at it, completing Emerie's turn so efficiently! We have to assume Rex is also good at it given his cell and that he has clone spies and even undercover agents, but every time he sees Hunter he has tried and failed to recruit him lmao. Also REX'S NAMEDROP but him not showing up surely means...we'll see a continuation of his story soon after this...right??? Also this means Howzer still lives, oh, thank god.
• "Because it's exactly what I would do." Strategist Echo comeback yessss!! A nice little callback to the Techno Union arc that kicked this story off as well. And HELL YEAH Omega's relationship with Echo is my favorite out of all of her connections, and I'm living for their spotlight together this ep. I'm extremely invested in found family stories not relying on nuclear family narratives, and I love that you see throughout the show that Echo doesn't "raise" Omega like a kid—he trains her like a cadet. Like someone who he intends to be his equal, which is a nice and very appreciated contrast to others treating her like a precious sheltered baby.
• Their goodbye scene in "Truth and Consequences" is one of my favorites in the show, and I just adore that when Omega is upset, Echo doesn't coddle her—he reminds her of her duty to watch over the others, giving her a purpose and a reason to stand tall. When he conveys that he was worried about her and thinking of her while she was captured, he gifts her a weapon he designed and made for her during that time, so that she won't have to be defenseless after being defenseless for so long in captivity. It's so clone trooper, and I love it and the glimpses these details give us about clone culture and how the older clones cared for the shinies and the cadets and showed their love for each other.
• I also liked that Omega couldn't have escaped without Tech's training, since slicing was so vital. And all her stealthy stabbing is of course reminiscent of Hunter. And finally some emotional payoff for the ongoing bit about Wrecker being afraid of heights! I'm weak for inspirational Star Wars quotes, and this show hasn't had many, but "Just stay focused on what's ahead, not what's below," is a lovely one.
Forest conversations, my beloved
• The Kiners scored the fuck out of this episode!!! So many clever, thoughtful reprises. This is the first reappearance of Crosshair's theme that's played on the synths since he began healing! And then it segues into a soft violin tremolo version that makes me cry, and then it intertwines with "The Sacrifice" from Tech's death, ouchhhh. I have a lot of meta I need to write out about the tracks "The Reunion" and "They Always Work It Out" and how they say so much about Hunter and Crosshair, but I can't believe how well my analysis paid off in the cues in this scene! More on that in another post.
• Gosh, Wrecker's injury scared the shit out of me. But I love him so much and I'm glad he got at least a little moment, even if he didn't really have a story arc here. Or you know, in the entire damn show. And I ultimately liked that the purpose of it wasn't just to freak us out but to give them a plausible disadvantage and to give Crosshair someone to fuss over the whole time and act more recklessly because of it, thus reiterating this key character trait of his.
• I love Crosshair being worried about Wrecker and Hunter and them being worried about Crosshair. That's the squad content I crave and have been missing!! Unfortunate that it specifically has been happening when Omega is out of the picture. Writers, I swear to you, you can do both.
• Can't believe it took another half season for someone to say something about Tech's death, and it was Crosshair, who wasn't even there?? Cool line and sentiment, but man, so frustrating. I like this callback to his conversation with Rampart, though. "Depends on who's giving them" and in this first act he keeps trying to give those orders himself. Thinking of Rex on Umbara: "We're not programmed. You have to learn to make your own decisions."
• God the forest conversations in this ep and the previous one fed me so much. Hunter saying, "And so do those clones" had me literally jumping out of my seat and cheering. Baby boy, it took you so goddamn long, but thank you for finally actually giving a shit before the conclusion of your story. And "It's what I deserve," hnghhh that's the good shit, and it hearkens back perfectly to "I belong in here." And Hunter immediately telling Crosshair hell no made me very happy. And then later Hunter saying "Crosshair—" when he's worried Crosshair is still going to sacrifice himself, but Crosshair reassures him that he'll be right behind them... My heart! What a Crosshunt feast we got in this ep!!!
• Can't believe we also got so many Crosswrecker moments from the get-go and they kept coming! And my three precious little Techwrecker crumbs: the way Crosshair specifically chooses Wrecker to say the cutting remark about Tech to; the way Wrecker bows his head because that was right on target; and Wrecker being the one to watch Tech fall and to scream, "Don't do it, Tech!" in "Plan 99" yet the one to say with such conviction here, "We've always known the risks. And so did Tech." That's just so...finally accepting your beloved is gone ;_; Not really deserved by the text, which kept all but a total of like maybe one total minute of mourning off screen for some fucking reason, but.
Clone X, more like Clone Sexy
• There aren't nearly as many Clone X dudes as I expected?? I guess Crosshair's situation wasn't that rare after all? Or do they just run through them super quickly because Rex's team keeps taking them down?? Regardless, god, THEY ARE ALL SO SEXY. The way they animated their movements was so creepy and hot. And them not speaking was so eerie, I loved it. And then the moment that CX-2 did was so effective and terrifying!!! But remembering that those were clones in there is so, so heartbreaking.
• I really like that Echo really felt like both a clone trooper AND the resistance agent he is now this whole episode, and Hunter, Wrecker, and Crosshair actually briefly got to feel like commandos. The slick stealth and silent communication was also very sexy.
• MY GOD, I loved these action scenes. They were lit and choreographed so cool, they were super intense and had real consequences and close brushes with death, and the logic of the fight flow was really good, too. A character being incapacitated because they went to try to help an ally is always a wonderful driving force for action and gives it that crucial character-driven element that raises the stakes, and is great for making sure the main characters aren't too OP, and there was a ton of that here.
• Hunter and Wrecker getting shot by laser cannons and Hunter pushing Wrecker away from the blast made me shriek in terror AND THEN CROSSHAIR SHOOTING THE PILOT DEAD ON NO HESITATION NO ANXIETY NO TREMOR BECAUSE HOW DARE YOU HURT MY HUSBAND I'M FUCKING LIVINGGG. And then Wrecker stumbling over to Hunter and lifting the debris like he does in TCW. Boom, three pivotal character-driven action scenes in a row that divulge a key characteristic of each character! Excellently written and directed.
• Also I am SO SO SO HAPPY that we're getting to see this protective Crosshair come out in full force!!! This is the Crosshair who risked his life to try to save Mayday, who shouted hysterically when Hunter fell into the ice and was so desperate to get him out, who worried over Omega on Teth. I also really like this contrast with how he was about Echo—"Echo's on it." He knows Echo will get the job done and be safe and that's despite his former prejudice against regs. He's worried about Hunter and Wrecker and that's despite previously spending time trying to hunt them down. And when he suffers consequences, it's because of him worrying about them, and that's so delicious.
• Finally got to hear Crosshair screaming! And Hunter was already the screamer in this show, but goddamn does he get to scream in this episode. Thank you, directors, for this whump material! My man Steward Lee never lets me down.
• THE WAY THAT WHEN CROSSHAIR IS TRYING TO SAVE WRECKER HE REACHES FOR A DC-17 OMG!!!! I feel so validated! And just like with Mayday, he's incapacitated afterward...
• God the way CX-2 waits to be tossed the vibrosword and then leans down with it while Crosshair is already incapacitated is SO brutal, like this is not a battle injury. It's straight up what Anakin fucking Skywalker does to Count Dooku just before he becomes a Sith Lord, like holy shit, dude. This scene is so cool and I've watched it 10,000 times over the past 24 hours, but also why did he do that lol, is he just supposed to be particularly cruel?? Obsessed with tormenting Crosshair for some reason?? Also, these vibroswords are exactly how I've pictured Ahsoka's being in A Future for Us :D
• At this point I was like, uhhh, the messaging of Crosshair struggling with this psychomatic hand tremor since the first episode of the season and then the symptom literally being taken out of his........hands sure is a Choice, especially coupled with how they've treated Echo (or you know, not). When they showed him still with the symptoms later, I was very relieved, AND THEN HUNTER LITERALLY CURES CROSSHAIR THROUGH THE POWER OF THE LOVE AND FAITH AND TRUST HE HAS FOR HIM IS THERE ANYTHING MORE BEAUTIFUL IN THE WORLD???? But I'm getting ahead of myself.
Echo is the GOAT
• "You were helping us, Dr. Karr?" / "I am." I love this subtle line and how Emerie acknowledges that she wasn't sure of her loyalties before but is certain now. And I love that she says such a clone trooper thing, "You have my word," and then doing the clone shoulder pat, especially in direct contrast to the natborn kids hugging Omega just before.
• "Hey, kids. ...And other kids." is just so fucking 501st, I can't explain it. I'm just so ecstatic that they did Echo such justice in the end, giving a nod to everything about his character, even his dorkass cadet personality. And it wasn't just so he could die, thank god!!!
• Like Echo even got a DARTH VADER homage??? That's his mass-murdering general (affectionate). More on this here!
• Also is there anything more Big Dick Energy in the world than Echo eviscerating Rampart—who either the clones would recognize as a former vice admiral or at least see his captain rank plaque—with what may not be a theme this show really earned but is ABSOLUTELY a theme that Echo deserves and has shouldered for over two seasons...and then just straight up shoving him out of the way so that he can talk to his brothers???? And with his stormtrooper helmet—which is like Echo refusing to dirty his hands (including his new, long-awaited one) by touching Rampart oh my god??? Sexiest man alive.
• So the answer is no, there isn't. Fives is hollering from the afterlife. Half those clones immediately developed a crush on him in that moment. That one clone later placing a blaster in Echo's arms so gently confirmed this for me (remember the symbolism of Echo making the energy crossbow for Omega? He even gives her his borrowed blaster in this scene), but it's so sad that he died because of it, whyyy.
• Also I love the "Clones don't leave our brothers behind" riff on the "We don't leave our own behind" adage. It's very fitting that Hunter would put it that way because he only means his squad (+/-1), whereas Echo would see it as meaning his people.
• And I love how when Rampart first shoves Echo, the clone in front that Echo's been talking to prickles and makes brief eye contact with him, to be like, "Should we take him? I've got your back." I felt that girls (gender neutral) in the bathroom energy so hard.
• The clones helping each other out of their cells made me so emotional. And it's the same way that Hunter and Crosshair do later...
• Echo asking for volunteers, just like Rex did on Umbara..................
• I think this post is breaking and I'm still only two-thirds of the way through my rewatch, oops. And yesterday I stayed up until 8 a.m. after I put it on again after watching it for the first time... I'm so normal about this show. More tomorrow!
But on last week's episode, "Flash Strike," because my mind is currently racing in circles and I'll explode if I don't do anything for the next hour. Less coherent than usual probably, because I feel like I'm about to vibrate into the stratosphere.
Immediate Crosshunt frame within the first five seconds. Perfection. And notice Hunter and Crosshair once again leave the scene together—because Crosshair is Hunter's copilot, Crosshair is Hunter's copilot!!! Also they're so obsessed with each other, during the piloting scenes they are constantly looking at each other. Crosshair popping out of his seat to tell Hunter things when he should be watching the screens, Hunter turning around when he should be looking out the viewport?? Are the two of you going to die if you don't make eye contact every ten seconds??? Focus!
"He'll find a way." And boy does he!!! Echo, the man you are. Like in the last episode, the infiltration scene is simple but cleverly choreographed but moves at a good pace.
Bro I'm so mad that it was so easy for Echo to nab a hand and he hasn't before this point wtf
I always like when the Imperials being full of themselves wastes each other's time and allows the protagonists to elude them, while also saying something about the enemy characters. A+ Star Wars plot device.
Please let Scorch make it out and not just die as an easter egg they didn't do anything with!!!
OH NO Scalder is hot
I really like Omega being able to distinguish the rumble of the laser cannons. Everyone who was all worked up about her imitating Crosshair, there you have it. Even without the enhancements, Omega has learned to sense things like Hunter does.
"My brothers" made my siblings > parents heart full. And the line is particularly kickass because she's no longer helpless. She's not waiting for the Batch to come for her. She already has an escape plan. But now she has the reassurance that they'll be working the same mission from opposite ends.
Noshir Dalal's work this episode is ACES. Every single scream he does is so different! And each of them have so much texture.
I love Hunter shooting the rappel line mechanism to save Rampart and it risking his life being a mirror for Tech shooting the mechanism to save the Batch and it risking his life. A much more graceful reminder than just someone awkwardly saying one line about Tech every episode.
Crosshair being 100% confident about which move Hunter will make and how he'll find his way back to them, WHAT IF I CRIED. Hunter, what did you track to find Crosshair, I have to know. Was it his scent? The sound of his footsteps? The flutter of his heartbeat? No matter what it was, it was gay.
Crosswrecker crumbs!!! I can't believe we got TWO emotional conversations in this episode, this is the content I've been starving for. I love the duo of Crosshair and Wrecker so much, and Crosshair being emotionally vulnerable with him specifically is so telling about the depth of their connection.
Love the mirror of Crosshair saying he's here because he owes Omega, mirroring the S1 finale. And you can just feel the ghost of Mayday lingering over this bit. Crosshair's arc in the finale will have to be about him taking an action that shows him growing out of this mentality.
"Cover you?" "What does that mean?" I LOVE THIS SO MUCH. My headcanon for the clones is that they use so much military slang and hand signs to communicate that it's often incomprehensible to outsiders.
This moment during Crosshair's conversation with Rampart!!! And I love the way the light casts them in darkness and light during this conversation, and the way Crosshair appears to be emerging from it. Crosshair carrying Hunter's words with him makes me so emotional.
"Depends on who's giving them." SUB CROSSHAIR SUPREMACY. God this line makes me insane. Crosshair stating both his disdain for the Empire and his allegiance to Hunter in so few words. This show has once again decided to pretend the inhibitor chips don't exist, but I'll trade it for what amounts to an emotional confession / oath of loyalty from Crosshair.
I've watched the scene where Hunter is facing down the beast and Crosshair is standing literally RIGHT behind him so many times oh my god. If he leaned down he could press their cheeks together. I can't believe my prediction that they would just move closer and closer on screen every episode was right. The next logical step for them is to kiss in the finale, obviously.
Also this moment where Crosshair and Hunter help Wrecker up!!!
And this one!!! Echo representing the heroic standard I've been desperate for!!!
Echo going undercover in blank armor to save all his brothers... Fives going undercover in blank armor to save the galaxy... I am unwell. If the Echo feature these past couple episodes has been to set up his death, I will go knock down LFL offices myself.
Every time they play the clone theme for Echo or Rex I start almost crying. The soft rendition in the scene with Emerie made me so emotional, and then the dark fanfare version at the end is so sick!!!
I took work off today and tomorrow because I knew I would be entirely unable to function before and after the TBB finale and I was so right. I’m trying to write and get some chores done and just having a landslide of panic attacks about all the possibilities, oh god. I really don’t want it to be over yet! But I also can’t rest until I know what happens!
Also I just want it to be good. I’ve had such a love-hate relationship with this show since it started airing, and the two other season finales have left me scratching my head tbh, so I really hope they prove me wrong and the writing ends on a high note!
Prayer circle for a Rex show to be in production because if I don’t find out very soon what happens to him after “Extraction” I will be a complete wreck ;_;
Realized I never wrote up my thoughts on "Into the Breach," which was the first episode I've liked since "Extraction"!!! Probably because all I could think about was Echo for 72 hours afterward.
This episode gave me such Rebels vibes, and that's truly the highest compliment I could pay any Star Wars media. I present my case:
There's an objective laid out from the start that is a small but crucial piece of the larger plot. The beginning of the episode presents this problem, and by the end of the episode, that specific problem solved.
Everyone is competent, and every character gets to do something vital to the mission. Whether it's a small thing doesn't matter; it's the fact that if that character wasn't there to do that small thing, the mission might be screwed that matters.
The action is meaningful—it conveys something about the characters while also driving the plot forward—and there's suspense that ratchets up the tension. And then to diffuse it, there's humor, and each joke is funny, but it's not overdone.
Infiltration episodes are such a Star Wars staple, and it's a real shame that TBB hasn't had more of them. They tried to make up for it by putting THREE infiltrations into this episode lmao. The fact that they show one long-term infiltration, one short-term infiltration, and one super short-term infiltration is very clever and makes the writing feel cohesive and dynamic, something this show hasn't always been able to achieve.
Also important, they do both a space/flight mission and a ground mission (two of each, technically), which is something that always helps make an episode feel like it's set in the GFFA and not just, you know *cough* Space!Louisiana. Or Tatooine scene #700.
There's also some nice storytelling going on with the environment—they go from being outside on the cloud city (free) to inside a space station (trapped with enemies), and for Omega, inside a cell (in which she actually enters another cell, visually—her bunk). The wide outdoor shots make the close, indoor shots feel much more claustrophobic, which is exactly the atmosphere these particular indoor settings should be giving off.
Other thoughts and meta:
Daytime Tantiss is a good sign! Forecast: Not death?
Prison Break Omega is just such a good vibe, and this would just be so fucking cool...except we've literally already seen her escape once this season??? And it was already really well done??? This is like the flip side of my complaint that Omega was too helpless in the first season, and it was annoying how she constantly needed to be rescued. Now she's too competent and is always escaping lol. It just really, really cheapens the dramatic effect either escape could've had.
Needless to say, the Batch's driving purpose once again being that they're struggling to rescue Omega is just. I'm tired. If there are going to be two major captures and two major escapes this season, at least one of them needs to be a narrative flip!!! The Batch rescuing her at the front end of the season and Omega escaping herself at the end, or vice versa, would've made it much less repetitive (and stopped cutting the Batch off at the knees in order to show Omega's competency). Omega even gets captured in the same fucking way—she gives herself up in "Plan 99" and "Point of No Return"! Ughhhhh
Okay I swear I actually like this episode lmao, I just. Editor instincts.
Thinking about how Omega left Lula on Pabu and has essentially left Straw!Lula to Eva, and how it shows that she's shed her need for comfort and is now ready to provide that comfort to other children, which is very lovely. But I'm also worried about Lula and Tech's goggles being on Pabu, because there are only three thematic options here: Everyone returns to them (sanctuary), everyone leaves them behind (leaving the past behind), or Omega returns to leave more items, say a bandana or a Firepuncher (memorial). The link between Lula and the goggles is actually not that natural (unless you're a Techwrecker shipper like me :D), so I've been pondering this choice a lot.
The symbolism of everything inside Tantiss being in the shape of the Empire cog and every character within its walls being a cog of the Empire is so heavy handed...and I am here for every moment of it!!!
Truly did not expect Rampart to stick around for so long. He's going to be a main character in the finale at this point?? I like how he's like a Kallus foil here—despite being scapegoated by the literal emperor he's still loyal to the regime and takes such pride in it. A very Jennifer Corbett & Brad Rau–esque character.
The way that when Echo came down the ramp I literally said, "Oh, thank god."
Hunter and Echo doing the clone hand clasp (and not wrist clasp, you'll note) isn't as emotional given that we already know how strong their bond is at this point, but it's still nice to see this visual callback to the Batch respecting Cody so much despite him being a reg that Hunter would use this hand clasp to greet him. It's a great shorthand (ha) for Hunter's feelings, since he is particularly suspicious of outsiders, and Echo is now fully "one of his."
I really love the mirror of the scene when the Batch is in the cell on Kamino and they escape by breaking into the wall—Omega effectively does the same thing here. These are the satisfying kinds of repetition, rather than entire arcs!
Every time I think about the Tech-is-the-mustachioed-doctor theory I giggle. It would just be. So anticlimactic?? But absolutely hilarious.
The costume change is so unnecessary, buuut I'll be first in line to buy the variant figures! Also it's nice to see some canon clone armor painting after writing and reading so many fics about it!!
I really like Hunter sensing Rampart plotting and how it brings his powers even closer to Jedi precognition.
Not too much Crosshunt in this ep, but I like how in both shuttle scenes, Crosshair stands in a position that blocks Rampart from getting to Hunter in the cockpit (while Wrecker blocks Rampart from getting to the exit).
Not particularly significant, but I like the visual detail of Hunter, Echo, and Crosshair bracketing Rampart in a triangle and it looking like they're his bodyguards but them actually forming that position because he's their prisoner.
The way I screamed when Rampart tries to get Echo to say "sir" and he just says, "I don't think so." Echo did not go through everything he's gone through up to this point to take anyone's shit!!! And the way Rampart just takes it and looks down all ashamed is peak comedy to me. Even he sensed that he was treading on dangerous ground there. (Just for a second think about Fives on Umbara and how he refused to take Krell's shit from the very start...)
The commandos being on this space station (that's orbiting Coruscant??) makes me very sad because it kind of foreshadows a dark ending for the Tantiss arc by showing that the commandos are spread all over the galaxy. So even if they rescue all the commandos from Tantiss, it still wouldn't save all the others. In which case, writing wise, it feels way more unlikely for them to save the commandos on Tantiss at all.
Wrecker tapping his foot while scrolling through the comments on his AO3 account is very cute. Also in the last episode the mining foreman was on his datapad like a phone and I thought it was supposed to convey that he was lazy lol but maybe this sort of thing is just going to show up in SW a lot more now haha
The lieutenant demanding to know where the captain is is kind of silly because wasn't he the one to let him go inside?? Why would he be back at his ship? But I love me the Rebels-esque gag of knocking him out on the ship.
Everyone is screaming about Crosshair having faith in Echo getting them through, but I would also like to contribute the fact that Crosshair says, "You can't go alone." A very poetic line of dialogue because being alone in the Techno Union is what the Batch saved Echo from being, and it's what Crosshair chose to be for two and a half seasons of this show. Not wanting to be alone again was also what made him turn against the Empire! We also see this anxiety in the previous episode, where he (in that very ridiculous reveal) admits he doesn't want to go back to Tantiss (and be alone again).
ECHOOOOOO!!!! About fucking time they gave him another action feature!!! I rewatch that opening sequence in "Tipping Point" constantly. And not only that, it's a very character-driven action feature for once!!! We see him showcase what it means to be an ARC trooper and also what it means that he's "part-droid." A test I like to consider when I gauge the quality of action-ensemble media is, Could any other character have done that? In this case, the text is very loudly telling us absolutely not! Also the way he exudes confidence about it ("But I can") is also just. Super hot, 10/10
Tbh the Echo feature felt so out of place for this show that at this point I was suddenly filled with terror that he was about to die. Thank god he did not, but he's still separated from the others by the end, so it's not out of the question for something terrible to happen in hyperspace, and I do not want it!!! But altogether that was a badass third act and a very good episode!
After...*checks notes* nine months, I finally finished my first draft of the next chapter of A Future for Us. This pivotal chapter took so long to get to (59k to be exact, rip), and the action scenes nearly killed me to put together. Every time I opened the document I would just stare helplessly at the screen. Why did I ever think it was a good idea to write a 90k action-based story again??
