Yesterday I featured one of my favorite things I’ve learned from this tour of the Louvre, the “antelope on comb” motif that is more than 4,500 years old. Today we have a mystery of a different sort: a comb showing a man conquering a lion, flanked by other lions, birds, and yes -- an ungulate down there in the lower left corner.
I don’t think this is in continuity with the antelope-combs, but on its own it’s a fascination, since this is a “liturgical” comb, and we don’t know what the point of it was. From the record:
The role of liturgical combs is not well known: it is possible that they were used in cathedrals during ceremonies for a bishop. [....] Bordered by a pattern of large palmettes, Samson, recognizable by his long hair, wrestles with a lion whose jaws he spreads. This iconography symbolized Christ's fight against evil; we cannot exclude that it is another episode, David killing the lion when he was a shepherd. This symbolism is taken up by the presence of the lion's head and the ram, the latter recalling the sacrifice of Abraham.
Unlike the previous comb, which was rooted in Egypt where the others also came from, this one originates in France; made around the same time, it’s much more well-preserved and detailed. What does it all mean? Who knows, but someday I’m definitely going to put all of this in a book.
[ID: A well-preserved ivory comb, with narrow tines on one side and wide-tooth tines on the other. In the center, in an archway, is an image of a man grasping and pulling open the jaws of a lion; he is surrounded by dense decorative foliage featuring birds with berries in their beaks. In the lower right is a second lion, which appears to be cowering in fear, and in the lower left is a ram with small curling horns and a delicate build.]











