#ancient craft

[thesilicontribesman]

Roman Cockerel Mosaic Fragment, Rome, Italy, 100 to 1 BCE, Burrell Collection, Glasgow, Scotland

[miamaimania]

Shallow slate dish in the form of a bulti-fish ≋ Ancient Egyptian — hollowed vessel, striated tail as handle

[bernievm]

In the heart of the ancient Achaemenid Empire, a masterpiece of Persian artistry emerges—a rhyton (drinking horn or in the shape of a horn) carved from the deep blue lapis lazuli and adorned with gold, taking the form of a majestic ibex (mountain goat).

Dating back to the 6th to 5th century BCE, this exquisite ceremonial vessel not only exemplifies the sophisticated craftsmanship and rich symbolism of the time but also provides a fascinating glimpse into the cultural and economic prowess of ancient Persia.

[Description and Material]:

*Material:

Lapis lazuli, a semi-precious stone prized for its deep blue color, was highly valued in ancient Persia and sourced primarily from what is now Afghanistan.

*Form:

The rhyton is shaped like an ibex, a type of wild goat with prominent, curved horns, reflecting the importance of nature and animal motifs in Persian art.

[Use]:

*Function:

A rhyton is a type of vessel typically used for drinking or pouring liquids, especially in ceremonial contexts. The liquid would be poured from the top and flow out through the spout, which could be the mouth of the animal in this case.

*Ceremonial Role:

Rhytons were often used in religious and royal ceremonies. The choice of lapis lazuli and the intricate craftsmanship suggest that this particular rhyton was likely used by the elite, possibly in rituals associated with the Zoroastrian religion or royal banquets.

[Cultural and Historical Significance]:

*Art and Symbolism: The ibex design reflects the importance of wildlife in Persian culture and the symbolic use of animals in conveying power and divinity. The ibex, with its strong and agile form, could symbolize qualities such as strength and resilience.

*Trade and Wealth: The use of lapis lazuli indicates extensive trade networks and the wealth of the Achaemenid Empire, as this material was not locally sourced and had to be imported.

*Royal Patronage: The Achaemenid rulers were great patrons of the arts, and such luxurious items underscore their desire to display their wealth, power, and cultural sophistication.

[Academic Perspective on Material Culture]:

*Cultural Synthesis:

Scholars often view Achaemenid art, including rhytons, as a synthesis of various cultural influences, including Mesopotamian, Egyptian, and Greek, reflecting the diverse and cosmopolitan nature of the empire.

*Representation of Power:

Academics see these artifacts as representations of royal propaganda, showcasing the divine right and grandeur of the Persian kings.

*Symbol of Status:

In material culture studies, such high-quality items are considered symbols of social status and wealth. They provide insights into the social hierarchy and economic conditions of the time.

*Artistic Techniques:

The craftsmanship of the rhyton is analyzed for its artistic techniques, such as carving and polishing lapis lazuli, which indicate advanced skills and aesthetic values.

[Notable Examples]:

Museums and Collections: Notable examples of such rhytons can be found in major museum collections, such as the British Museum and the Louvre, where they are studied and displayed as prime examples of Achaemenid artistry and craftsmanship.

In conclusion, the lapis lazuli rhyton in the shape of an ibex from the Achaemenid period is a significant artifact that illustrates the artistic, cultural, and economic aspects of ancient Persia. It serves as a key piece of material culture, providing valuable insights into the ceremonial practices, trade networks, and socio-political dynamics of the Achaemenid Empire.

[lizzy-bonnet]

Baby's first embroidery, with the help of DMC Magic Paper because I can't freehand draw for shit. This is on a triangle collar which I have gifted to the curator of the living history museum where I volunteer/make costumes for. Done on cotton voile.

[thesilicontribesman]

The Kingston Anglo-Saxon Brooch, 600 to 625 CE, The World Museum, Liverpool

[thesilicontribesman]

Abernethy Medieval Round Tower, Abernethy, Perth and Kinross

One of only two Irish style medieval round towers in Scotland; likely to date from circa 1100s.

[thesilicontribesman]

Roman Graffito of a Horse, Birdoswald Roman Fort, Hadrian's Wall

[thesilicontribesman]

Details Set 1 from the Grand Dining Room (Triclinium), Chedworth Roman Villa, nr. Cheltenham, Gloucestershire