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I want to pick apart the brains of every winx fan who genuinely believes tecna should have long hair.
Just to know how it’s possible to be so incredibly wrong.
I LUV BADLY KEPT SECRET VALTOR! Queen Bloom going to other realms and courts with Valtor but no one can call her on it unless they want to say Domino is harbouring a fugitive and no one wants to do that cause Domino is now super strong and Valtor is making it stronger. Domino’s court “we see nothing, pay no attention to the man sitting on the arm of the throne making out with our queen…they’re going to be at this for hours” pissed Faragona is HILLARIOUS! Luv to see her so pissed
Faragonda would be like What do you MEAN you don’t see it, HE'S RIGHT THERE!! Just turn around, he's RIGHT THERE NEXT TO YOUR QUEEN! and Bloom's guards, only alive because their queen made it so, stand there awkwardly like Ma'am We Will Not Make That Mistake Again
So, I grew up with Winx, and when I found out about the Winx Saga, I was super happy.
Then I realized what shit it would probably be, and grew to hate it.
But my brother said it wasn't that bad, and that I should give it a try.
So I did.
And they did my girl Stella dirty.
I hate it here😭😭😭😭
I saw you had a Sparrabeth tag. I'm an OG Sparrabeth who remembers when the PotC writers sh*t the bed and didn't follow through with the arc they had clearly set up narratively between Elizabeth and Jack (I didn't think they'd end up together, but I didn't think E would end up where she did either). Obviously, no one can predict bad writing, and I don't think Reylo will go the same way, but I'm interested in your take on sustaining the narrative arcs in trilogies - when they work and don't.
Well, it’s not a good comparison for much the same reason the MCU films aren’t. PotC:CotBP was a stand-alone film with completed characters arcs and a definitive ending. It’s not a ‘writers’ film, it was written by like fifteen people and much of its genetic make-up is owed to other creative forces than the script. It was like a twenty car pile-up which somehow defied all laws of physics to spontaneously smelt into a decked out spaceship. Every single thing had to go wrong in exactly the right way to end up at this cultural phenomenon.
The sequels were tacked on and the writers obviously didn’t quite understand some of the key aspects that made it so beloved. I mean, there’s stuff in DMC that I love (MY SHIP MADE OUT! UNEXPECTED! BARBOSSA’S ENTRANCE!), but it’s a mess and Jack is not right at all for a lot of it.
Donna Noble was the most beautiful and relatable character on DW and I will love her for the rest of my life and when I die they will carve "Donna Noble deserved better" on my grave