#and nolan

[skullitz]

ten gifs from my favorite films 😼

ty to @fanatic-panic fir the idea hehe

[crismakesstuff]

Wasn't that scene in the comics too?

If you are talking about the scene in the opening sequence of s2ep4 kindaaaaa but not rly let me explain

spoilers for s2 ep4 “it’s been a while” ahead!

in the comic you get a lot of narration (bc that’s just the nature of a comic) where we get this exposition from nolan:

in the opening of the episode this seems to play out but instead there is no narration or any spoken dialogue for that matter. But then we get this beautiful scene that is original to the show

in the show you really see and feel the emotional turmoil that nolan is going through after ruining the live he loved and almost killing his son. He fully is attempting suicide here and the only reason he doesn’t end up going through with it is because he sees the thraxan ship getting pulled into the black hole. Let me repeat the only reason he doesn’t die is because he stops his suicide attempt to save lives.

He’s doing something that I personally think he did while thinking of mark, because mark would do that. He’s the kind of person to save strangers even if it blows up in his face bc of the kind heart his mother raised him with.

In the comic he just kinda meanders thru space and then arrives on thraxa and instantly just becomes like god king bc he’s the oldest and even ends up planning on giving thraxa over to viltrum as sort of “oopsie daisy I fucked up have this instead ok?” It’s something I personally rly did not like from the comic but they thankfully changed that in the show

The only reason he stayed on thraxa in the show and didn’t go back to try and end his life again is because he was asked to stay and to help them. I mean look at this guy he looked 100% ready to go and find that black hole again and finish what he started

In s2ep4 there’s no mention of him saying that he’s gonna give them to viltrum just that the reason he needs mark there is to help protect the people of thraxa and his little brother oliver. Which is a small but very important touch

Also over-all mark pushes back a lot more against his dad than in the comic where he rly just begged him to come home like a sad puppy and then nolan said “I’m not talking ab ur mother lolz”. Again the show fixes this and is doing imo a good job of starting his redemption arc better than the comic, nolan is by no means fully redeemed at all it’s gonna take a while but he’s trying and fucking ur and trying.

Hope this helped answer your question anon ! C:

[starcitysirens]

Bucky Barnes by Carmen Carnero and Nolan Woodward - Captain America: Sentinel of Liberty (2022) #1

[outcastpack]

[idk-ilike5sos]

Was just thinking about how people treated Liam's IED and, for good reason, got pretty mad...

Scott: he wasn't mean but didn't help either, mostly because I think he didn't know what to do. But he's supposed to be his alpha, he's supposed to be the one Liam turns to.

Stiles: he made fun of him, but because "he's Stiles", "it's his humour" people (the pack, Scott) look past it.

Hayden: she held a grudge against him for years, from something he did accidentally - she also retaliated and hit him back, so being "vengeful" makes no sense. Get over yourself.

Brett: he straight up bullied him. I'm not going to get into this, because I'd go on about it for hours - but, long story short, Brett acted the worst towards it and showed no remorse.

Nolan and Gabe: they targeted Liam because he was supernatural, but also probably because they knew about his IED - so they assumed he'd be easier to make "shift" than targeting Corey (even though they literally saw Corey turn back from being invisible in front of them).

Theo: although he definitely didn't filter himself at times, he was the most calming and patient with Liam. Also, acting like Liam's IED wasn't a problem. And he prevented Liam from doing things he knew he'd end up regretting.

Oblivious this is just from what we saw, but I doubt things fall astray from any of them from what wasn't shown.

So, in conclusion, ship Thiam because no one cared about Liam like Theo did/does.

[davidpastrsnack]

omg a little naughty nolan patrick about maybe his first game back? 😈😈

😈 (smut below)

you know the thing “i have never wanted to suck a dick so bad in my life?” that’s you the second nolan is on the ice again for the first time

you’re just so proud of him and he deserves a night of pure bliss

everyone’s saying hi outside the locker room after but you are struggling to even look at him in his perfect suit and damp hair without jumping him

so you stand on your tiptoes and whisper in his ear, “you gonna let me take care of you nols, hmm?” 

your insinuation is clear and he quickly says goodbye to everyone, dragging you to the car

the second you’re home he’s all over you, but you have to remind him that this is his night

“nol tonight is all about you,” you whisper

he tries to put up a fight but the second your hands are on his belt he shuts up

he’s totally zoned out as soon as you take him in your mouth, his head falling back as he grips your hair

you groan around him making his hips thrust up, his eyes softening as you gag around him making sure you’re okay

you pull off, “don’t be shy baby,” smiling before getting back to work

doesn’t take him long to finish, groaning “fuck” as he watches you swallow every drop

this man rebounds in two seconds so you move to straddle him, hovering over him before slowly sinking down on him

your hips are moving magically against his, nolan’s eyes fixed on your face contorting in pleasure as his fingers drag across your frame 

his thumb slides down to rub circles on your clit, easily throwing you over the edge as your body relaxes on top of him and you feel him spill inside you

you stay just like that for a little bit, finally lifting your head from the crook of his neck to see him and extra rosy cheeks and bright blue eyes smiling at you

“i’m so proud of you nols,” you sigh, your hands twirling a strand of his hair between your fingers

he presses a kiss to your lips, “i don’t know what i did to deserve you baby. i love you so much.”

“i love you too,” you respond before cuddling into his chest, both of you dosing off in no time

[jupitermelichios]

Batman & Robin is the only good live-action Batman movie since 1966. No really.

(To be clear, when I say good in this case, I mean the only good adaptation, not the only well-made made film. Joel Schumacher has never made a competent film in his life, and while I’m fairly sure Christopher Nolan doesn’t have a soul, he is definitely a skilled technical film-maker).

So a quick run-down of live-action Batman movies to date:

1. 1989′s ‘Batman’ desperately wants to be something other than a superhero movie. This will be a running theme in what follows. The decision to focus on the romance to the exclusion of almost every other relationship was a really bad choice that I can only put down to a strong desire to be making a Bond Film instead. Also that version of the Joker is just... really bad, honestly. Mark Hamill’s joker is creepy, Heath Ledger’s Joker was manic, even Leto’s Joker had a kind of dream-like quality to him (which owes more to the camera work than the acting, but I’ll take it). Nicholson’s Joker is just sort of... there. The only compelling thing about him is the score, which is working so hard to try and make us care. (Seriously, try watching any of his scenes with the music off. What little tension there was vanishes instantly).

2. 1992′s Batman Returns. Why is Batman in this movie? Could Burton not get funding for the sexy mental patient fights freak-show survivor movie he actually wanted to be making? So little would change about this movie if you took Batman out of it, but I guess if we did that we’d have to give Selina Kyle a personality beyond ‘outdated and uncomfortable even for the 90s attitudes towards female sexuality’. (Get it, if a woman is sexually available she must be crazy!) I do fully admit this is a fun movie, and I dig the aesthetic it’s going for, it’s just a bad Batman movie.

3. 1995′s Batman Forever. I think we can all agree - fuck this movie. Joel Schumacher is not a good film-maker on his good days, and this is not one of his good days. The script is weak, Val Kilmer won’t stop pouting, Tommy Lee Jones is trying but he’s the only one who is and he’s not trying very hard. The decision to add a Robin was good, the decision to make that Robin in his mid 20s and easily the second worst thing about the movie was absolutely not. Everything Jim Carey does in this movie is terrible. (Everything Jim Carey does in most movies of this era is terrible, because you should only ever hire Carey if you want the film to be about him and absolutely no one else. He does not share the frame well.) Also this movie fucked over Billy D Williams, who had accepted a bit part in Batman Returns on the understanding that he would play Two-Face in the next movie.

4. 1997′s Batman & Robin. The film so bad Clooney would reportedly refund you the cost of the cinema ticket out of his own pocket if you told him you’d seen it. The only good one. Okay, technically this movie is bad. Joel Schumacher had not got any more competent since 1995. However, a combination of performers alternately chewing the scenery and trying not to corpse and a surreal neon asthetic that no one asked for but which would go on to be ripped off by so many video games, make this one of the very few actually fun Batman movies. But we’ve already established fun =/= good adaptation, so why’s it a good Batman movie? Because it gives a damn about its source material, and that source material is not Batman comics of the 80s and 90s (which is good because they were still letting Frank Miller write for them back then) but the 1966 TV Show/movie. The bad jokes, the sudden inclusion of Batgirl, the leotards, the kooky asthetic and ‘everyone’s at least slightly drunk’ tone, the super-styalised version of the Batsuit (like them or not, Bat-nipples are as memorable as 1966′s Bat-eyebrows), all of these can be traced right back to ‘66. This movie is a neon love-letter to Adam West, and it is the only love-letter in the entire Bat-movie canon, which is why it’s the only good one.

5. 2005′s Batman Begins is what you get when you combine a director who doesn’t like Batman with a writer who doesn’t like Batman and a producer who doesn’t care about Batman. It’s a technically competent (if poorly cast) film, that Ayn Rand would almost certainly have enjoyed immensely, and that desperately doesn’t want to be a Batman movie. This is a Serious Movie you guys, not like Batman Returns and Batman & Robin, this movie is above petty concerns like fun or asthetics. The target audience for this movie a) people who don’t like Batman or superheroes in general and b) the kind of Batman fans who claim Stephanie Brown was never Robin because she’s a girl. The sort of fans who purchased All-Star Batman & Robin and TDKR II. The only redeeming feature of this film is Cillian Murphy.

6. 2008′s The Dark Knight. You probably remember this movie being fun, and you’re not wrong exactly, but what you’re actually remembering is Heath Ledger. Ledger is fun in this movie, and he’s so god-damned fun he comes really close to redeeming the entire film. With a different film-maker he probably would have done, but this is Nolan, so instead of being a fun stupid romp, this another Serious Movie. The camp is undercut but the seriousness, the seriousness is undercut by the camp, the script makes no sense whatsoever, and the result is so confused that, like Suicide Squad, viewers find they’ve forgotten a lot of what they actually saw and just remembered the points of interest. Every time I rewatch this film I’m surprised by half of what happens in it, because my brain has blocked out everything that it’s Heath Ledger or Michael Cain, and I’m definitely not alone in that. Also it’s a Nolan movie, so it desperately doesn’t want to be a superhero movie. Superhero movies don’t win Oscars and Oscar nominations are the only way Nolan can feel joy anymore. (Obviously that’s a joke. Christopher Nolan has never felt joy.)

7. 2012′s The Dark Knight Rises is actually my favourite of the Nolan films, despite being technically the worst. The plot is so nonsensical and confused that it actually forgets to be a Serious Movie for whole minutes at a time and becomes something approaching a Batman movie. A lot of that is Anne Hathaway, who is doing the best job of elavating a terrible script through great acting that I have even seen. The fact that you like or care about her character is down entirely and exclusively to Hathaway’s charm and charisma. Apart from that it’s another Nolan ‘Batman is stupid that’s why I made three movies about him’ movie. Also the fight choreography in this is really bad. Like, form an orderly queue inside the shot so we can all atttack Batman one at a time but the audience can see us waiting our turn Bad. The only person doing a good job with the fighting is Hathaway’s stunt-double, who is doing it all in one of the most impractical outfits ever put on screen.

8. Batman v Superman: Dawn of Justice. Some people liked this film, and that’s fine. There’s absolutely nothing wrong with liking a bad film - hell I almost exclusively like bat films. Batfleck was pretty good casting, and Henry Caville looks a lot like Superman. Snyder is for the most part a very good technical film-maker, who has a lot of fun with the camera. Amy Adams is woefully miscast, but it’s not like she’s not a great actor. It’s just... I’m sorry guys, I know that saying a bad film is bad is now seen as a personal attack on the people who liked it, but it’s just a bad movie! The editing is terrible, the script is dire, laughably bad in places, and worst of all, it hates Superheroes. It hates Superheroes so much the only DC canon it could think to adapt was Frank Miller’s extended fuck you to comic-book fans. The picked as the source material for a movie with Superman’s name on it, a comic by a writer who openly hates Superman! Also there’s plot contrivances, there’s plot holes, and then there’s people thinking Superman shot someone. With a gun. When he has lazer eyes. David Ayer has never written a good script in his life, and if he worked in any other industry he’d have stopped getting work two decades ago, but this is probably the worst thing he’s written.

So yeah, Batman & Robin is the only good Batman movie, because it’s the only one that is about Batman. It is totally shameless, high camp that knows it’s high camp, knows Superheroes are inherently stupid and that that’s not the same as worthless or uninteresting, knows Batman is only as interesting as his supporting cast, and revels in it. (And the most frustrating thing is, given a better script this is exactly the kind of movie Snyder would probably have made. More gold and abs and less neon, but kooky over-the-top fun that doesn’t think a film has to be art to be worthwhile. Fucker Ayer and the people who hired him for denying us that.)