Dec 2, 2022
Schumann: Ghost Variations, WoO 24 (Anderszewski, Levit)
seen from United States
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seen from United States
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seen from United States
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seen from France
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seen from Türkiye
seen from Italy
seen from Norway
Schumann: Ghost Variations, WoO 24 (Anderszewski, Levit)
Klaviertober - 16
16. A concerto you wish you could play
I love Beethoven 1 - its modest proportions, whistle-able themes and sturdy Beethoven-ness make it evergreen.
[Challenge from @une-barque-sur-l-ocean: one a day each day in October!]
Klaviertober Challenge - it’s not too late to join in!
https://une-barque-sur-l-ocean.tumblr.com/post/629990298919043072
I’m a huge fan of Anderszewski’s pianism - and boy is he handsome in this video - the faces he makes around 2:54 ... <swoon>
(via Piotr Anderszewski - Beethoven Piano Concerto No.1, Bagatelles op.126 - YouTube)
Bach, Brahms and new works by George Lewis are among the highlights.
Piotr Anderszewski might be the most convincingly unconventional Bach pianist since Glenn Gould, and he has certainly taken a creative approach to his first, mesmerizing recording of preludes and fugues from “The Well-Tempered Clavier.” Not for him the typical, step-by-step climb through each of the keys from C to B minor; instead, a jumbled selection of contrasts and complements, one that raises eyebrows but persuades the ears.
And how! Anderszewski’s playing is a miracle of touch and temperament. When there is a chance for something offbeat, something unexpected, Anderszewski takes it, as in the puckish F minor Prelude or the percussive, spiky Fugue in F. Whatever his ability to dance, he has always been a dreamer at heart, and it is in the anguish of the minor-key fugues that his concentrated intensity enthralls and overwhelms. The one in D sharp minor evokes the most forlorn loneliness you can bear to imagine, and then some; the B flat minor somehow turns anxiety into rage; the G sharp minor wanders, bereft, ruminating as if it were the darkest Schumann. This is one of the great Bach recordings, period. DAVID ALLEN
min debut på norsk / my debut in Norwegian. a little review from a very fine concert of Piotr Anderszewski i was glad to attend at Bærum Kulturhus, published in Klassiskmusikk.com : )
at the moment, my favorite interpretation of Schumann. tearing beautiful sadness of the inquiet quiet dawn.
((Musique Classique ) Piotr Anderszewski Ecoutez !: Sebastian Bach Piano Partita No.2 in C minor, BWV 826 Piotr Anderszewski, Piano) - à été publié sur le blog de FranceOrchestre.fr
le nouvel article à été publiée http://www.franceorchestre.fr/blog/2015/07/musique-classique-piotr-anderszewski-ecoutez-sebastian-bach-piano-partita-no-2-in-c-minor-bwv-826-piotr-anderszewski-piano/
(Musique Classique ) Piotr Anderszewski Ecoutez !: Sebastian Bach Piano Partita No.2 in C minor, BWV 826 Piotr Anderszewski, Piano
Johann Sebastian Bach Keyboard Partita No.2 in C minor, BWV 826 Piotr Anderszewski, Piano
Piotr Anderszewski performs J.S. Bach's French Suite No. 5 - Sarabande & Gigue