My Top 10 Albums of 2020
Ok, it's nearly February. Let's do this.
Revisiting the 2019 list, I'm struck by how my taste hasn't really changed. All of those albums are still in my regular rotation. This might be the first time that's been true year over year. The only one that has sorta fallen off is My Finest Work Yet but that's just because it's up against Andrew Bird's entire oeuvre.
Runners up: - Fleet Foxes - "Shore" (I got into Fleet Foxes pretty heavily in the Fall when this came out, but I found myself gravitating to their older albums. It's hard to disentangle that) - Caribou - "Suddenly" (It's good) - The Avalanches - "We Will Always Love You" (Also good) - Four Tet - "Sixteen Oceans" (Yes, good)
The pre-2020 albums that should've ranked:
Sharon Van Etten - "Tramp" (2012)
Sharon Van Etten - "Are We There" (2014)
Sharon Van Etten - "Remind Me Tomorrow" (2019)
🙃
10. Fiona Apple – Fetch The Bolt Cutters
I didn't listen to Fetch The Bolt Cutters many times, but it was one of my most memorable listens of the year: I took a day off of work for the first time since COVID protocols began, and I went on a long walk around Pittsburgh with FTBC in my ears. It's hard for anything to live up to a Pitchfork 10/10, but for one afternoon, at least, I agreed.
9. Sylvan Esso – WITH
A live album? But Sylvan Esso dropped a new new album this year. And wait, I've never even had any Sylvan Esson on my year-end lists before!
I miss live music so much. I didn't know that I would, though. Lately I've found myself (like many 30-somethings, probably) having a little bit less fun at concerts than I used to. They're too loud and you have to stand still for too long if you want to have a good view of the stage, and people don't dance as much as you wish they did, etc. etc. The last show I went to was Big Thief at The Fillmore in late November 2019. I stood up front like I used to (sore legs and all), but thank god I did.
WITH is not just a live album but a concert film. They formed a band of their musical friends and performed as a large group rather than as a duo, and the result is, surprisingly, my favorite Sylvan Esso album.
Ugh, and the crowd singing on "Coffee," "my baby does the hanky panky... my baby doessss..."
8. Perfume Genius – Set My Heart On Fire Immediately
This is yet another spectacular entry into the Pefume Genius catalog. Shrug emoji.
7. Taylor Swift – folklore / evermore
CHEATER ALERT! Two albums for the price of one! If I had to pick one of these to keep on a desert island, I'd probably pick evermore. It might be recency bias, but Taylor sounds like she's having more fun on that one. Regardless, Taylor delivered on (a) making TikTok go absolutely bananas trying to decipher hidden messages and (b) giving us the ultramainstream National(Dessner)-produced pop we didn't know we needed.
6. Charli XCX – how i'm feeling now
This album was a perfect palate cleanser to 2019's underwhelming-to-me Charli. She managed to capture the essence of being in COVID lockdown without losing sight of what makes her Charli XCX (i.e., all caps EARWORMS).
5. Adrianne Lenker – songs / instrumentals
CHEATER ALERT PT. 2! I talked a lot about Big Thief on my list last year because of their double whammy of U.F.O.F. and Two Hands (for which I did not, mind you, cheat). Adrianne's 2020 albums were released on the same day, so they're basically one album (right?). Adrianne spent some time with a binaural mic in a cabin in Western Massachusetts and recorded - complete with diagetic birds and windchimes - the most intimate indie rock/folk album I can recall. That entire sentence is Steve catnip.
4. Waxahatchee – Saint Cloud
I had a big Waxahatchee phase in 2018, so I was looking forward to 2020's Saint Cloud, especially after seeing glowing reviews. But I bounced off of it hard after a couple listens.
Sheep that I am, I decided to give it another shot when it started showing up at the top of end-of-year lists. And of course, I loved it.
3. Andy Schauf – The Neon Skyline
This is the only album on this list that I listened to pre-COVID. So there's something special here, for sure. It hooked me with its storytelling, which is smaller in scale than a lot of "story" music. But the smallness is key because it makes everything plausible. There are a bunch of "sad" albums on this list, but none of them wrecked me quite like this one.
2. HAIM – Women in Music Pt. III
Pt. III improves on the HAIM formula in every way. The choruses are catchier and the experimental bits are weirder. I think HAIM may have blown up this year if it weren't for gestures broadly. Not saying they aren't successful as is - but this is an album full of should-be festival hits.
1. Phoebe Bridgers – Punisher
Phoebe's Punisher arrived at the perfect time. Me and everyone on TikTok (at least the TikTok that I was algorithmed into) needed a sad album to lose ourselves in. A lot of these people didn't know Phoebe before this album. I'm jealous of their getting to discover this and Stranger In The Alps and boygenius (and BOCC, I guess) at the same time.
When I saw boygenius in 2018 (HOW was it that long ago?) I came away stunned by Lucy's performance and Julien's raw emotion (mirroring my thoughts from her captivating Outside Lands set in 2016(?!)). But I didn't know exactly what I thought about Phoebe.
I figured it out though! It was very obvious and I am very dumb for not realizing it until Punisher. Phoebe is a brilliant writer. She captures everything with a specificity that that simultaneously draws you into her brain and ejects you out into space.
So it wasn't just that we collectively wanted (needed) a good cry, it's that we were asking (begging) to be ejected from Earth completely, to return when everything was some facsimile of normal again. Phoebe delivered - not just with her patented ballads but with the hilariously uptempo "Kyoto" that asks us to dance alone in our apartments to I wanted to see the world / through your eyes until it happened / then I changed my mind. Yep, this was the perfect year for the equal parts earnest, funny, and sad 2nd Phoebe album.
