#anthroposophy

[thedrownedcathedral]

Hilma af Klint (Swedish, 1862-1944), The Parsifal Series, Group I, No 1. 2 October 1916. Watercolour and graphite on paper, 25 x 26cm.

[upstairsdownstairsandinbetween]

The Goetheanum, Dornach, Solothurn, Switzerland, i

The world center for the anthroposophical movement.

The building was designed by Rudolf Steiner and named after Johann Wolfgang von Goethe.

Thibaud Poirier Photography

[mirkokosmos]

Rudolf Steiner [1861 - 1925]

[minimonstermovies]

Straw Hats in Waldorf Pedagogy: The Four Temperaments

[altered-statuses]

Rudolf Steiner Education and The Developing Child by Willi Aeppli (New York: Anthroposophic Press, 1986)

[occvltswim]

The Universe, Earth and Man — in their Relationship to Egyptian Myths and Modern Civilization (1931)

[blogdemocratesjr]

Hecuba and Polyxena by Merry-Joseph Blondel

HAMLET It shall to the barber’s with your beard.— Prithee say on. He’s for a jig or a tale of bawdry, or he sleeps. Say on; come to Hecuba. FIRST PLAYER But who, ah woe, had seen the moblèd queen— HAMLET “The moblèd queen”? POLONIUS That’s good. “Moblèd queen” is good. FIRST PLAYER Run barefoot up and down, threat’ning the flames With bisson rheum, a clout upon that head Where late the diadem stood, and for a robe, About her lank and all o’erteemèd loins A blanket, in the alarm of fear caught up— Who this had seen, with tongue in venom steeped, ’Gainst Fortune’s state would treason have pronounced. But if the gods themselves did see her then When she saw Pyrrhus make malicious sport In mincing with his sword her husband’s limbs, The instant burst of clamor that she made (Unless things mortal move them not at all) Would have made milch the burning eyes of heaven And passion in the gods.

—Shakespeare, Hamlet [2.2]

I only wished to point this out, to show how Helena herself stands in mysterious connection with those individualities who were the rebels of the fourth post-Atlantean epoch, and who at that time had the task—for the wise guidance of the Universe—to break through the blood-relationship.

How does it stand with Paris, who is presented to us by Goethe in the Invocation Scene—forgive the trite expression, I do not mean it trivially—as Faust's competitor or rival? How does it stand with Paris? Here too we are told; he was the son of Priam and of Hecuba, and his mother had a dream when she was pregnant with him. In this case it began not with an oracle but with a dream—albeit a dream containing deeper wisdom. It prophesied to Paris' mother that she would give birth to a burning torch that would set fire to the city of Troy. Therefore the parallel legend tells also of an oracle which announced to the father that this his son would serve in Troy's destruction. Whether for the one reason or the other, the father had Paris exposed. Paris, therefore, was also among those who were put outside the blood community. He was brought up in Parion, far from the bonds of blood; and it was there that there took place what the legend tells: how Eris assigned the apple to the most beautiful, and how Paris was called upon by the Goddesses, Hera, Pallas and Aphrodite, to determine which of them was the fairest. It was even said that Hera promised Paris Asia, that is the ruler- ship over the Earth, for ‘Asia’ at that time signified the rulership of the entire Earth. Pallas Athene promised him fame in battle; Aphrodite the fairest of women. Paris gave Aphrodite the prize of beauty.

Nov the great Song of Homer describes how significantly Paris thereby entered into the whole course of the affairs of Greece. In Paris himself we have an individuality rebelling against the bonds of blood. He takes Helena out of the Grecian bonds of blood and tries to transplant her to Troy. He wants to break the bonds of blood. These things are always connected in this way; in the Greek Hero-legends we always see how there is placed into the midst of evolution that which is meant to break the bonds of blood. For the bonds of blood—in themselves strong, mighty and powerful—they are the thing that really brings about the social structure in that time.

—Rudolf Steiner, Spiritual Scientific Notes on Goethe's Faust, Vol. II: Lecture VI

[realbeeing]

"Spiritual beings express their nature in colors, sounds, aromas and everything that the senses perceive, and they flow into us when we connect ourselves with sensations."

- Rudolf Steiner