A vintage Bell & Howell Filmo 75 16mm movie camera. It was produced by Bell & Howell in Chicago, 1928.

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A vintage Bell & Howell Filmo 75 16mm movie camera. It was produced by Bell & Howell in Chicago, 1928.
1959 canonvl2
Ilford 3200
Still shooting, 94 years on: Ihagee Auto-Ultrix.
This is the oldest camera I currently own.
It's an Auto-Ultrix, made by Ihagee from 1931-1932 before being replaced by the Zweiformat Auto-Ultrix. I may not have the age of the thing right, but there were SO SO FUCKING MANY different Ultrixes and info on them is a bit of a chore to find. The most informative I've found was Sylvain Hagland's website, but he doesn't have this shutter model listed, so. Who fuckin' knows.
This particular model uses 120 film (Some were smaller and used 127, which is a rare film these days), takes 8 6x9 exposures per roll (later Zweiformats had 6x4.5 masks for 16 exposures per roll. This does not support that, hence the single window in the back), possesses a Carl Zeiss (apparently. it's labeled an Ihagee but they never made their own lenses afaik) Tessar f/4.5 105mm lens, and an Ihagee Zenith shutter.
The Zenith Shutter is a really rather interesting little thing. Most of it's fairly regular: Speeds from 1/25 to 1/100 plus Bulb and Zeit (Time) settings, a threaded release cable socket, nothing out of the ordinary for an early 30s shutter. The interesting thing about it is it doesn't need cocking. As seen in the picture above, all it has is a shutter release lever on the left of the shutter front. You press down on it, and the shutter fires and automatically re-cocks itself. It's a really rather interesting little thing, I'm quite fond. I've never seen anything like it before, it's really rather lovely.
The focusing and aperture adjustments are done with little metal fingernail-shredding arms around the shutter assembly, focus above and aperture below. The focus helical is exposed (which I didn't get a photo of, I am dense) so care needs to be taken to not let it get dirty or it'll damage the lens. The lens also needs to be set to infinity for the camera to fully fold up properly. Something to keep in mind.
My particular example is showing its age somewhat. Not surprising for a near-centennial, but still. They were built good back in the day. Most of the issues with it are that of clear use and age: It's been dropped at some point, the rear door is dented and hard to close, the aperture adjustment arm works, but is rather loose and wobbly, the Film winder is so seized up I didn't even realise I could pull it out to aid film loading until my second roll, the body coating is worn and flaking, and there's a tiny speck of fungus in the lens. But,
The bellows are pristine, the springs are still plenty powerful (see above, it nearly launched itself out of my weak-ass cripple grip when I opened it), aside from the fungus speck the lens is pristine, the focus is smooth despite the decades of dirt I cleaned off the exposed helical, the shutter reliably fires on all speeds, despite the back door damage it seals well, even the flimsy little red window door is intact!
Once I get home I'm going to give it a proper clean, get the rolls I've shot developed, and see if I can find anyone to take care of that little bit of fungus internally, provided I can't do it myself. Overall I'm really happy with the thing; yes it's worn, yes it's damaged, but for being nearly a century old it's stunning. I couldn't be happier.
(Masterlist)
State Street bridge, Chicago. April 2024. The antique Kodak camera sometimes has time machine properties.
I recently lucked into a surprisingly large collection of old film photo gear at a garage sale. The guy was a motivated seller (he was planning to move and didn't want to take his deceased hoarder uncle's camera stuff with him on another move). All of the cameras had been stored outside in an automotive garage for a few years, and only a few lucky ones were protected by having lids on the boxes where they were stored.
This camera was covered in a thick layer of grime, which had effectively seized up all of the external moving parts. I feared the worst. After several hours of deep cleaning, I'm honestly shocked by the condition of this beautiful camera. I'm even more shocked that it appears to work as well as it does!
The diopter adjustment lever is pleasantly damped but easy to move.
The lens extends and locks into place easily, and the focusing is smooth and firm. The aperture mechanism is a little stiff in most of its range, but still moves freely.
All of the shutter adjustment features move freely and give positive feedback, and the shutter fires at all speeds (though it is clearly slower than it should be, with the 1 second speed clocking an inconsistent 1.5 seconds most of the time).
I shot a test roll of the cheapest black and white film I could find, mostly to determine if the shutter is intact, and to help judge how far off the exposure times are. I'll updated with some shots once I develop and scan it!
i've been meaning to do this for a while... i just released a pack of reference photos! 📷 they're of a Kodak Hawk-Eye No. 2 Model B, a camera produced between 1926-1934. it's sort of a family heirloom, and as far as i know, a camera that would have been fairly accessible to the average person at the time.
my goal was to take some thorough and decent quality photos of a single object, capturing all its little details, for the artist who doesn't want to extrapolate. ;)
it's $5+ PWYW and there are even videos in the zip file, go take a look. and follow me on ko-fi! 💖☕
BennyNikole, expired 4x5 Polaroid sheet film, Speed Graphic