Nadia Belerique
HOLDINGS, 2020–ongoing
Plastic barrels, stained glass, copper, lead, etched glass, acrylic sheeting, rainwater, paint, steel, various found objects, photographs, and wood
seen from Japan
seen from Germany
seen from Russia
seen from Norway

seen from United States
seen from United States

seen from Australia
seen from Vietnam
seen from United States

seen from United States
seen from United States

seen from Indonesia
seen from Türkiye
seen from United States
seen from United States

seen from Malaysia
seen from United States

seen from China
seen from Greece
seen from United States
Nadia Belerique
HOLDINGS, 2020–ongoing
Plastic barrels, stained glass, copper, lead, etched glass, acrylic sheeting, rainwater, paint, steel, various found objects, photographs, and wood
Sadie Barnette, “The New Eagle Creek Saloon,” 2022,
Organized in conjunction with The Studio Museum in Harlem, The New Eagle Creek Saloon presents Sadie Barnette’s fluorescent recreation of the San Francisco gay bar that her father, founder of the Compton chapter of the Black Panther Party, operated in the early 1990s.
On select Saturdays, the architectural installation is activated by DJs invited by queer scholar and artist madison moore as part of The Kitchen’s new nightlife and club culture residency; visitors are invited to dance, an homage to queer Black spaces past and present.
Courtesy of The Kitchen,
Photo by Adam Reich
Studying architecture via community service
CAUKIN Studio’s #HiveMind installation is an architecture students’ initiative that in the macro perspective adds to the hands-on learning curve of the pragmatics of architectural practice. Check it out here… http://bit.ly/2OOk2gm
Susan MacMurray. Shell Detail, 2006/7.
Shell, 2006/7
mussel shells, red velvet
Brian Thoreen
Marlon de Azambuja. Brutalismo Americano, 2017.
clay, concrete + glass collected by the artist over 10 days in the San Francisco Bay area.