May 28, 2020
#repost @mundysasiagalleries Mundy’s Gallery, Great Barrington, Massachusetts, USA. Two-paneled Japanese screen portraying resting dogs, Taisho period (1912-1926). Thanks to @ellenweider for the tip (from a gallery in the Berkshires!).
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#repost @mundysasiagalleries Mundy’s Gallery, Great Barrington, Massachusetts, USA. Two-paneled Japanese screen portraying resting dogs, Taisho period (1912-1926). Thanks to @ellenweider for the tip (from a gallery in the Berkshires!).
Sandra Martens as dancer with art screen in “Demi Plié” for Vogue Turkey, May 2017. Photograph by Emre Ünal.
Martens wears ballerina inspired looks with dazzling jewelry. Fashion from Adler, Gitza Gate, Eres, Marks and Spencer, Wolford, and Fuat Hayat.
Inspiration for a mid-sized coastal formal and enclosed medium tone wood floor living room remodel with blue walls, a corner fireplace, a stone fireplace and a concealed tv
B and C Racing
Championing and supporting the state's creative industries, spanning arts, culture, screen, design and more.
The Creative Exchange Podcast delves into topics affecting artists and the creative community such as AI, career sustainability, funding and more. Episode one out now.
Championing and supporting the state's creative industries, spanning arts, culture, screen, design and more.
THE BIG MELT - co-directed by JARVIS COCKER to be screened at ART SCREEN this FRIDAY
Directors Martin Wallace and Jarvis Cocker mix a treasure trove of footage from the BFI archives and the British Council Film Collection with a phenomenal score which was recorded live in Sheffield in 2013.
The score features contributions from the heroes of Sheffield’s music scene, including Richard Hawley and The Forgemasters, amongst others, to create a spellbinding journey into the soul of our industrial past. This is a new kind of Sheffield Heavy Metal, with pictures.
Jarvis Cocker and Martin Wallace will join us for a special Q&A after the screening, hosted by Paul Morley, critic and author.
Commissioned by BBC Storyville and BBC North in Association with the BFI using public funding from the National Lottery through Arts Council England.
Directors: Martin Wallace and Jarvis Cocker
United Kingdom 2013, 1h10m, PG