also updated my dragonsona look at this hottie (he has wings but they didnt come out great so i hid them lmao)
seen from Czechia
seen from Slovakia

seen from Malaysia

seen from France
seen from Malaysia

seen from United States
seen from United Kingdom
seen from Czechia
seen from Italy

seen from Australia

seen from Singapore
seen from China

seen from Netherlands

seen from India
seen from Kazakhstan
seen from Czechia

seen from Malaysia
seen from India
seen from United Kingdom

seen from Czechia
also updated my dragonsona look at this hottie (he has wings but they didnt come out great so i hid them lmao)
Hello, everyone! Art Haz Online Auction on Invaluable is now happening. Check out our new collection of works on paper from various artists. This timed auction ends September 27, 2016. Visit www.arthaz.com or click on the link below for more information.
tinyurl.com/sep2016auction
Fascinating print signed by Stanislao Lepri (1905-1980). Setting himself apart from the Parisian Surrealism, this artist who cannot be classified in any school, offer us a mysterious hybrid world made of reality and the fantastic.
On sale here
YAYOI KUSAMA, “Supper”, 1963. Stuffed and sewn canvas in wooden box. Signed and Dated “Kusama 1963” on the underside, 8 inches x 16 inches x 14 inches; (20.3 cm x 40.6 cm x 35.6 cm).
Yayoi Kusama is a major postwar- contemporary Japanese artist and writer whose works incorporate visceral images and provoke philosophical questions. Born in 1929 in Matsumoto City, Japan, Kusama is also a well respected fictional writer of short stories, though Kusama began her career by studying Nihonga painting, a rigorous technique developed in Japan during the Meiji period (1868-1912) which aims to distinguish the classical elements of traditional Japanese paintings from other western-influenced styles. Many of her works have a rather obsessive compulsive tendency, palpable in the repetitive visual imagery of many of her works, some containing an abundance of tiny dots and other repeated elements, which may read as neurotic or paranoid. Drawn to the international postwar art scene, Kusama moved to New York City in 1958, exhibiting her first paintings in 1959. Highly cherished, her Net paintings consist of a series of mesmerizingly vast canvases entirely covered in rhythmic undulations, of which their coils suggest ‘infinity’. Kusama returned to Japan in the early 1970’s to begin working on her own surrealistic novels, short stories, and poems, only later to revisit themes that permeated throughout her earlier works. Kusama is also treasured for her series of soft sculptures that she created from the 1960’s to the 1980’s, which are chiefly comprised of various fabrics, embellishments found or handmade objects.
Her recent works consist of freestanding sculptures and dizzying displays, a lovely frenzy of elegantly vivid forms that have been included in leading museums throughout the world, including the Museum of Modern Art, New York; Los Angeles County Museum of Art; Tate Modern, London; Centre Pompidou, Paris; and the National Museum of Modern Art in Tokyo, among many others. Kusama continues to live and work in Tokyo, where her designs extend but are not limited to a versatile scope of art forms such as theater happenings, fashion designs and dazzling mirror-filled rooms which captivate their viewer. Often praised by her peers, among them Donald Judd, Dore Ashton and Frank Stella, Kusama’s work is also presently on display at the Whitney Museum of Art. Similar soft sculptures to the one illustrated above take the form of household furniture pieces. The exhibition will be open from July 12-September 30th, 2012, alongside another solo-exhibition of the work, Fireflies on the Water, on view now.