#artonthecouch

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#Masks #Outofafrica #Tretchicoff #africandesign #pillowshams #Pillowthrow #culturalfusion #Modernart #Popart #UCB #eastafrica #Tissu #homedeco #furniture #Interiordesign #Decoration #Artonthecouch #famouspainters #abstractart #팝아트 #현대미술 #Bestgiftever #최고의선물 #ベストギフト #結婚式のプレゼント#mejorregalo #regalodebodas #idéecadeau #アフリカデザイン #culturalfusion

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#Masks #Outofafrica #Tretchicoff #africandesign #pillowshams #Pillowthrow #culturalfusion #Modernart #furniture #Uniquedesign #Design #Tissu #homedeco #afropunk #Interiordesign #Decoration #Artonthecouch #benches #bohostyle #handwoven#tribal#basquets #tamedorigins #tribal #gipsys#melanin #regalodebodas #pillows #ethnic #culturalfusion (at VilladesPecheurs Fishing Cap Skirring)

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#Masks #Outofafrica #Tretchicoff #africandesign #pillowshams #Pillowthrow #culturalfusion #Modernart #Popart #UCB #eastafrica #Tissu #homedeco #furniture #Interiordesign #Decoration #Artonthecouch #famouspainters #abstractart #팝아트 #현대미술 #Bestgiftever #최고의선물 #ベストギフト #結婚式のプレゼント#mejorregalo #regalodebodas #idéecadeau #アフリカデザイン #culturalfusion

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#Fabriclovers #pillowshams #Picasso #Pillowthrow #contemporaryart #Modernart #Popart #UCB #needlework #Tissu #homedeco #Interiordesign #Decoration #Artonthecouch #famouspainters #abstractart #팝아트 #현대미술 #Bestgiftever #최고의선물 #ベストギフト #結婚式のプレゼント#mejorregalo #regalodebodas #idéecadeau #cadeaumariage So much to say about Picasso. His father was a reputable professor of fine art who vows never to paint again when he realized that his son surpassed him when he was just thirteen years old. He was brilliant as a child and was always in quest of that childhood spirit, right before betrayal and disappointment show their ugly faces. “It takes a long time to become young” he once said. I would like to show here a painting by Picasso when he was just fifteen (First Communion) as opposed to the “Reading” that he painted at 41 to illustrate his journey back to the age of innocence and simplicity. I am glad we were able to capture that in a pillow sham.

[theds106shrink]

long ago, long before any of us were alive or thinking or walking or breathing, when our souls were swirls, and long before the stars and the sun had any idea of what to do with themselves, there w...

This is my first #artonthecouch critique for 2015. I took a break for the holidays and have a renewed enthusiasm for this project. I have, however, made some changes for this year. I am not going to put myself under pressure to do one critique per week, last year it started to turn into a chore and I did not like that. Guilt is not part of the DS106 ethos - and I felt guilty if I missed a week. 

The other interesting thing is that people are choosing to not submit any art for me to critique. Just an observation not a judgement. I have to keep choosing the art myself. So I will choose art that speaks to me and that, paraphrasing Jeannette Winterson, I want to spend time with. 

Without further ado, let's spend some time with some awesome web art! 

'Three Seasons' is a story told in a web page; not a photo or something I can reproduce here. You have to go an read it before what follows can make sense. And trust me, it will be worth every minute you spend with it. 

What first struck me when engaging with this piece was the multi-modal nature of it. This may seem a detached and technical observation, but I think that this web page shows some of the possibilities in the future of composition. It uses audio, written words, video, animated gifs in the service of the story and it does so beautifully.

I clicked to read from Twitter one day last year when I was rushing to finish my chores for the year. It made me stop and attend. It made me stop and connect with my emotions even when I did not have time for that. That is powerful.

I am a writer so my attention on second reading was drawn to the written word. I noticed that Kailey (@kaileyck) did not capitalise any of her paragraphs. She does not use paragraphs in the traditional sense either. It is as if she is using space to mark the places where she would like her reader to take a breadth. The effect on me of the lack of traditional markers was to draw me in and make me want to attend to the story that much more...I did not know where to pause so I just focussed. As you read you think you are settling into a story told in the written word and then

and then Kailey starts to work with other media and draws the reader in further. The use of the animated gif was particularly powerful. As those of you who read The DS106 Shrink regularly know, I am obsessed with the animated gif. I have a sense that it is evolving into a medium to 'carry' the content of our communication that is carried by body language and gestures when we speak face to face. Humans have such ingenuity when it comes to overcoming limitations. The 'text mediated self' that is our digital presence is limited and favours those of us who have ease with the written word. Some people, like Kailey, are creating a new language. We all need to ask 'do you speak gif?' and Kailey shows us how. The animated gifs in her piece bring the written word to life. They are done beautifully: smooth precise moments picked meticulously to add to the words.

And just as you start to think that this is it, she adds sound. First in the form of a dramatic video clip, which makes us transition from the visual element to audio and then to audio only. This to me is what lifts this story from the just good to the simply exceptional. I click on the audio file and keep on reading. Just the same attention to detail as in the rest of the story. The sound blends with the words as if Kailey was there telling me the story and playing the sound on a piano. It keeps playing as you read. Foley sounds create images in your mind as you read the words

and your emotions engage with the words in ways that plain text could never do. I read to the end and have tears in my eyes as I finish reading, hearing, seeing Kailey tell me a story. 

I think you can say, British understatement coming, that I quite liked the story. 

My critique has focussed on form not content because this is what struck me the most and what connected with my own interest in mediated communication. Yet none of this would work without a beautifully crafted story. Do yourself a favour. Switch on clutter cloak and spend a day in Kailey's company. It will restore your soul.

[theds106shrink]

This is relevant to my #artonthecouch project. What did I think of this episode? It was [fill blank with overused superlative of choice] I will write more on this soon. I wanted to post it here so as not to lose it. Some kind soul on Twitter directed me to it, but I found it in a tab at end of the day. Thank you whoever you were. You were...I can't even...literally...

[theds106shrink]

"The wire" a poem by Melinda Albrycht

DS106 Art on the couch - critique

When I first heard the poem on sound cloud it was the voice, the depth of the voice that stood out for me the most. I wondered how to do an art critique with audio art. So I went googling. I guessed that music might offer some constructs to comments. 

From my explorations I get that the tempo of the voice is steady and this is what brings me in. The monophonic nature of the voice has a hypnotic effect and I also notice, on hearing again, that there is a rhythm to Melinda's voice as she read her poem, it becomes almost a song.

Is this what people refer to as a melodic voice? When she talks about the losses in the game, one can almost tap to 'the music' of her voice.  Repetition is used to great effect in this part of the poem to create the sense of hopelessness in playing this game.

I found it interesting to compare the written words with the performed words. 'Look again' says the text. 'Look again, player.' says Melinda's voice. 'Player' added to keep the rhythm in the voice I am guessing.

The last part of the poem has a different tempo. I am not sure how to interpret that, I just noticed it. I notice the change comes when she says 'Look again'. May be this looking again gives new information and this is shown by the change in tempo in the quality of the voice and the cadence of the words?

The voice is used to convey the emotion of the words. The contrast between the possibilities when we play a game is marked with the change in tone. As we are losing the game, the option comes up to win it. But if you think you can win it, think again. Nobody does. Can I win? Will I lose? Can I leave the game? There really is only one choice, if you play on the wire you will always lose. 

It is that dangerous.

The poem starts with 'walking the wire' and ends with 'playing on the wire'. A way to bring closure to it? a kind of circle that keep going in a never ending cycle of despair?  

The poem has a realistic and expressive style.

Unless you have seen the TV series, 'The wire' and what the wire is is hidden from the composition. Yet it stands alone as a description of a kind of life style that leads to the destruction of life. Anyone 'hanging by the wire' is in danger. The poem brings up despair and hopelessness blended with a sarcastic 'gotcha' flavour - just think again, player.

And now for the informal critique: I thought it was so bloody good (as we say in the UK, Melinda) that I wished I had written it myself. 

If you want to know why I am doing this and how you can join in, read this post

[theds106shrink]

DS106 Art on the couch

I have been reflecting and feeling the need for a new project to keep my #4life badge in the DS106 community. It is true that one cannot keep up the intensity of experience that comes with doing the full course for the first time. Yet, I have kept involved and creating for the last year.

One of the things I notice is that I have become lazy about narrating my work and, if I am honest, lazy about giving time to the art being created by the community. This ties in for me with my other involvement in online educational communities - how do we learn/support the type of engagement that encourages people to join into the wonder that the web can be? 

And then this lands on my stream:

I follow and get inspired by The Art Assignment daily. I often adapt their assignments for our Daily Create in DS106. I have a list as long as my arm of art assignments I will try one day.  I watched Sarah talk about how to critique at a time when I was struggling with some of the dark under belly of the web - it is just not okay to threaten people's lives and harass them because I disagree with their views. I have been shocked by what I have read and have written a post to help digital storytelling students at York College to engage with these issues. None of this felt constructive enough. 

And then this lands on my stream: The critique Assignment! Somebody called Joanna (update: who read this little post and reposted on the blog, thank you Joanna)set up a Tumblr to do the very thing that Sarah suggested in the Critique episode. Joanna is on fire and I have not been able to keep up with all her critiques - but what a great thing to do: To give time to fellow artists to explore their art. I read her manifesto for this project and wow! I have been following since day 1 and thinking about it. I could not make the commitment to publish as regularly as she does, but surely I could do something?

And this morning Art on the Couch was born. I firmly believe in the 'show, don't talk' ethos of DS106, although I do use 10 words where one would suffice most of the time. (For those of you visiting from other web spaces: DS106 is a Digital Storytelling Course which run on the web and at various universities mainly in the US)

I was inspired by Joanna and Sarah, but I do not have their skill. What little I know about art critique I have picked up from learning to comment on DS106 blog posts. I am just a beginner artist and never in my life did I think of myself as a budding art critic - it takes a lifetime to learn to do this well. I am just a psychologist playing at being an artist and loving it. 

I did what I do best. Google it. 

I have a whole lot of resources to try: I have learnt about the Percy Principles of composition, found an awesome Prezzi on the process critiquing art and this incredible wiki that seems to have everything I ever needed to know about critiquing art. There are also the resources Sarah recommends and I will be publishing the transcript of her programme in the next post - it deserves study. 

My commitment to my DS106 fellow travellers

I will limit what I do to DS106 art. I have created a submission form for you to submit stuff you want critiqued knowing that I am learning as I go.

Click here to go to the form and submit.

I found the work of a wonderful man. His name is Marvin Bartel and he has a lot of material online to help people like my learn art critique. From his work I created a Google Form which I will use to do each critique. You can view it but not edit it. 

My plan:

I will publish one critique per week

The post will be a summary of the Google form I use to work through the piece.

Comments are open and it is my hope that we can use the comments to talk about each piece with the artist as we go

Each month I will publish a summary post with the critiques for that month

I will tag everything to do with this project #artonthecouch you can use this URL to find all posts tagged: http://theds106shrink.tumblr.com/tagged/artonthecouch

I think if you tag any art you want critiqued this way anywhere on the web I can find it on Google eventually. Clearly easier for me if you use the submit form. 

I plan to keep reading and updating resources under that tag as I go. The Google form is laborious but it take on board something I believe in strongly enough to have written a whole book about it - engagement takes time. Sarah talks about this in her episode and Joanna is mindful of this in her manifesto when she commits to spending at least 5 minutes with the art she critiques. 

It is clearly possible that nobody will submit anything. I can live with that even if I shall cry daily into my coffee that my great project is bombing...So, initially I will take the Daily Create site, select random and pick one submission from that random daily create to work with. I will do the same with the assignment bank, pick a random assignment and select from it. (Update: jimgroom suggested I also use our DS106 in[Spire] website, where we submit art that inspires us from the whole of the community. I will select from there too).

In my ideal world other DS106 peeps will want to join in and write up critiques. I can repost anything tagged #artonthecouch here on Tumblr. if you use the same tag on twitter, I can find stuff elsewhere on the web. There is a rule if you do submit a critique you must fill in the google form for the piece of art you are critiquing. I am doing this to make sure we show we care for our art by spending time with it and reflecting on its meaning beyond 'interesting'. 

I am borrowing the rules for this project from Tilde Club. Awesome project but that is another story.

- No drama. What constitutes drama? There is a Mary J. Blige song called “No More Drama.” If Mary J. Blige would think it was drama, it is drama. - This is a guilt-free project and total disaster is ALWAYS a possible outcome. - This thing is a de-facto whitey sausagefest so everyone be actively, aggressively cool and sweet and remember that the only binary that’s real is the one that we use on our microchips.

No drama, guilt-free and no binaries. Now, that is something this shrink can get behind. You? 

If this takes off in our little corner of the Internet then I can create a dedicated Tumblr for DS106 Art on The Couch.