A selection of some of our fave Harvey Guillén fashion moments in 2025!
Harvey showcased a lot of new designers throughout the year, alongside his ongoing collaborations with Christian Siriano!
His Emmys fashion journey showed this in microcosm: he slayed in Bishme Cromartie to announce the Emmy nominations, in Siriano at the Creative Arts Emmys, in Harry Halim at the Primetime Emmys, and in Cucculelli Shaheen at the post-Emmys parties.
Harvey continued to highlight sheer textures in his looks and added a new twist with temporary tattoos on his arms for a couple of red carpets. He introduced pleated pieces by Homme Plissé Issey Miyake and explored new ways to show some skin with backless outfits by Siriano and Jonathan Marc Stein early in the year. He leaned into leather with a stunning photoshoot also in Jonathan Marc Stein, repped fat positivity with a Mameko Maeda Tenga X Artist sweater, and featured eco-friendly fashion with Romina Cardillo at the premiere of Companion. Plus, he revived one of his earliest fashion collabs, with Ashton Michael, at the 2025 Latine Honors.
Edit: Look below the cut for the events and designers for each look!
Which 2025 Harvey fashion moment is your favorite? We can't wait to see what he wears in 2026!
Events and designers, from left to right and top to bottom:
In Cucculelli Shaheen for 2025 post-Emmys parties
In Jonathan Marc Stein for 2025 Elton John AIDS Foundation Oscars Viewing party
In Christian Siriano for Siriano's 2025 NYFW show
In Romina Cardillo at the Companion film premiere
In Romina Cardillo (Nous Étudions) for the Companion film premiere
In Christian Siriano at the 2025 Critics Choice Awards
In Harry Halim at the 2025 Primetime Emmys
In Simone Rocha and Homme Plissé Issey Miyake for a photoshoot
In Ashton Michael for the 2025 GLAAD Latine Honors
In Mameko Maeda (TXA - Tenga by Artist) at the 2025 Vanities Party
In Siriano with Vitaly accessories for the 2025 NHMC Impact Awards
In Homme Plissé Issey Miyake with a Zimomo on Jimmy Kimmel Live hosted by Tiffany Haddish
In Jonathan Marc Stein for a photoshoot in NYC
In a leather corset top at the Real Women Have Curves Broadway premiere
In Blake Patterson with Vitaly and Frou York accessories at the Alexander and the Terrible, Horrible, No Good, Very Bad Road Trip premiere
In Christian Siriano at the 2025 Creative Arts Emmys
In Alexander McQueen for Museum Store Sunday
In Dickson Lim for a photoshoot
In Bishme Cromartie for the 2025 Emmy nominations announcement
The songstress, who was styled by Marta del Rio, opened the show in a corset-style bodysuit with sweetheart neckline, crystal-embellished boning and long chiffon drapes that cascade from the shoulders down the back custom-made by Michael Ngo.
She paired it with the Dolls Kill “Obsidian” knee-high combat boots, which feature distinctive design details —including small zippered pockets on the sides, a lace-up front, buckles at the ankles and inside zipper closures.
Kesha moved across the stage carrying a hyper-realistic head of her former self from the "Animal" era, created by Kelton Ching with the help of Vaida Mikelenaite and Ana Victoria Esquivel. This striking visual was inspired by ancient Greek depictions of the goddess Athena holding the severed head of Medusa, a trophy presented to her by Perseus.
For her sold out show at KIA Forum, Kesha carried a silicone likeness head crafted by prosthetic and special makeup artist Chelsea Delfino in collaboration with Charlie Hernandez, Manny Lemus, Anneliese, Fourth Seal Studios and Motion Picture F/X Company.
On January 24th, 2026, during her show at Allianz Parque in São Paulo, she wore a For The Stars Fashion House sculptural silver headpiece adorned with crystal-encrusted snakes, inspired by the Medusa myth, paired with a cobra neckpiece that coils elegantly around the neck and torso.
In Brisbane, Kesha debuted a bespoke Garo Sparo ensemble inspired by Athena. Channeling the strength and wisdom of the deity, the singer donned a warrior corset and panties, a dramatic tear-away skirt and white sheer gloves.
The look was completed with custom Keren Wolf ornate gold headpieces, gilded designs that framed her face like sacred armor.
For Act II, titled “Heaven in Hell”, Kesha changed into a bespoke RAMSLAM white bodysuit with striped bust cups, criss-cross bands and leg straps. She completed the look with a pair of black fur boot covers and matching oversized hat, also custom-made for her by the LA-based fashion designer.
The singer then took the stage to deliver a powerful and emotional performance of “Fine Line” in a custom Ashton Michael white bondage-inspired straitjacket. The statement piece featured a dramatic high stand-up collar, an array of adjustable straps, oversized buckle elements and industrial metal hardware, all of which reinforced the raw vulnerability and intensity of the moment.
The Laurel DeWitt silver crown worn during the performance of "Eat The Acid" is a statement piece that features an intricately sculpted base encrusted with shimmering crystals. Rising from the crown are spike-like extensions arranged in a radiant formation, evoking the image of a celestial halo.
For Act IV, named "Freedom C*nt", Kesha donned a custom Howie B bodysuit adorned with two hands, which were rhinestone-embellished by Derrick Alexander —a symbolic detail that shimmered with every movement. The piece was paired with a structured blush-pink satin corset by the same designer.
She accessorized the look with the "PR B55S" silver mirrored sunglasses by Italian luxury fashion house Prada. These shades feature a slim metal bar that extends elegantly to the temples, merging sharp geometry with sleek minimalism.
Last but not least, for the final act of her concert in Dallas she donned a crystal-embellished version of the ". Pasties" white T-shirt from her own merchandise collection.
On August 9th, the artist wore a pink satin and leather harness belt by the same designer, which was embellished with Swarovski crystals, paired with custom panties and combat boots.
For her final look at CarnaUOL, Kesha changed into a BEPOP bright yellow T-shirt with green collar and sleeve trim, inspired by classic Brazilian football jerseys, featuring bold lettering with a Brazil flag graphic on the front.
She paired the look with the Dolls Kill "Obsidian" knee-high rhinestone-embellished combat boots in pink, which feature small zippered pockets on the sides and lace-up front.
In Paris, Kesha was gifted a cape designed by Anthony Al Khalil and Amir Al Kasm. The garment, custom-made for her, featured intricate hand-embroidered motifs symbolizing transcendence and freedom, including a cathedral, a radiant sun, an all-seeing eye, a spaceship and a whale —each element evoking a sense of spiritual journey and cosmic imagination.
During the Australian leg of the tour, Kesha closed the shows in a bespoke Michael Schmidt Studios bodysuit covered in reflective silver mirror tiles and crystals arranged in vertical mosaic patterns, featuring an asymmetrical one-shoulder design.
