The songstress, who was styled by Marta del Rio, opened the show in a corset-style bodysuit with sweetheart neckline, crystal-embellished boning and long chiffon drapes that cascade from the shoulders down the back custom-made by Michael Ngo.
She paired it with the Dolls Kill “Obsidian” knee-high combat boots, which feature distinctive design details —including small zippered pockets on the sides, a lace-up front, buckles at the ankles and inside zipper closures.
Kesha moved across the stage carrying a hyper-realistic head of her former self from the "Animal" era, created by Kelton Ching with the help of Vaida Mikelenaite and Ana Victoria Esquivel. This striking visual was inspired by ancient Greek depictions of the goddess Athena holding the severed head of Medusa, a trophy presented to her by Perseus.
For her sold out show at KIA Forum, Kesha carried a silicone likeness head crafted by prosthetic and special makeup artist Chelsea Delfino in collaboration with Charlie Hernandez, Manny Lemus, Anneliese, Fourth Seal Studios and Motion Picture F/X Company.
On January 24th, 2026, during her show at Allianz Parque in São Paulo, she wore a For The Stars Fashion House sculptural silver headpiece adorned with crystal-encrusted snakes, inspired by the Medusa myth, paired with a cobra neckpiece that coils elegantly around the neck and torso.
In Brisbane, Kesha debuted a bespoke Garo Sparo ensemble inspired by Athena. Channeling the strength and wisdom of the deity, the singer donned a warrior corset and panties, a dramatic tear-away skirt and white sheer gloves.
The look was completed with custom Keren Wolf ornate gold headpieces, gilded designs that framed her face like sacred armor.
For Act II, titled “Heaven in Hell”, Kesha changed into a bespoke RAMSLAM white bodysuit with striped bust cups, criss-cross bands and leg straps. She completed the look with a pair of black fur boot covers and matching oversized hat, also custom-made for her by the LA-based fashion designer.
The singer then took the stage to deliver a powerful and emotional performance of “Fine Line” in a custom Ashton Michael white bondage-inspired straitjacket. The statement piece featured a dramatic high stand-up collar, an array of adjustable straps, oversized buckle elements and industrial metal hardware, all of which reinforced the raw vulnerability and intensity of the moment.
The Laurel DeWitt silver crown worn during the performance of "Eat The Acid" is a statement piece that features an intricately sculpted base encrusted with shimmering crystals. Rising from the crown are spike-like extensions arranged in a radiant formation, evoking the image of a celestial halo.
For Act IV, named "Freedom C*nt", Kesha donned a custom Howie B bodysuit adorned with two hands, which were rhinestone-embellished by Derrick Alexander —a symbolic detail that shimmered with every movement. The piece was paired with a structured blush-pink satin corset by the same designer.
She accessorized the look with the "PR B55S" silver mirrored sunglasses by Italian luxury fashion house Prada. These shades feature a slim metal bar that extends elegantly to the temples, merging sharp geometry with sleek minimalism.
Last but not least, for the final act of her concert in Dallas she donned a crystal-embellished version of the ". Pasties" white T-shirt from her own merchandise collection.
On August 9th, the artist wore a pink satin and leather harness belt by the same designer, which was embellished with Swarovski crystals, paired with custom panties and combat boots.
For her final look at CarnaUOL, Kesha changed into a BEPOP bright yellow T-shirt with green collar and sleeve trim, inspired by classic Brazilian football jerseys, featuring bold lettering with a Brazil flag graphic on the front.
She paired the look with the Dolls Kill "Obsidian" knee-high rhinestone-embellished combat boots in pink, which feature small zippered pockets on the sides and lace-up front.
In Paris, Kesha was gifted a cape designed by Anthony Al Khalil and Amir Al Kasm. The garment, custom-made for her, featured intricate hand-embroidered motifs symbolizing transcendence and freedom, including a cathedral, a radiant sun, an all-seeing eye, a spaceship and a whale —each element evoking a sense of spiritual journey and cosmic imagination.
During the Australian leg of the tour, Kesha closed the shows in a bespoke Michael Schmidt Studios bodysuit covered in reflective silver mirror tiles and crystals arranged in vertical mosaic patterns, featuring an asymmetrical one-shoulder design.
eugene lee yang at the gold gala
portraits by daniel seung lee
styling by colin anderson
make up by arianna chaylene blean
hair by david dang
look & shoes by harry halim
headpiece by laurel dewitt
jewelry by azita mireshighi
bag by kristina kharlashkina
Lady Gaga is expanding the world of ‘Chromatica'! Yesterday, she released the highly anticipated music video for her third single '911', which was directed by award-winning director Tarsem Singh. On set photography by Mason Poole.
The video reveals itself to be an elaborate hallucination, as Gaga suddenly snaps back into reality in an ambulance after being involved in a serious accident and cries out that she forgot her pills.
Over 10 looks styled by Nicola Formichetti and Marta Del Rio with tailoring by Samuel Ososki and Alex Navarro. Hair by Frederic Aspiras and makeup by Sarah Tanno-Stewart using Haus Labs. Nails by Miho Okawara.
Instead of focusing on the runway, Gaga and her team sought out new designers and one-of-a-kind pieces.
Central Saint Martins alum Johannes Warnke, who I introduced you to the other day, contributes the opening look: a slinky, asymmetrical, red-to-white ombré dress and matching cape that Gaga wears while passed out in the sand dunes.
Inspired by his “Windows of Perception” graduate collection, this piece was further customized by the Haus of Gaga.
The Ombra red mesh mask with latex trim by Dead Lotus Couture shields her eyes.
She accessorized the look with a pair of House of Emmanuele’s Venus pearl and crystal long drop earrings...
...and pearls by Lillian Shalom wrapped around her wrist (similar pictured).
The white gloves, she mostly wears throughout the entire video, ruby anklet, lapis lazuli cabochon ring (similar pictured) and Nepali Tibetan flower turquoise and coral ring (similar bracelet pictured) are all from the stylist’s kit.
Even all the background characters were a feast for the eyes.
The horse rider, we see at the beginning and end of the video, is wearing a full outfit from the archive of Western Costume Co. and a custom Gladys Tamez Millinery black felt velour hat similar to Jodorowsky’s hats in “El Topo”.
The pillow boy aka. car driver is wearing an Arabesque dress and embroidered slippers sourced from Universal Costume Department, along with a leather, wood and bamboo corset belt by San Francisco-based designer Lance Victor Moore!
Each of the four firefighters dressed as popes in custom Garo Sparo exaggerated papal capes, mozzetas and mitre headpieces!
Each of the tangerine & yellow versions of religious vestments, high-collared gowns detailed with embroidery, and towering headpieces would have been impressive on its own but combined, they fill the video with a spectacular chorus of oddities.
Everything only gets wilder from here. The saint/perimedic wears the finale look from Richard Quinn’s “House of Quinn” Fall/Winter 2020 collection - an impeccably embroidered cape trimmed with feathers, and a hi-lo skirt in dove-colored silk taffeta.
If that wasn’t already enough, check out that beaded mitre headpiece created by Agnieszka Osipa (similar pictured). The shoes are from Universal Costume Department.
Our other paramedic rocks a bespoke Laurel DeWitt black & gold metal chain fringe shoulder piece and matching belt, and black wide-leg pants by costume designer and maker Jim Tanner.
In the short slow-motion scene, we can spot the Horus lightweight manipulated and treated cotton cloak by Gelareh!
Our crying lady is wearing a full custom purple satin dress and veil, custom-made by Jim Tanner along with a vintage gold plate necklace from Western Costume Co.
L.O.V.E. these! The choir aka. witnesses are all dressed in bespoke BCALLA show-stopping blue metallic tapestry velvet cloaks trimmed with blue rope, and pleated white high collar blouses.
The king is seen in a gold metal headpiece custom-made for the video by designer Marianna Harutunian, who shouldn’t be a stranger to you!
He’s also rocking the House of Emmanuele Countess crystal necklace on his eyes, a Laurel DeWitt gold metal fishnet and rope outfit, a black fur cape from Universal Costume Department and gold metal cuffs by Gelareh.
The two police officers wear custom Howie B. floor-length midnight-blue satin-trimmed velvet ponchos and insane headpieces.
Click here for part II to find out more about Gaga’s other looks!
