E D E N B L U E / A U R O R O F F I C E R
AGE: Thirty-Seven
BADGE NUMBER: S91X22
BLOODSTATUS: No-Maj Born
GENDER/PRONOUNS: Agender, They/Them
IDENTIFYING FEATURES: Hamsa tattoo on forearm, several other tattoos on chest and back, Russian accent, pretty eyes, always carries tea leaves somewhere on their person.
STRENGTHS/WEAKNESSES:
(+): Sight, Empathy, Nonverbal Magic
(-): Disregard for the System, Fear of the Future, Combative Magic
BACKGROUND:
Volkan Şimşek doesn’t realize that the dreams they have aren’t dreams for a long time. Their parents have more to worry about than their middle child’s vivid imagination, after all, so they grow up assuming everyone has them, but no one talks about them. That’s just how it is, keep quiet unless it’s something serious. There are too many mouths to feed in the Şimşek house, seven children, not enough work to get by easily, they don’t have time for the trivial. Their parents talk about the glory they thought they would find when they left Turkey, swept up in the promise of a utopia, a notion that was quickly assuaged when they arrived in the Soviet Union, and found themselves stuck in a worse position. Everyone talks about change as the years pass, about things looking up, the streets becoming less dangerous, but he has dreams about his family, he sees what their future is like. Change like that for doesn’t happen when you’re poor.
When the strange woman comes to tell their parents that they have magic, and that there’s a school for them where they can hone their skill, their parents are shocked, never having seen any signs of it before. Volkan’s surprised, too, still not making the connection. The dreams are dreams, vivid and realistic, but nothing more than that.
When a second stranger shows up a day later, offering the same, but with the promise of power, mentioning they’ve seen them in visions, what they can be if they come with them instead, they all start to take it seriously. Suddenly they’re afraid of what the bad dreams mean. Their parents, though, see it as an opportunity for one of their children to have more. Any chance to get away is a good one, even if none of them can fully wrap their heads around a world existing where a flick of a wand can change everything in an instant. Their parents want them to take the second offer, Durmstrang. It’s far, an escape from this reality. But they’ve seen who they become if they follow that path, even if they hadn’t realized it until hearing the name of the second school. The words had just been gibberish to them, shouted in their nightmare. Sturm und Drang.
(Later, they’ll call it the difference between a small vision, and a big one, never having had anyone to explain it to them. The small ones are literal, a glimpse of a concrete future, no room for questions, possible to dissect and reverse with the right critical eye. The big ones, they’re full of symbols, and fantastical images. They feel like dreams in a way the others don’t once they’re more aware, and sometimes they happen with such intensity they can’t even remember them, a blank spot in their memory. But they always leave them with a sense of dread.)
They choose Koldovstoretz, the first offer, the school too close to home. They beg, and they cry, and they make their parents’ lives hell, until they relent and agree, so afraid of becoming who they are in that nightmare. Divination isn’t a subject taught there, brushed off as archaic, not enough actual seers alive to make it worth it, so it takes their own research to begin to understandthat they’re a seer. They know they should tell someone, but that’s part of the nightmare. People knowing. (They were surrounded by crowds in the dream, chanting about eyes, about being seen.) They may have managed to keep their education from the ones who want the nightmare for them, but that doesn’t mean they won’t find them. So they don’t tell anyone, and none of their classmates or professors seem to look at them for long enough to notice. Unlike in the vision.
They teach themself to hide it, to control it, their Sight. Most of their Sight involves dreams, but they’re good at the more traditional methods, too, tea leaves, crystal balls, reading the stars, as foolish as they feel doing it at first. Over the years, on their own, they learn how to trigger the visions, although they have little control over the subject matter, even if they try to focus it as best they can. A certain concoction of herbs made into a tea, with the right ones burning at the same time, and it’s like falling into a trance, or a sleep filled with someone else’s dreams.
When they have a vision of their father and both of their oldest sisters being dragged away by the government, for crimes that weren’t even crimes, it feels like a jolt of lightning. There’s something horrifying about working so hard to change your own future, and realizing you can’t change the futures of those you care about the most.
After that, there’s only one possibility, stop that from happening to anyone else they can. They think the best way to do that is to stay in the Soviet Union, but too much in their vision is uncertain, and they’re afraid if they stay close to their family, they’ll be putting them at risk, too. The pain that comes with looking in any of their eyes, knowing they had seen what happened to their father and sisters, but did nothing to stop it, helps make the choice easy.
They do what their parents wanted, the go far, far away, all the way to America, accepted to Wizard Harvard Law, without anyone knowing about their Sight. They change their name to something lighter, less powerful sounding, hoping that might keep anyone from finding them, and keep them from becoming their nightmare. And it’s easy to get comfortable in the skin of Eden Blue. Everything is so simple with their visions. They don’t mind leaning on the tea leaves, the crystal balls, the stars in private to make it through, and they learn a thing or two about the system they’re walking into being just as awful as the one they had come from and with less excuse for it, magic and freedom making it so much simpler to be good, in their mind.
From there, it’s New York, because there doesn’t seem to be a better place to do their work. Mentors throw around words like prodigy, and when they’re in their own firm, the prosecutors they face like to shake their heads about how they could get even the devil off. They only take cases they’ve seen, that’s the thing. A lot of them are cases they see other defense attorneys screwing up, costing the lives of those either innocent, or simply guilty of breaking laws that shouldn’t even exist. They steal clients, and make enemies of a lot of people, but the people who matter always thank them, and that’s what matters. They’re not going to let any more of their nightmares become a reality.
They’re suspiciously good at what they do, but it takes a long time before anyone realizes how they can have such a perfect record of getting their clients off. The only reason anyone does is because one of the big visions happens unexpectedly, in the middle of a deposition. It catches them off guard, hitting so suddenly they can’t stop it, the sort of earth-shatteringly fierce visions that they don’t remember afterward. The bigones are few and far between since they started making a living off of the small ones, so it’s a shock. And looking around the room, when they come back to themself, it’s clear that it’s a shock to everyone else, too.
Even now they’re not sure what that vision was, and it’s always in the back of their mind, that they might’ve been able to help whoever it was about. They do it differently in America, apparently, collect visions, prophecies, they call them, and keep them safe for only the ears of those involved, so that’s where it goes. There’s not necessarily a law against what they’ve been doing, but once it’s in the open, as it goes through the system, apparently everyone seems to agree it’s not something that should be allowed. They’re disbarred, and suddenly it feels a whole lot like maybe they’re hurdling towards the nightmare they had as a child, as they watch all of their cases thrown out the window, everyone they helped suddenly in danger of the futures they had been trying to prevent again.
(That’s the problem with the future, they learn, and it terrifies them to realize it; too much is up for debate, there are too many choices people can make, even the smallest thing changing an entire life, there’s no way to guarantee they can ever do enough to stop something from happening, when they can only control their own choices.)
But there are other ways to help, they have to believe that, so they put themself on the other side of the system, with no indication of what else to do. They’re accepted into the Salem Academy with a dozen warnings; they make it through, and they’re offered a place on the Central Squad. The condition of their employment is that they can’t use their Sight the way they had during their years as a lawyer. The thing about that is that they have no way to know. The smallvisions, no one catalogues them, no one puts them in a little crystal orb, and files them away in some governmental department few people are allowed to enter. It probably says something about how poorly the rest of the legal system, and the aurors actually communicate that they don’t give them any other restrictions. But then again, maybe the reward of having a seer on the team outweighs the risk, of what they could do, as just one person.
The problem is that they can’t choose their cases, they can’t play this system to make sure they’re only on things that they’ve seen, things where they can try help. It feels a whole lot like they can’t make enough of a difference here, but they try, they spend a hell of a lot of time trying to force visions on the cases they do end up on, but it rarely works, and when it doesn’t, they do it the old fashioned way, like every other auror. And it makes them realize something strange, when one rough night they try to force a vision of their own future, to see if they’re on the right track here. They haven’t seen their own future since that nightmare nearly thirty years ago.
They made a choice when they were a child, afraid of finding themself in the future they had seen, and every decision they’ve made since then has been trying to be the opposite of who they were in their dream. Somewhere along the way, they might’ve gotten something wrong. To choose to try avoid what they’ve seen, means being in the dark, but to give into prophecy means choosing the nightmare. Their mind’s been filled with everyone’s choices but their own for so long, that it makes them worry that they changed their future so wholly that they won’t have one at all. In the meantime, all they can try is to help the ones who do.












