Untitled by lemonhats Via Flickr: Fuji HD-P Fujinon 2.8/38mm Fujijilm Natura 1600 On tumblr: theatreofthemundane.tumblr.com On Instagram: lemonhats
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Untitled by lemonhats Via Flickr: Fuji HD-P Fujinon 2.8/38mm Fujijilm Natura 1600 On tumblr: theatreofthemundane.tumblr.com On Instagram: lemonhats
Ricoh Auto Shot
This is a fairly small point-and-shoot camera from Ricoh. Small – but surprisingly heavy. The camera is made form die-cast aluminium alloy. Introduced in 1964, the widespread use of plastics was still in the future. This camera measures 73.5 by 113 by 56.5 mm (dimensions provided by Ricoh) and weighs 480g. lens: Rikenon focal length: 35 mm apertures: ƒ/2.8 to ƒ/22 focus range: 3 feet to…
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Profoto TTL for iPhone Shows Us Just How Limited Apple ProRAW Is
The iPhone got something awesome. But a small sensor is still a small sensor.
Profoto updated their iPhone app to give it TTL and High-Speed Sync, but Apple ProRAW isn’t ready for it yet. Recently, Profoto updated their iPhone app. The Profoto app has a camera built-in that lets you use flashes like the B10 as a strobe. Except instead of shooting with a real, dedicated camera, you’re using your iPhone. The recent update includes TTL algorithm changes and lets you use…
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The subject of this short article is one of Canon’s early ventures into digital photography, the PowerShot A40 compact camera. This 2Mp, compact, zoom camera was made in about 2002 and offered a range of features for both the holiday snapshot photographer and the more advanced user.
Canon PowerShot A40 Images
Front of camera
Rear panel
Front view with camera on
Connection panel
Memory card slot
Battery compartment
Lens ring removed
My Canon PowerShot A40
I’ve had my copy of the PowerShot A40 for a number of months now having bought it when I became interested in vintage digital cameras and found it in an auction for a couple of pounds. Although I’m not a great fan of Canon cameras, it was free postage, and included a compact flash memory card so I bought it.
Wen I received it a few days after the end of the sale, I found it was in very good order and, with the addition of a new set of batteries, fully functional. What I wasn’t expecting, and what surprised me about the PowerShot A40, is how well featured the unit is for such an early digital compact.
Canon PowerShot A40 Description
The PowerShot A40 is quite a small camera physically with an optical viewfinder, an integral flash, a 5.4 – 16.2mm zoom lens (35 – 105 eq) and a small LCD panel on the back of the camera which can be used for both composition and picture review. Next to the LCD are the controls which set all the camera’s functionality.
Although the camera seems slow in comparison to a modern camera, it is noticeably faster than many cameras made at the time this unit was popular, meaning in it’s day, this camera would have been pretty fast. It takes about 2 seconds from pressing the button until the lens is extended and the camera is ready, and about another 2 seconds to move the zoom from one end of it’s travel to the other.
As well as offering a fully automatic exposure mode, the PowerShot A40 also offers a Program mode and a fully manual mode (although the only aperture values available are f/2.8 and f/8). In program mode there is the option to adjust the exposure with the exposure compensation button, and there are also controls for white balance and to set the picture ‘effect’ to be used – black & white, vivid etc.
The controls are fairly straight forward to use and also pretty well labelled as to their function. The only slight problem I had was working out how to set the exposure when the camera is set to manual exposure (set with the +/- exp comp button and the arrow keys for shutter speed, and the display button sets the aperture).
One function I was quite surprised to see is the ability to stitch together shots into a panorama. This is done ‘in camera’ but matching the scene as closely as possible while taking the picture, and shows how advanced the camera is for it’s age.
Images are stored on the compact flash card which fits into a slot in the side of the camera. I have taken some sample images with my copy of the PowerShot A40, but don’t have a compact flash reader with me while writing this post. I will include the images at a later date.
Canon PowerShot A40 Specifications
Canon PowerShot A40 compact digital camera
2Mp sensor
Fully auto exposure, Program Exposure & Manual Exposure mode
Auto focus with 3 focus sensors
Self-timer
Exposure compensation and White balance adjustment
Macro, portrait and landscape scene modes
Multiple flash modes
5.4 to 16.2 mm Zoom Lens (eq to 35-105 in 35mm terms)
Optical viewfinder + LCD panel
Rocker switch for zoom, buttons for other functions
Removable accessory ring around lens
Eye level warning LED’s in optical viewfinder
Inbuilt flash
Spot or Matrix metering
Auto, 50, 100, 200, 400 ISO settings
Digital Zoom
AF Assist light
Compact Flash storage
Powered by 4 AA batteries
CR2016 button cell for internal memory
Auto stitch function for panorama photos
Manual available on-line here
Canon PowerShot A40 digital camera The subject of this short article is one of Canon's early ventures into digital photography, the PowerShot A40 compact camera.
This post looks at the Nikon F-601 autofocus, 35mm, slr camera which was one of the higher, midrange offerings in Nikon’s line up of cameras in the early 1990s.
Nikon F-601 Images
Front view of camera with 28 – 80 Nikon lens
Side view showing hand grip
Side view showing focus switch and lens release
Back view with door open
Top of camera showing control layout
Top panel LCD and thumbwheel
Four mode switches + metering and selftimer
Front view with flash up
Back taped shut
Back taped.
My Nikon F-601 Camera
I got my Nikon F-601 camera as part of a large collection of cameras which had been sold by what turned out to be rather an unscrupulous seller on eBay. They had bundled a large collection of faulty cameras and sold them as untested and I foolishly bought them. Still, it wasn’t all bad because I picked up a good Pentax spotmatic SP-500, and although this Nikon is broken, it is still actually usable.
The problem with it is a common problem with this series of Nikons; the catch on the back door is a pretty flimsy and it snaps off leaving the door open and unable to be held closed. What I’ve done, in order to make the camera useable, is stick it shut with a piece of sticky tape. Originally, I used some electrical insulation tape, but that type expands under tension, so I had to use some stronger, less pliable carpet tape for the job. That keeps the camera light proof, but isn’t very aesthetically pleasing! Interestingly, there are marks on the back of the camera where some tape has previously been pulled away, so I guess the original owner tried the same trick to keep using their camera after the catch originally broke.
Other than that obvious problem, the rest of the camera seems to be functioning well. I needed to fit a battery into the camera, and fit a Nikon lens because it was supplied as only a body, but with these added all the other parts of the camera are OK.
Cosmetically, there are the marks on the back of the camera mentioned above, but if I wanted to use it seriously, I’d need to replace the back anyway, so that isn’t too much of a problem.
Nikon F-601 Description
The Nikon F-601 is a medium size, medium weight, auto-focus slr camera.
The control layout is quite well thought out with a single control dial which falls neatly under the thumb when holding the camera to the eye, and an informative display in the viewfinder.
Four mode switches + metering and selftimer
The main camera functions are controlled by a set of four buttons in a circle on the left hand side of the camera top and two more next to the circle of four. Each alter a major function in combination with the thumb wheel. Also, each of these buttons has a secondary function which is toggled when the shift button is pressed along with the button.
For example, the ISO button is used to set the film ISO when it is held and the thumb wheel is rotated, or is used to toggle between DX coding and Manual setting if it is pressed when the shift button is pressed. Using this system, the four + two buttons in the group can control the vast majority of the camera’s functionality.
All the normal features which would be expected in a midrange, autofocus camera are present in the Nikon F-601.
There are 4 main exposure modes (Manual, Aperture Priority, Shutter Priority and Program) which are set with the Mode button, and the thumb wheel then alters the shutter speed and the lens ring alters the aperture except in Program mode, where the aperture needs to be set to the F22 setting and the thumb wheel shifts the exposure. As well as normal Program mode the camera also offers Auto Program mode, which takes into account the lens’s focal length to set the shutter speed – trying to reduce the chance of a blurry picture when shooting telephoto.
The internal TTL light meter can be set to spot, centre weighted or matrix metering and the camera offers bracketing and fast or slow motor drive options.
On the front of the camera, just under the lens release, is a small switch which alters the available focus modes – manual, single shot auto or continuous autofocus. When in manual focus mode, there are indicators in the viewfinder which show when focus is achieved – this consists of arrows > and < and a small spot which appears when focus is spot on. In auto focus mode, the same spot shows up when the camera is focused. The actual focus is driven by a screw thread system powered by a motor in the camera body.
The viewfinder is typically big and bright for a 35mm film camera, and there is an informative display panel under the viewfinder which shows all the information needed whilst composing pictures.
To learn more about the full feature set of the camera, the manual is available in electronic format and is linked from the list of major specifications below.
I’m going to leave the back door of the camera taped up for a few days, and if it doesn’t seem to be opening I’ll put a roll of HP5 through the camera to see what sort of results it is capable of.
Nikon F-601 Specification
35mm Auto-focus SLR camera
Aperture Priority, Shutter Priority, Manual and Program Mode
Spot, centre weighted and matrix metering
30s to 1/2000sec auto mode shutter speeds
Vertical focal plane shutter
Single autofocus, continuous autofocus or manual focus
4 way mode buttons to control major functions
Single thumb wheel control
Electronic self timer (2 – 30sec 1 or 2 shots)
Pop up flash and hot shoe
Threaded for cable release
Tripod bush
Single CR-P2 6v Lithium Cell
DX coding with override (6 – 6400)
Auto load and auto frame advance – up to 2fps.
Manual available on-line here with full specs
Nikon F-601 autofocus 35mm slr camera This post looks at the Nikon F-601 autofocus, 35mm, slr camera which was one of the higher, midrange offerings in Nikon's line up of cameras in the early 1990s.
This post is about the Minolta Dynax 60 autofocus 35mm SLR which was the last 35mm film camera which Minolta produced, and a pretty capable performer is was too.
Minolta Dynax 60 Images
Minolta Dynax 60 SLR – Front view
Minolta Dynax 60 SLR – Side view showing hand grip
Minolta Dynax 60 SLR – Side view showing lens release
Minolta Dynax 60 SLR – Top of camera
Minolta Dynax 60 SLR – Function switch
Minolta Dynax 60 SLR – Front view with flash raised
Minolta Dynax 60 SLR – Back panel controls
Minolta Dynax 60 SLR – Top panel LCD and mode switch
My Minolta Dynax 60
I paid a total of £2.99 for this camera, which was sold on ebay as faulty. The fault described was, ‘Camera faulty – back door stuck and won’t open’.
I could see from the pictures the seller had posted that there was still a film in the camera, and a little bit of research on the Internet told me that the Dynax 60 has an option to lock the film door when the camera is loaded, so I suspected there was actually nothing wrong with the unit. Sure enough, once it turned up a few days after the sale ended, I put a couple of batteries in, turned it on and and it sprang to life.
Cosmetically the camera is in almost new condition. I can’t find any marks on the plastic of the body or the top panel LCD, and even the hand grip and the back of the camera where the thumb rests is completely clean and free of marks.
The only issue I’ve found, and it doesn’t affect the camera’s use, is some discolouration in the bottom corners of the viewfinder. This takes the form of a rainbow of the sort you sometimes get when plastic is deformed. It may be a distortion of the prism, or the focus screen, but it doesn’t affect the camera as far as I can tell.
I bought just the body, so for the pictures above I’ve coupled the camera with a Minolta 28 – 80mm autofocus zoom lens of the sort the camera could have been bought with, although it would possibly have been in black rather than the silver one I’ve fitted.
Minolta Dynax 60 Description
I’m not going to give a long description of the Minolta Dynax 60 because it will just be boring to read. The pictures above actually tell you quite a bit about the unit’s usability and form.
By the time this camera was released, nearly all cameras produced by one of the major manufacturers were capable of outstanding results and this unit is no different. It has all the exposure modes and light measuring capabilities any photographer would need and to be honest they are all covered in great detail in the manual, which is available on-line, and is linked below.
I haven’t yet tried the Dynax 60 out, although there is still the film in it which was the reason the original owner couldn’t open the back. The control placement is quite similar to the Minolta Dynax 5, with the control wheel situated to the left of the shutter button, and I found that camera quite easy to use with the camera to the eye, so I suspect I will the Dynax 60 as well.
When I finish the film, I will update this article with a more detailed report of how I got on with it.
Minolta Dynax 60 Specification
Minolta Dynax 60 auto-focus 35mm SLR camera
P-A-S-M exposure modes and also fully Auto and scene modes
Multi-segment (14) TTL exposure measuring – spot or centre weighted
Hot shoe flash + pop up flash unit
Auto-focus light to aid in low light situations
Flash synced at 1/90 sec
DX coded + ISO override
Diopter adjuster above eyepiece
Auto film load and auto rewind with manual option
ISO 6 to 6400 in manual setting
Minolta A autofocus lens mount
Vertical shutter with speeds of 30sec to 1/2000
Powered by 2 CR2 batteries
Manual available on-line here
Minolta Dynax 60 autofocus 35mm SLR This post is about the Minolta Dynax 60 autofocus 35mm SLR which was the last 35mm film camera which Minolta produced, and a pretty capable performer is was too.
This Rare Leica M6 has a Hefty Price Tag for a Good Reason
This is not your usual Leica M6.
This Leica M6 has a special feature that commands rarity and a really hefty price tag. Do Leica cameras hold a special place in your camera shelves? We’ve got another pretty interesting gem for you to be on the look out for. Our latest ebay find is a rare and interesting version of the Leica M6, which at first glance looks like a typical M6 with a $31,442 price tag strangely attached to it. But,…
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The Minolta 300si 35mm autofocus slr was the entry level camera in the Minolta si series which culminated in the 800si. Although it didn’t have many of the pro-level features of that camera, it was still a capable unit for family and holiday snapshots, as well as a good camera for anyone intending to grow into the more capable Minolta auto focus offerings.
Minolta 300si 35mm autofocus camera – front view
Minolta 300si 35mm autofocus camera – side view showing af/mf switch and lens release
Minolta 300si 35mm autofocus camera – side view
Minolta 300si 35mm autofocus camera – back of camera
Minolta 300si 35mm autofocus camera – top of camera showing control layout
Minolta 300si 35mm autofocus camera – LCD panel display
Minolta 300si 35mm autofocus camera – film chamber open
Minolta 300si 35mm autofocus camera – front view
My Camera
I picked up my copy of the 300si when I bought a whole box of 7 different Minolta Dynax camera bodies for £25 and this was one of the included units. The cameras I was most interested in were the Dynax 7xi and the Dynax 700si, but there was also a 505si and this 300si as well.
In common with all the cameras in the box, the 300si was in top condition with hardly a mark on the body and all the controls and electronics working a treat as soon as I put a battery in it. None of the cameras came with lenses, but I have several Minolta autofocus zoom lenses, and for the purposes of the pictures above I fitted a 35 to 80mm f/4 autofocus lens to the camera.
Minolta Dynax 300si Description
As I said above, the 300si was the entry point into the Minolta Dynax xxxsi range of 35mm autofocus cameras. As such it designed to be made at a cheaper price point than some of the more fully featured units in the series which were aimed at more serious photographers.
For example, the lens mount on this camera is a plastic affair rather than the metal mount on the 700si and 800si units. In fact, the whole camera makes extensive use of plastic it its construction, but I have to say doesn’t feel flimsy or light weight as a result. All the exterior panels are solid and don’t flex when gripped or twisted at all. In fact one item which is a common failure point in cameras – the pop up flash – is certainly stronger by being visible and available at all times.
Being an entry level camera means there wasn’t too much effort put into features like multiple exposure modes and information displays. There is a single exposure mode which is basically ‘Auto everything’ or Program mode, but to help the photographer deal with multiple different ‘snap shot’ situations there are variations of the program which can be selected as scene modes. The camera allows the photographer to select Portrait, Landscape, Macro, Sports mode and Night time modes which basically determine which aperture / shutter combination to choose when multiple options are available. For example, in Landscape mode the camera will choose the smallest aperture it can to increase depth of field, in portrait mode it will do the opposite to try to blur the background etc.
In the viewfinder there is a very simple display which just consists of the actual ground glass screen to view and compose the picture (which is fairly dull with an f/4 lens fitted and a mirror rather than prism) with the focus point in the centre and then 4 LED’s down the left hand side. One of these LED’s indicate that the focus system is actually in the process of focusing and another indicates that focus has been achieved. A third indicates that the flash is charged and ready to use and finally there is an LED to show that the focus is switched on. Although this is a limited set of information, the one plus point, which applies to all full frame cameras, is that the view screen is very big compared to a modern APS-C camera.
The other indicator available on the camera is the LCD on the top panel and this contains information about any scene mode selected, flash status, frame number, drive mode, self timer etc. Being an entry level camera this LCD doesn’t light up but for the majority of the users the camera is aimed at that probably didn’t matter much.
The control layout is fairly conventional with an on/off switch on the top left hand side along with a button to change the drive mode. On the right hand side is the LCD panel along with a mode button to select the scene mode or program mode. Above the LCD are a couple of buttons for flash mode and red-eye reduction, and at the front of the top panel is the shutter release. The only other button is for the auto focus / manual focus which is on the front of the camera at the bottom, underneath the lens release. Oh and on the actual bottom of the camera is a recessed button to allow the film to be rewound if required (the film will automatically load and rewind so this is for ’emergencies’).
Although this is an entry level camera without too many features, the series it belongs to was a top set of cameras capable of fantastic results and I suspect that for the things that matter like metering and exposure, for the majority of users it would still give really good results.
Minolta Dynax 300si Specifications
Minolta Dynax 300si 35mm autofocus SLR camera
Electronic shutter with speeds from 1/2000 to 30 sec
8 segment pattern metering
Program mode auto exposure + 5 scene modes
Built in flash with Red Eye reduction function and guide number 12 @100 ISO
Auto/Manual focus selection
Auto focus with single central focus sensor
Focus lock when in autofocus mode
DX coded without override. Speed 25 to 5000
Single / Continuous frame drive mode
Self timer
Wireless flash capability
Flash doubles as focus assist light
Auto film load and Auto film advance
Single 2CR5 battery required for operation
Handbook available on-line here
Minolta Dynax 300si 35mm slr The Minolta 300si 35mm autofocus slr was the entry level camera in the Minolta si series which culminated in the…