Avaspo "Niagara" session

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seen from United States

seen from Malaysia
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seen from United States

seen from Malaysia

seen from Malaysia
seen from United States

seen from Malaysia

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Avaspo "Niagara" session
The poet’s deadpan, alternately meditative and frenzied voice, hovering over an ocean of sounds and noises ranging from ambient to heavily percussive and dissonant, delivers free-form stories of a cold and somber world that nevertheless looks strangely alluring.
Pakaitomis ramus ir siautulingas, tačiau nuolat kiek nutolęs emociškai, poetės balsas sklando virš įvairių atmosferinių, perkusinių ir šaižių garsų bei triukšmų okeano, pasakodamas asociatyvias istorijas apie šaltą, tamsoką, bet tuo pačiu keistai gundantį pasaulį.
http://avaspo.lt/
The poet’s deadpan, alternately meditative and frenzied voice, hovering over an ocean of sounds and noises ranging from ambient to heavily percussive and dissonant, delivers free-form stories of a cold and somber world that nevertheless looks strangely alluring.
Pakaitomis ramus ir siautulingas, tačiau nuolat kiek nutolęs emociškai, poetės balsas sklando virš įvairių atmosferinių, perkusinių ir šaižių garsų bei triukšmų okeano, pasakodamas asociatyvias istorijas apie šaltą, tamsoką, bet tuo pačiu keistai gundantį pasaulį.
http://avaspo.lt/
Albini on overdubbing:
I was talking to a young engineer who described a process of recording a large group where every piece has its own track and overdub. It's a whole different methodology than tracking live. That's more of deconstructed thing. Whereas, if that 12-piece band is capable of setting up and playing their song then you wouldn't need to do that. You would only do that if, for some reason, you'd perceived that as being better. Those Phill Brown stories about the Talk Talk records... Yeah, there's a big thing on the Electrical forum about that! I have to admit, I'm not a fan of Talk Talk. Those records don't seem amazing to me. They sound okay. Nothing special. But when I read the convoluted bullshit they went through to make those records, how could I not think less of them? How could I not think of them as pointlessly indulged children? It just seems trivial. If I hear a record and that record blows my mind and then I find out that they went through some extraordinary measures to make that record, then I would feel that it was justified in some way. But when I hear a record and feel that it's okay, like the Metallica Black album, I hear and think, "It took you a fucking year to make that record? Seriously?" Tape Op - the Creative Music Recording Magazine > Interviews > Steve Albini (bonus)
Satellite Shoot
Spring is here!
Things are falling into places smoothly. More festivals for "The Force" next month, more music videos are being planned and meanwhile another video I worked on directed by Saule Norkute and produced by the same company is being screened at the Vilnius International Film Festival, Kinopavasaris this week.
Check out the teaser in vimeo
Meanwhile I've been busy shooting a music video in Finland for an excellent band, Satellite Stories. We had wonderful, but short weekend up in Oulu, Finland and now in the process of editing. The "Anti-Lover" video will be cut by next week, so stay tuned.