Blálilja/ Blue lily, Day 14: The Lake, the Mountain, Oil pastels, gesso, and pencil on canvas, 36 x 54 in., 2019.
Inspired by the mountain and the lake that were the backdrop for the residency, this drawing is the largest, most time consuming piece I made at Bær. I didn’t finish it there but had posted an early version toward the end of the residency. I’ve been working on it every Sunday since my return and it has changed--now the forms touch and blend into one another and there are more layers of material.
This piece was (is) definitely a learning experience for me. I had never really worked with oil pastels before and I found them to be very challenging. I needed help so I watched YouTube videos for basic techniques and pointers. I also talked to the other residents and consulted with a friend in SF via text. Blending and muting tones with white and gray was a big thing for me. I used this technique along with turpentine and a wash of gesso thinned with water to blend each layer. Of all the techniques I touched on, this is the one I really loved and one that provided results that felt like me. It softened the colors, allowed for accumulation, and added that layer of translucency that I have used in many other pieces I have made. I plan to keep working with this material and I would love to go even bigger. I also feel like there is more work to do on this piece...
This is my last Blálilja/ Blue lily post. It’s been great to share my residency with you and it’s been so helpful to me. I’ve gotten a chance to process what I worked during those two very special weeks and now feel like I have a list of departure points for forthcoming works.