The tower is dark when Tony arrives back. There’s a quinjet on the landing platform, the sunlight is shining brightly onto his skin – a stark contrast in comparison to the cold he felt back in Siberia – and the inside of the penthouse is clearly darkened.
That makes Tony frown; he thought Peter was here? Or does that mean that he’s still asleep? Why would he still be sleeping? It’s almost past noon, Peter’s usually awake around nine?
“FRIDAY, light?” he asks, and immediately the daylight passes right back through the windows and Tony can finally see where he’s walking again.
“Where’s Peter?” he asks.
“He’s in the living room, currently asleep on the couch,” FRIDAY tells him. Tony nods, walking through his workshop and quickly checking if everything is still alright here. Then he moves out, takes the elevator up, and walks straight into the living room. So Peter’s on the couch, Tony isn’t going to wake him just yet. There’s a talk they’re going to have here, and Tony knows it’s not going to be a pleasant one. Too much crap has happened – so much that even Tony can’t really think much about it.
(He did, back in the quinjet; he put in the coordinates to New York, and then put FRIDAY on the wheel as he took a moment to have his inner panic attack. It wasn’t pleasant, and it still hurts his chest to think about it – though that could be the shield-shaped bruise he’s gotten onto his torso now.
Coming across a certain Wakandan Prince carrying a bound Helmut Zemo back to his own aircraft, they came to an understanding. Tony would take the quinjet, and T’Challa promised to take Steve and Barnes along with them. At least that way Tony knew that Steve would safely find his way out.)
Heading to the kitchenette, Tony takes all he needs to prepare his hot coco. It’s what his mother made for him whenever he wasn’t feeling well, and he knows Peter isn’t going to feel well after this. The way the kid looks up at Steve, watching him with such adoration. He’s going to take it really hard.
Tony promised to do his best and bring him back here. He failed. He’s the one who pushed him away.
His eyes sting when the memory of a video image comes back into mind, and he shakes his head, holding back a sob. No, not now. Not here. He needs to hold it together, at least until he’s told his story to Peter.
On his way to the kitchenette, he comes across Peter’s phone on the counter. It’s vibrating, a vaguely familiar tune indicating that he’s getting a phone call. Tony takes the phone into his hand, but doesn’t pick up.
Steve’s name is written on the screen. Tony shivers, shaking his head. Of course Steve would try and call up Peter to tell him he’s not coming back. It’s the least he can do.
The phone call stops, and all Tony can then see is a picture he’s only seen shortly in passing. Peter never really likes to show it, uneasy to talk about it. And even now it feels slightly like he’s invading his privacy, but Tony still finds himself staring at the picture in the background.
It’s Peter and Gwen. It must have been winter, since they’re both wearing bonnets. Peter is smiling at the camera, without the ghosts in his eyes. Without the trouble Tony keeps on seeing in him when he looks at him. Peter is happy, with Gwen’s hand on his one cheek and her lips against his other.
She was so young… poor girl, Tony thinks to himself. They had been dealing with Ultron back when it happened, so they weren’t in New York. To imagine, had Tony not created such a mess, they might have been able to save her.
Then, taking another quick look at the picture, Tony is reminded of a lazy Sunday morning a few weeks back. Steve slept in for once, and it came to the rare point where Tony was awake before him. Tony had pulled out his cellphone and woke Steve up by kissing him on the cheek, exactly at the same time that he took a picture. It had been a good one, and it’s still, currently, saved onto his phone.
Best to just put the phone down, he realizes. Peter is not going to like him going through his stuff. Tony sighs and lets it go, finally heading to the kitchenette and preparing the hot Coco.
Once it’s finished, he takes the two mugs and makes his way to the couches.
“Peter, are you awake?” he asks. “Listen, I made some hot coco. There’s something we need to talk about.”
Once Peter comes into view, Tony frowns. There he lies, his son, deeply asleep on the couch. The one thing standing out immediately being the massive black eye he’s sporting. Only then does Tony notice the bruises on Peter’s arms, the paleness in his face. The mess that his hair has become.
“PETER PARKER?” he almost shouts, mostly trying to just wake Peter up. It works; the teenager startles and drops out of the couch, tangled into the blanket.
“Dad? You’re back already?!” Peter calls back, trying to get out from his own trap on the ground. Tony just stands there, holding the two mugs into his hands and frowning down at his son, who is looking like somebody has been using him as a personal punching bag.
“Peter Parker, why are you bruised all over?” he asks, using his serious tone. Peter swallows nervously, standing up at last. Wearing only a t-shirt, he fails at trying to hide the bruises on his arms away.
“It’s, uh- I was- uh…” but then Peter’s eyes go wide, quickly looking around Tony in search for something. “Dad, where’s Steve?”
Tony doesn’t answer. Instead, he puts his brains to work. Thinking back of Peter’s phone, the familiar tune of his ringtone. He was sure that he heard it before, and now he remembers. On the plane. On their way to Berlin.
“FRIDAY, where’s the Spider-Man suit currently located?” Tony asks, ignoring Peter’s question.
“The suit is currently underneath the couch Master Parker had been utilizing,” FRIDAY answers.
Tony ignores him. He drops the mugs down on the coffee table and kneels down on the ground. Ignoring the pain in his left shoulder as he leans on it, he reaches underneath the couch and finds there the familiar fabric of the suit he’s been working on with Peter.
“Peter, why do you have the suit?” he asks but another part of him knows the answer. It’s so obvious. The way the kid’s voice seemed to sound familiar, no matter how much he tries to shield it away. The way they’re the same height, age, have the same sense of humor. The fact that Peter was there when Gwen Stacy died. The web-shooters…
The way it was obvious for Tony that the kid didn’t want to fight Steve. Because Peter wouldn’t want to do it, yet he still did it because Tony asked…
“Dad, where’s Steve?” Peter keeps on begging, tears clear in his eyes. But all Tony can see is red from anger; how could he not have seen this before? Had he known, he would never have pulled Peter into this. This whole fight; it shouldn’t have been with Peter. The fact that he just asked his son to practically fight against his other idol – his other father-figure…
What does that make of him?
“Why do you have the suit?!” he bites at Peter, but then he sees Peter’s face again as if for the first time. Eyes red from the tears, Peter stands there, bruised and broken, begging Tony for an answer. He wants to know where Steve is, he’s begging here, and all Tony can do is snap at him. All he can do is being a horrible father; again.
And Peter flinches a bit when Tony stands up, dropping the suit back onto the ground. Then, after a few seconds, Tony opens up his arms and immediately, Peter practically jumps into them. With his face pressed against Tony’s shoulder, he sobs it out, letting go of the tears and the uncertainty.
Of course, this causes for Tony to let out his own tears, as well.
“I’m so sorry, Peter. Steve… it was all my fault,” Tony admits. Peter doesn’t answer. But what can he say?
Putting his hand behind Peter’s head, he pulls him even closer.
“But we’re going to be fine; it’s going to be okay,” Tony assures him, even though he doesn’t really believe it himself. The idea of having to go on without Steve grounding him just feels like agony.
But he supposes that’s what it’s like, being a dad. It’s all about pretending to think everything will sort itself out. And maybe, if he thinks it for long enough, he might even believe it.
I made this comic ages ago and decided to give it a color up. I wasn’t good at backgrounds then, and I’m still not good at it now, so obviously I gave up with it halfway. This was made even before I wrote out the chapter, so there are some differences between the two.
In Being a Stark, Peter finds out that Tony Stark is his biological father and he tries to get to know him better. This particular scene is from chapter 26 of the story, right after Civil War where Tony has just returned from Siberia, still hearbroken about Steve’s betrayal, only to find a surprise about Peter back at home.
The story has superhusbands, and is thus Superfamily, and has a happy end despite the many heartbreaks I’ve put these characters through.
I’m not a comic book artist. It’s not perfect, I didn’t have a definite drawing style, back then so it kind of looks like shit sometimes, but I remember that I put a lot of time in it back then, so it’s still kind of precious to me.