#ben osmo

[cinetres]

Chris Jenkins, Gregg Rudloff y Ben Osmo por Max Max: Fury Road gana a mejor Mezcla de Sonido en los premios Oscar 2016.

Chris Jenkins, Gregg Rudloff y Ben Osmo por Max Max: Fury Road gana a mejor Mezcla de Sonido en los premios Oscar 2016.

Chris Jenkins, Gregg Rudloff y Ben Osmo le dan otro premio más a Mad Max: Fury Road, muchas nominaciones se las esta llevando la película de George Miller.

“Bridge of Spies,” Andy Nelson, Gary Rydstrom y Drew Kunin “Mad Max: Fury Road,” Chris Jenkins, Gregg Rudloff y Ben Osmo “The Martian,” Paul Massey, Mark Taylor y Mac Ruth “The Revenant,” Jon Taylor, Frank A. Montaño, Randy Thom y Chris…

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[soundprobs]

MIKING THE MADNESS: SOUND FOR MAD MAX FURY ROAD - Video & Filmmaker magazine

Sound recordist Ben Osmo spent six months in Namibia miking up trucks, explosions, mad mutterings, and collisions. Feature: Chris Holder How do you mic...

How come I haven’t seen this article until now? Jesus - this dude went through a lot of shit to get the sound for Mad Max Fury Road (which the dialogue wasn’t used during post production). It’s a bit tech savvy lango, but I found the problems he faced interesting.

[inkwellco]

5TH AACTA Awards Industry Dinner Part 1

Live from the 5TH AACTA Awards Industry Dinner

WINNERS ALSO FEATURED IN THIS VIDEO:

BEST PRODUCTION DESIGN - COLIN GIBSON “MAD MAX: FURY ROAD”

BEST PRODUCTION DESIGN IN TELEVISION - HERBERT PINTER “SECRET RIVER PART 1” ABC

BEST COSTUME DESIGN - MARION BOYCE & MARGOT WILSON “THE DRESSMAKER”

BEST COSTUME DESIGN IN TELEVISION - JENNY MILES “PETER ALLEN: NOT THE BOY NEXT DOOR EPISODE 1” SEVEN NETWORK

BEST SOUND IN A DOCUMENTARY - STEVE BURGESS, LEAH KATZ, ANDY WRIGHT & CHRIS GOODES CAS “ONLY THE DEAD”

BEST SOUND IN TELEVISION - DES KENNEALLY, ROBERT MACKENZIE, LIAM PRICE, JED DODGE, JUSTINE ANGUS, JOHN SIMPSON “DEADLINE GALLIPOLI PART 1” FOXTEL SHOWCASE

BEST SOUND - BEN OSMO, CHRIS JENKINS, GREGG RUDLOFF, DAVID WHITE, MARK MANGINI, SCOTT HECKER & WAYNE PASHLEY “MAD MAX: FURY ROAD”

BEST ORIGINAL MUSIC SCORE IN A DOCUMENTARY - ANTONY PARTOS “SHERPA”

BEST ORIGINAL MUSIC SCORE IN TELEVISION - CORNEL WILCZEK “GLITCH EPISODE 4” ABC

BEST EDITING IN A DOCUMENTARY - JANE MORAN “ONLY THE DEAD”

BEST EDITING IN TELEVISION - NICHOLAS HOLMES ASE “REDFERN NOW: PROMISE ME” ABC

BEST EDITING - MARGARET SIXEL “MAD MAX: FURY ROAD”

BEST CINEMATOGRAPHY IN A DOCUMENTARY - NICK ROBINSON, LUKE PETERSON & JON SHAW “LIFE ON THE REEF EPISODE 1” ABC

BEST CINEMATOGRAPHY - JOHN SEALE ACS ACS “MAD MAX:FURY ROAD” Subscribe to our YouTube page for more exclusive content.