I have a thing for voices and I cannot tell you how much I ADORE Beth Eyre's performance as Lucy. "His red eyes are just the same" is delivered with such horrific calm and tiredness. A+ performance

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I have a thing for voices and I cannot tell you how much I ADORE Beth Eyre's performance as Lucy. "His red eyes are just the same" is delivered with such horrific calm and tiredness. A+ performance
THE CAST OF EPISODE ONE: A DANGEROS TIME FOR STORIES ACROSS ZAHNDOMHAN
Countdown to Wooden Overcoats September: 27 Days
Meet the Team: Beth Eyre (Antigone Funn)
What no shut up. Beth is back as Antigone on:
6 September 2026: Rudyard on the Moon, a new special live at the London Podcast Festival, onstage and online.
24 - 27 September 2026: Rudyard Ruins Everything - A Very Mini Series, studio recording of last year's live show available wherever you get your podcasts.
Photos: Odinn Orn Hilmarsson and Andrew Ab
INTRODUCING...
After being able to annouce at @audiodramahub today, we're very pleased to announce that Beth Eyre will be joining us for Season Two as Dr Alicia [REDACTED] !!
Beth Eyre is known for playing Antigone Funn in Wooden Overcoats and as the voice and co-creator of The Tiny Angry Witch.
Credits include: Big Finish, RE: Dracula, Unseen, The White Vault, The Magnus Protocol.
If you would like to provide a name for one of our as-yet unnamed characters, you can do so as one of our Kickstarter tier rewards!
Please click the link below to go to our Kickstarter!
Season Two of the horror-fiction audio drama about possession, queer identity, and Dracula's severed head!
the thing you'd have to spend zero time trying to convince me is that whoever Beth Eyre voices gets the podcast's grade A hottie. eric chapman, cleopatra, madge stallion... game over for them as soon as that mic is on. love it, can't wait to see who else is on her hit list
everyone go watch murder for dummies right now
it has everything
childhood trauma, psychosexual relationships with puppets, genuinely funny writing, liberal starlight express slander, commentary on true crime, a surprisingly lovely crazed butcher, a musical number, and, most importantly: beth eyre
do not separate
Once more a million kudos to @re-dracula , this time for Lucy’s voice. There’s something in Beth Eyre’s pitch that balances perfectly between the presentation of dreamy innocence and a slightly dolorous girl who, while unaware that she’s a sacrificial lamb to the Narrative, speaks like someone as braced for a funeral shroud as a bridal veil.
If Mina is the stealth-classic goth of the tale, Lucy is the pastel goth who likens herself to one too many dead girls in her favorite plays.