B E - INDOORS with Alicia Clara
Portrait of Alicia Clara drawn by Gin
Montreal is a city bursting with musicians. There’s always someone new popping up the music scene there, and one of the recent ones is Indie Pop act - Alicia Clara. B E W Y L D took some time to ask a few questions:
B E - Which is the room you spent most time isolating in?
I live alone in Montreal and my parents and brothers are in Europe, so I decided to spend confinement at my aunt and uncle's (my mother's brother) who live about an hour and a half away from Montreal, that way I'm not alone. I spend most of my time working on music and music-related stuff in the bedroom I'm using.
B E - How have you been spending your time indoors?
I try to write new music but it can be a bit weird right now given the circumstances. Some days I'll have a lot of inspiration and on others I'll feel empty and drained, kind of like a hamster running on a wheel leading to nowhere. But I've been working on my next single remotely with Dylan (of Sorry Girls), whom I'm collaborating with on production as well as with our friend Michael.
B E - I read on a 'Pop Montreal' article, that you were worried on how this pandemic might affect the future of live performance. Could you elaborate more on this please?
I was due to play a couple of shows this Spring and then a few showcases and festivals, such as Pop Montreal, in the Fall. I was really excited to get into live performance as I haven't had the opportunity to play live yet, but now it seems like everything will be on hold until at least 2021, which is very frustrating. I'm worried about the outcome because once we're allowed to attend festivals and shows again, there will most likely be restrictions while less people will want to attend, which I suppose could lead to limitations in the number of dates you can play, and the number of places you can travel to. I'm a little scared that livestreams will take over somehow, which I find a bit sad. My little dream was to be able to go on a small North American tour in 2021/22 but now I don't know if that can happen. My predictions aren't founded on any facts or anything so they should be taken with a pinch of salt -- I might be wrong -- but I feel like that's what this whole situation is suggesting right now.
B E - Dylan from 'Sorry Girls' helped produce your newest single. How was the process of working with another musician?
Working with Dylan has been great, he's really talented. I send him demos and then together we decide what arrangements would compliment the track better. Now our friend Michael (who recently started releasing his solo project under the name solarsine) has tagged along to the collab. He's a talented multi-instrumentalist, and the three of us work really well together. My debut single was done mostly over email with Dylan last summer as we were in the stages of testing this collaboration, but now we're setting up weekly live sessions where we play around with ideas collectively (over Zoom at the moment obviously), which I feel will make my next releases more interesting, and slightly different from the sound of Closing Time at the Gates. It'll be a bit more organic, just like our collaboration.
B E - 'Closing Time at the Gates' can you tell us a bit more about this new single, and video concept behind it?
I wrote this song last year as I was back home in Switzerland for a few weeks while I was in-between places -- I went to university in London, and then I did two internships in New York before finally settling on Montreal for its vibrant music scene (well I'm also half-québécois so it kind of is my second home). I understand that moving around a lot can seem like a weird privilege for some, or just plain weird, but I guess I was a bit tired of some people's semi-hidden judgement when I said I wasn't planning on moving back home anytime soon. I also got sort of thrown back into some teenage drama pretty much the day I got back, which made me want to leave again straight away. I love my hometown and am always really happy to go back when I do, but I do have this sort of love-hate relationship with it which inspired the track. For the video I wanted to illustrate old me vs 'now' me, as well as travelling, which is why I used old home videos from when I was on a trip with my family at age 2, and more recent footage. The snow scene was a homage to my move to Montreal.
B E - During this time to be alive, any book you read, which you highly suggest, or anything you baked/cooked which you also highly suggest?
I'm slightly ashamed to say I haven't read a book during lockdown yet! I only took two with me which I already read in the past, but I read the first chapter of ‘Cannery Row’ by John Steinbeck online -- I hate eBooks though and I don't even have an eReader or tablet so I'm waiting until I can buy it in paperback. It seems like a funny reflection on society which I guess is topical right now. My cousin and I made her parents homemade ricotta and spinach tortelli from ‘Pasta Grannies’ on YouTube (recipes from real Italian grannies in Italy!), it was really good. Italians might shiver at the sight of what we made but it was satisfying and really tasty for us :P 100% recommend.