#musicmonday having a #Badassery time loading in #ManisteeForestFestival Repost from @dponce416 🎶❤️ So many shows coming up including you know where... 🗽July 15th #Lucky7s BBQ #JerseyCity 🛶July 29th #BigBendBluesBash #Pomeroy #Ohio Killer REVIEW 🔥 “Don’t be fooled by this cover. The blond powerhouse emerging from the sewer in the photo is no wallflower. Eliza Neals is an electrifying vocalist, and she’s gathered an all-star lineup to deliver 10,000 Feet Below, an in-your-face collection of blues-rock that’s powerful enough to knock you off your feet if you’re not careful. A multi-instrumentalist who concentrates on keyboards on this one, Neals is based out of Detroit and tours the world with her band, The Narcotics, which features another Motor City blues-rock giant, Howard Glazer, on guitar. They’re joined here by Rock And Roll Hall Of Fame guitarist Billy Davis (Jimi Hendrix Band) and Grammy-winning stringbender Paul Nelson (Johnny Winter). The rhythm section includes Skeeto Valdez (Johnnie Bassett and Trey Anastasio), Demarcus Sumter, Bruan Clune, Rubin Nizri and John Medeiros on drums, and Paul Randolph, Lenny Bradford (Joe Louis Walker and Murali Coryell), Mike Griot and John Abraham, who take turns on bass. Neals contributes piano, Hammond B-3 and Rhodes keyboards and aiding the rhythm on tambourine. Make no mistake, however, Eliza’s the star here in a collection of ten originals and one cover that remain faithful to the blues format, but takes liberty with traditional boundaries. She possesses a voice that’s totally unique while being compared favorably by critics to Etta James, Janis Joplin and Ricky Lee Jones, among others. The album kicks off with “Cleotus,” a stripped-down, guitar-driven, swamp-infused memory about a man who walks into the singer’s life one day and announces he’s going to become her man one day, only to walk away, never to be seen again. A guitar line introduces “Another Lifetime,” a slow-blues burner with voodoo overtones about a man whose lips deliver what seems to be the kiss of death. Running out of time, Eliza wants “to make him mine.” The action heats dramatically for “Burn The Tent Down,” a rocker that describes the a