Looks a bit like C-Fox has some Bissuts face in the shots from Tommy Boy. Thank you! Have you seen Buttons the Dresser (Puppets Who Kill) with him? He was nominated for an award for that one. - Barbara
He does have a little Bissits Face going on, especially in the first shot of him with Pat Moffatt. Good observation!
I haven't seen any episodes of Puppets Who Kill, but I'll have to check that one out, then maybe write a short post about it. Thanks for the recommendation!
{ Full Synopses/Recaps: Debby Graham | Bryan Gruszka }
{ Screencaps }
And now we reach Episode 31, the first episode that isn’t currently available on YouTube. In fact, none of Week 7 is available on YouTube, which means no Bad Subtitle Special until the end of Week 8. (Is anyone else disappointed, or is it just me?) It’s a pity, because this is both a good episode and probably relatively unchanged from Ian Martin’s original script, although the absence of cheesy one-liners about the Devil does suggest some rewriting.
Here's the synopsis for this one, by the way, from the October 24, 1969 issue of The Plain Dealer:
It’s interesting to note that, while this summary comes from the period of the Lost Episode summaries, it still accurately describes the plot of the aired version of the episode. It doesn’t describe all of it, but then, none of the newspaper summaries do, before or after the Lost Episodes period. So, without further ado, let’s hurry back to the crypt on Maljardin and check on Erica Desmond’s cryonics capsule.
Dan trying to stop the cryonics tank from malfunctioning, despite knowing nothing about how it works. Not generally a smart idea.
While Jean Paul and Elizabeth are still with Vangie at the French Leave Café, the cryonics capsule's cooling mechanism malfunctions and its tank starts spraying water upwards. Dan tries to get it to stop spraying, but his efforts are in vain and he calls for Alison. She freaks out and they both run down there, but it doesn’t stop until just after Quito arrives around the corner.
There’s a scene where they’re trying to fix the machine and both of them are talking to each other, but the only audio we hear is the background music. Not sure if that was deliberate on the part of the writer or the director, or if it’s a blooper.
Alison asks Dan what he was doing down there, and he confesses that he was searching for the missing cyanide. There’s an interesting part where he says “I’m not sure I trust [Raxl] or that zombie,” and Quito--who is still hiding--clenches his fists as though angered by the reminder of his undead state.
Quito clenching his fists just before the intro.
After they return to the Great Hall, Alison blames Dan--"perhaps you inadvertently crossed the wires," she says--but he denies it. I'm surprised that Alison would accuse cautious, practical Dan of something so careless, but I don’t know him as well as she does. I’m also not sure how inadvertently crossing the wires would cause a tank to start spraying water, and I’m not sure the characters have any idea, either.
On the main island with Jean Paul and Vangie, Jean Paul recaps his cryonics scheme in a way that makes it clear that Ian Martin and/or the meddling executives really didn’t want him to repeat his catchphrase from the earlier episodes again:
Jean Paul on Erica’s resurrection: "It WILL happen. I made that vow the day my darling wife was stricken IN SPITE OF GOD!"
Raxl, of course, blames THE DEVIL JACQUES ELOI DES MONDES for the leak in the capsule’s tank. Raxl may be right--she usually is about matters of the occult--but after learning of the note from the Episode 30 script about who pushed Holly down the stairs, I’m thinking that the true culprit is someone else, someone less obvious. This scene also provides some blatant foreshadowing for the aborted plotline involving Tarasca:
Raxl: “The master must be protected from all demons, from the past and in the present, especially the witch who seeks to own him!”
The next shot.
A clear shot from shortly after of Elizabeth’s dramatic eye makeup.
The witch’s own version of Bissits Face™?
Meanwhile on the main island, Jean Paul convinces Vangie to hold a séance to contact Erica's spirit, which she is willing to do if slightly reluctant because she knows that she will eventually die on Maljardin. This suggestion excites Elizabeth, whom he has to remind that "it is not a game." She also asks if he would ever let her go, and he says that he would only let her return to Maljardin: proof that Jean Paul is still on board with the whole detained guests thing.
In the lab, Alison is searching the drawers of Dr. Menkin’s cabinet for his notes on Erica and finds a small notepad hidden among the papers in one. She reads it, her mouth agape, as Raxl enters.
What could it say about Erica?
Raxl lets Alison know that she knows about Dan searching for the missing cyanide in the crypt and is not pleased. She asks Alison if Dan doesn’t trust her, and she defends him, saying that none of them can trust each other anymore. Then they debate whether or not one of the other characters made the machine break down. Alison says that she now thinks it most likely broke down on its own, but Raxl still insists that someone (by which she means Jacques) tampered with it. Raxl has a point, because brand-new water tanks don’t generally start spraying out huge amounts of water on their own like the capsule’s cooling tank was doing.
SCENE INTERRUPTING DAN: “Hello, Raxl. I didn’t know you were interested in lab experiments, too.” (LOL)
Even though the leak was clearly the work of supernatural forces, Alison still tells Dan, "Don't make any more waves around here." Good luck with that. You may want to talk Jean Paul into having Quito buy you duct tape the next time you see him, then tape Dan’s mouth shut and tie his hands behind his back to keep him from tearing it off. That’s the only way to stop him from accusing Jean Paul of being a murderer and imprisoning all of you here. (It will also make it easier to get with your far more attractive brother-in-law, especially if you leave Dan in his bedroom while the two of you wrestle with your unresolved sexual tension in the Great Hall.)
In the crypt, Raxl tells Quito that it’s time to begin searching the caskets for the conjure doll and the silver pin--which I thought she said they already did in previous episodes, but I could be wrong. Maybe they just want to double-check to make sure they checked everywhere in the basement. Quito begins pulling open Jacques’ casket and we cut to a couple filler scenes with the other characters. When we return to Raxl and Quito, we find her back upstairs searching the fireplace in the Great Hall for the doll and pin. When Quito arrives, she asks him if he found them in the casket and he shakes his head. They head upstairs to continue their search--which, again, I thought she said that they already searched upstairs in Episode 29, but I suppose they just want to double-check.
Alison tells Dan when he next visits the lab that Dr. Menkin was trying to learn how to recreate an entire human body. Reminds me of Frankenstein. Dr. Frankenstein and Dr. Menkin both tried to play God by creating a living human body, but their experiments differed in that Frankenstein used cadaver parts to build his man, while Menkin’s experiments involved cellular regeneration and possibly (based on the sources referenced in Episode 26) robotics/artificial intelligence as well. I don’t know if Martin had planned to draw a direct parallel between the Drs. Menkin and Frankenstein at some point, but I suspect he was.
But Alison still doesn’t know enough about his experiments to satisfy her (or us), because all of Dr. Menkin’s notes from the six weeks before his death are missing. This is suspicious for obvious reasons, given his death shortly after her arrival, which she still doesn’t know was Jacques’ fault for no other reason than that she was upstairs at the time when he told Raxl his highly suspicious story about Menkin’s “accident” in the water.
Really, Dan? A bottle of cyanide goes missing and yet you willingly drink alcohol that’s been sitting out where anyone could pour poison into it? SMH Yet another reason why Alison should duct tape your mouth shut.
Dan is suspicious of Raxl--who is just about the last character they should suspect of hiding the cyanide or murdering either Erica or Dr. Menkin--but even more suspicious of Jean Paul. He and Alison also discuss how Jean Paul may not have filed Erica's death certificate with the authorities and how suspicious this makes him look--which is recap, yes, but which I bring up again because it is still relevant. I am really thinking (and was really thinking as far back as last fall) that Martin was originally planning to reveal that Jean Paul killed Erica and was trying to resurrect her out of some combination of guilt, regret, and fear that Erica's death would make him look suspicious. This would not only make these clues worth more than red herrings (or, should I say, kippers?), but it would also connect to all the things that Jacques says about he and Jean Paul not being so different. I have a whole theory about this, which I plan to discuss in a future post sometime later in this arc.
Alison also mentions some sea caves five hundred yards from an unseen cove on Maljardin, which she says Raxl told her about (unfortunately, I don’t remember in which episode). This seems to be foreshadowing something--I’m guessing the discovery of Jacques’ pirate ship that’s mentioned in another episode--but they never visit the caves, unless that’s where the Temple of the Serpent is located.
Back on the main island, Jean Paul has returned, but Vangie has left to go somewhere. Jean Paul says that she is probably packing a few days’ clothing for her stay on his island. Elizabeth is relieved to hear that she will only be there a few days. She also reveals that she sees Vangie as "competition" for Jean Paul's affections. (LOL) I would say that she is deluding herself, but then, she is unaware that Jean Paul was possessed all the times that he flirted with her; in her mind, Jacques is the real Jean Paul and the Jean Paul who mourns Erica is “not himself.” It does explain, however, why she was clinging to him in that one scene from last episode. Even so, Vangie never has any love interests on the show. I’ve suspected for a while that she and Raxl secretly have a thing for each other. Obviously they wouldn’t have shown that on TV in 1969, but that doesn’t mean that I can’t still ship them together.[1]
Elizabeth’s profession of interest in him motivates Jacques to possess him again, and we get
HEADACHE FACES! Yay!
After possessing him, Jacques reassures Elizabeth that he is very much still interested in her (Elizabeth, I mean, not Vangie). He also sends the audience more false hopes for Holly's death: "I'd stake Jean Paul Desmond's life, virtually every day…What’s one life, more or less? It doesn't even matter whose life. Take your daughter for example, before she's twenty-one and inherits all those millions."
Elizabeth looks appalled by this suggestion, but it’s hard to say if she truly is or if it’s all an act. I’m sure, though, that this is, roughly, the thought process going through Jacques’ mind:
Coming up next: Jean Paul and Vangie make more arrangements for the séance to contact Erica and Raxl reveals more of Maljardin’s history.
[1] In the books, Quito is Raxl’s husband, but that obviously isn’t the case on the show, or else she would most likely be jealous of his affections for Holly. The fact that she isn’t suggests that the two aren’t married (or, at the very least, aren’t married anymore) in the show canon. This means that Raxl doesn’t have a canonical love interest.
In the last episode, we saw Jean Paul’s lawyer and Alison’s fiancé Dan depart from the main island, at the behest of Jacques. This means that now all major characters save Vangie are on the isle of Maljardin, prisoners detained guests forced to partake in the funeral that Jean Paul reluctantly agreed to hold for Erica while he waits for her to return from the dead.
We open in the crypt, where Raxl and Quito are leaving flowers on top of the cryonics capsule. Raxl starts talking about how she wants Erica’s soul to “depart to the Great Serpent,” which Jean Paul overhears when he and Alison enter. “You don’t seem to have much faith in the last rites of Christianity,” he remarks. (Look who’s talking!) Jean Paul explains briefly to Alison that Raxl’s religion predates Christianity (which she calls “the new religion”), which soon devolves into yet another “Erica is dead forever and should be buried”/”Erica will rise again” argument. I’ve lost count of how many times he and Alison have argued about this, but I think we’re up to Argument Number #389723. They’re both determined to beat the dead horse until it’s reduced to a pile of smashed bones suitable only for fertilizer.
Colin, are you reading the Teleprompter?
She says that she wishes that he would have Erica put in the ground, and he responds that technically she is. I would call him a smart-ass, but the way he delivers the line doesn’t come across as sarcastic. In fact, at this point on the show, Jean Paul doesn’t seem to have a sense of humor. Jacques is the witty, sarcastic one, and Jean Paul is the serious one with the one-track mind that can only think of Erica. Later on in Desmond Hall, they try to give Jean Paul a sense of humor by having him make a joke every now and then, but it doesn’t work because it goes against his original characterization. Maljardin-era Jean Paul doesn’t joke around and rarely even uses sarcasm.
Despite his humorlessness, he is a joy to look at in this episode. Here he is earlier in the scene with Alison, putting flowers on the capsule and looking just dashing.
Anyway, Jean Paul sends everyone out of the crypt, so that he can have a few moments alone with the capsule. He clasps his hands together as through praying, although whether it’s to the Christian God, the Great Serpent, or himself is unclear because he stays silent.
Back in the great hall, Alison asks Dan and Matt some more about Raxl and Quito’s religious practices and learns that, because their religion considers Christianity heresy, they may refuse to take part in the funeral despite loving Erica. (They attend, anyway, although they do perform their own rites/ritual separately beforehand.)
Alison, the thought of that seems to please you a lot.
Holly comes downstairs and, after a recap conversation with her mother and Tim, goes to see Matt. She starts out by telling him that she’s wary of attending any funerals until her own (because of the quarrel that occurred at her father’s), but then mentions another reason why she doesn’t want to attend and why she couldn’t sleep in the previous episode:
Holly: "Look Reverend, you're going to think this is way off, but last night, I had a very strange nightmare."
Matt: "What about?"
Holly: "About me. Like...some kind of a warning."
Raxl, presumably on Holly.
She lights some incense and then a message appears in the writing box where Quito wrote something a moment before. A message from the Serpent about Holly, perhaps?
Holly: "Suddenly, there was this woman, like a priestess, who seemed to be in a temple, she was standing over me with a strange kind of headdress and she looked like my mother."
Matt: "Your dreams are beginning to sound like a B-movie. Go on."
Holly: "Well, then she said, 'Those who are part of this evil must pay the price.'"
She asks him what the dream means. He declines to answer because he’s not an authority in dream interpretation, but insists that she attend the funeral despite her worries. Because he can’t answer, I shall try to provide one for him based on some of the research that other fans have done on Ian Martin’s original plans for the Maljardin arc.
(WARNING: The YouTube and Maljardin Blog links in the next four paragraphs contain spoilers for later Maljardin episodes.)
For the first nine weeks of Strange Paradise, all episodes were credited to Ian Martin, a veteran actor and soap opera writer who appears to have been quite emotionally invested in the story, as there is evidence that he may have based Erica on his first wife Inge Adams, who also died young. I’ve read a rumor that Krantz Films owner Steve Krantz and his wife Judith (who later became a famous and influential romance novelist) may have ghostwritten some episodes, but there is no evidence to support the presence of any ghostwriters in this period of the show’s history.
Nevertheless, as the Maljardin arc went on, a discrepancy started to appear between the episode summaries in newspapers and the actual content of the episodes that aired starting in Episode 30. Strange Paradise historian Curt Ladnier has written many blog posts on these “lost episodes,” comparing the newspaper listings with the aired episodes and analyzing the changed plot points. Ladnier attributes the changes to executive meddling, requiring Martin to rewrite episode scripts when he was already writing five per week.
One of the most notable changes to these scripts was the omission of a new character named Tarasca, whom the newspaper summary for Episode 42 describes as “a native high priestess in love with Jacques, a French buccaneer.” Because Elizabeth dreamed about being her in the original version of that episode, we can safely assume that the priestess in Holly’s nightmare who resembled her was Tarasca. Also, given that this show mostly uses dream sequences as a means of showing events that happened in the past, we can also infer that, at some point, she sacrificed a young woman who looked identical to Holly, meaning that Martin was most likely planning on writing a 17th-century counterpart for her as well.
Several other early episodes hint at (or appear to hint at) the character of Tarasca and her connection to Elizabeth Marshall, including a cryptic line in Episode 12 where Jacques promises Elizabeth a “change” while she is on Maljardin. For more information and some more speculation about Tarasca’s role and backstory, see this video. I’m a little obsessed with this aborted storyline and have been waiting since October for a chance to discuss it, so, from now on, I’m going to reference it often and provide my own thoughts as to how I think it would have played out.
Erica’s funeral. Why is no one wearing black save for Dan and (obviously) Raxl and Quito? At the very least, Alison should be, because she takes her sister’s funeral more seriously than anyone else.
Jean Paul, I know what you’re thinking, but Reverend Dawson’s not talking about the possibility of Jacques resurrecting her. You really do have a one-track mind.
Jacques: “I do believe Holly needs me to jack her up by the bootstraps.”
Holly’s response to seeing Elizabeth chatting with Jean Paul. Really, Holly? Your mother marrying the richest man in the world *who adores you* is probably the best thing that could possibly happen to you.
After the funeral and a couple boring scenes about Holly’s subplot (there are a lot of references to the stupid Holly portrait in this episode), we see Dan confront Jean Paul about whether the guests can finally leave the island. Even though Jacques re-hired him last episode, he claims to be looking for a new job and he wants to make Alison leave the island with him and return to New York. Before Jean Paul has time to object, Jacques crashes the after-funeral reception, which he treats as a party. Ignoring Dan’s question of whether he and Alison can return to the mainland, he opens up the bar and commences trolling his detained guests:
So not suspicious. ;)
Tim: "With your permission, sir, I would like to propose a toast. To the departed. To Mrs. Desmond!"
Jacques: "Cheers--I mean, thank you."
He also pressures Alison into staying, giving her Dr. Menkin’s lab to use for her research. He then brags to Dan that none of the other guests want to leave and insists that he, too, can if he wants, but he will have to do it himself because it’s too late for Quito to sail him back:
BISSITS!
After the reception, Jacques returns to the crypt and gloats a little to Erica about how he has now imprisoned everyone on Maljardin. The handsome devil once again makes it clear that he doesn’t intend on freeing her and that she, too, is his prisoner. And, of course, he has some pun with it, as one might expect:
Can’t criticize this one, because even Shakespeare made it and I think it’s funny. I like puns, sometimes, just not terrible puns like the “pose” one from last episode.
Not even a detained guest anymore?
I think I just broke my comedy drum set. ;)
Coming up next: Another episode with a flashback to Maljardin in 1689, which means another two-parter. I also have a special essay in the works about the copyright status of Strange Paradise in the United States, which may surprise you. (It certainly surprised me.) Stay tuned for all these posts, as well as the Bad Subtitle Special for Week 4 after the Episode 20 review.
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