Black Venus , Margaret Taylor Burroughs, 1957
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Black Venus , Margaret Taylor Burroughs, 1957
Harmonia Rosales (b.1984), Still We Rise, 2021. Oil, iron oxide, and gold on canvas.
✨️ Masterpost 2026 🔮🖤🌈🐞✨️
⚘️ sickle cell resources :
• sickle cell masterpost •
• world sickle cell day masterpost •
• sickle cell facts + trivia pt 1 •
• sickle cell facts + trivia pt 2 •
• list of global sickle cell resources (tumblr) • direct link
• initiatives of equity for sickle cell anemia • tumblr link
other resources for awareness '25:
• Sunflowers For Sickle Cell • est. @chronicallyliv 🌻🤍
• The Anatomy of Advocacy Resource Guide •
• The Anatomy of Tea • for tea drinkers everywhere ☕️
• Brave Young Woman in Her Kentucky Blues 💙🖤🤍
• Herbs For Clotting • Chris Eon ft. @chronicallyliv
• Hoodoo Therapy : Activity Guide • est. 2025 🧡🖤🤍
rebirth and reclamation series:
part one - healing through trauma ('21)
part two - healing through trauma ('21)
part three - main character vibes ('24)
part four - main character loading ('25)
part five - grief and gratitude ('25)
special dedication issue '25:
• Aquarius 2025 • Feb "Let Her Cook" Photoshoot •
• Components of Tarot Live • 222 Energy Portal Live •
• Brave Young Woman in Her Kentucky Blues 🤍🖤💙
ancestral wisdom series '25:
capricorn ◇ aquarius ◇ pisces/aries ◇ taurus/gemini
know the reader / meet the writer:
• meet me on threads • meet me on insta •
• the olive tree resource center 🫒🖤🌈🔮✨️ •
Sunflowers For Sickle Cell // My Work // My Wishlist _____________ venmo: madamolive ______________
*updated 1/11/26
#CAT ART *Black Pa(i)nt(h)er* 🐈⬛🎨🖌️
@samirafee
🤍🤎🤍🤎
Black Is Black by Larry Poncho Brown
first art show was a success - www.moreaboutjon.com
"The Room No. VI" (1948) by Eldzier Cortor
Eldzier Cortor painted The Room No. VI in Chicago, where he had grown up and trained as an artist. The work exposes the impoverished living conditions many African Americans experienced on the city’s South Side in the early decades of the 20th century. As a result of racial bias in housing, black residents were often forced to live in what were called “kitchenettes,” namely, apartments subdivided into one-room spaces with limited access to kitchens or bathrooms. The nude woman anchoring the composition is flanked by three other individuals, whose cropped bodies extend across a single mattress. The artist emphasized pattern and texture, particularly the shapes and brilliant colors of the bed linens, floorboards, and wallpaper. Cortor’s deliberately decorative vocabulary recasts the scene’s bleak circumstances into a dynamic, luminous composition.