Echoes of Guilt: Exploring the Thin Line Between Tee's Redemption and Salvation in Dead Friend Forever, Episode 11
This week, I'm really enjoying what DFF is trying to say about the humanity in making shitty choices and having to live with the outcome. The framing of Tee's journey, about how in trying to survive the hell he's in with his father, he inadvertently causes Non's death, gives a reason to why he makes the decisions that he does, rather than excusing them. Arguably, this was never supposed to be Tee's redemption arc, rather it's the story of his salvation and reformation.
Non isn't meant to be an ingénue in this story. He's flawed and he makes some bad decisions, but he's still a victim. Yes, Non has, to a degree, had his own autonomy digging himself further into the shithole, but in the end, his actions were all reactions to an already existing shithole that he was forced into. While the bullying may have not started with Tee, man, did the kid know exactly how to lay a trap and let others burn in it. He was calculating, so much more than his peers, likely because he has been dealing with shitty adults in his own personal life. Before White, Tee was turning into the terrible adults that he was surrounded by. This episode is explicitly showing the journey of Tee's realization of the consequences of his actions and his attempt to change while still dealing with a dirty past.
The misdirection of the Redemption Arc in Tee's story
First things first, the redemption arc deals with the characterization of a deep internal struggle within the character. A character undergoing a redemption arc deals with personal guilt, remorse and the desire for atonement. The redemption journey is usually initiated by the character themselves after being confronted with their flaws or wrongdoings. Broken down into steps, a redemption arc typically involve: (1) a flaw, (2) acknowledgement of the effect of their actions, (3) seeking atonement, (4) struggles with guilt or remorse, (5) significant growth because of their struggles, (6) tangible manifestations of their acts of redemption, (7) seeking forgiveness. A redemption arc typically resolves when the character achieves some form of personal redemption, whether it be through forgiveness, closure, or inner peace. Redemption arcs emphasize personal responsibility and the inner journey of the character.
The reality is that Tee doesn't redeem himself. He never has the opportunity to because Non dies two weeks after Tee delivered him to Uncle Joe. Non's dead (as far as Tee and we, as an audience,know so far). Sure, Tee was working towards redemption, with his several attempts to save Non from his Uncle's grasp, but he'll never reach redemption because Non is gone. He doesn't even get the chance to seek forgiveness, nor I'm sure that he needs any forgiveness from Non. The guilt that is consuming him, the realization and acceptance of how much pain he has caused a fellow human being is not redemption, it's remorse. And you first have to have remorse to find the road to redemption. So while episode 11 might have shown that Tee was starting on his redemption arc, by the end of the episode, he's still not redeemed. In comparison to all the pain that he has caused, working a second job to help Non get out of the debt he caused doesn't erase the extent of harassments and suffering he subjected Non to. Here, the story was never truly centered on Tee's journey to atone for the pain he caused Non but rather it seems to make it a point to show his guilt. That's not redemption.
Also just from a writing stand point, Non's confrontation, and ultimately, Tee's decision to attempt to get Non out of being his Uncle's slave is part of Tee's progression, but is not the climax of his story. Even if you consider Tee's emerging guilt after realizing that his uncle was planning to sell Non for body parts, it's only serves as a catalyst for Tee to realize and confront the pain he has caused. The true change that we see in Tee comes the moment he meets White. White's presence is the turning point in Tee's life, that makes him want to change.
The initiation of Tee's Salvation Arc
The Salvation arc of a character focuses more on the development on the relationship between the "savior" and the one in need of salvation. Particularly, this arc highlights the external forces that shape a character's transformation, leading to a new direction or purpose in life. The resolution often involves the one in need of salvation finding a sense of change, sometimes without ever fully achieving complete redemption. Both arcs deal with the change and growth in a character, yet while the redemption arc often leads to a cathartic resolution where the character finds peace or closer, the salvation arc focuses more on external influences and the power of compassion. This arc doesn't particularly signify that that the character will fully find true redemption. Instead the character may become reformed having changed into a better person and acknowledged their wrongdoing, but not particularly working to make amends for their past mistakes.
No person exists in isolation and Tee's change is interconnected with White's appearance. Tee frames it himself. "Since I met White, I started knowing what happiness is. I started having my goal. Wanting to start over. I wanted to become a better person." That very moment is the climax in Tee's story, the moment where Tee needed to make a critical choice of who he wanted to be. Every moment that he had to witness Non's suffering and ultimately come to the realization that he is in large part the reason for Non's death is a lesson that he's learned of has shown him who he no longer wants to be. Non is the journey, but it's only assists in Tee's growth, making him ready to be a better person for the moment that he meets White.
Tee was going to stew in the regret and remorse he felt for Non's death, but Tee wasn't making amends FOR him. He was stagnant. He accepted his culpability and thought that being unhappy would be the proper punishment that he deserved. Yet, he didn't seek to right the wrongs, he didn't reach out to Non's family to let them know their baby boy had died in obscurity. That is a far cry from atonement and redemption. Instead, White gave him new purpose and direction in life. Humans are always capable of change, it's just depends on an individual's want or need to do so. Dead Friend Forever seems to be making a message about how even though Tee has the capacity for growth, change, and healing, Tee still has to respond for the pain and hurt he caused beyond Non.
Final Thoughts
While a redemption arc holds many similarities with that of a salvation arc, the exploration of the complexities of human nature are done through two distinct lenses. I don't think Dead Friend Forever is trying to focus on Tee's personal responsibility and inner struggles while ignoring the damage that he did to Non, but rather seems to be making a stand on the effect of external influence and finding personal salvation from connections with others. The very thing that Non had always been denied by Tee and the others, human connections.
Salvation arcs don't automatically make a character likeable, which DFF seems to be aware of, so I don't think it's an attempt to make him another version of a hero for Non. Rather it lays a foundation to Tee, showing his own struggles with his family, his own flaws, and his own attempt at change. It explains Tee's incentives behind his actions, but doesn't create an excuse for them. It not a redemption story, because he doesn't redeem himself. Non's dead and he can't ask for forgiveness from a ghost. His salvation doesn't even come after Non dies, because his inaction after Non's death was still an action. He still takes part in denying Non proper rest, even in death. His change came after where he learned from his wrongs and chooses to no longer do any more harm because of White. Even so, he still played a role in the complete devastation that he caused Non's family. Tee's actions caused a domino effect, where he eventually had a hand in creating New's pain, thirst and revenge.
As Tee has undergone his salvation arc, it highlights the irreversible consequences of his actions and the cycle of violence and retribution. Tee was a victim of his circumstance. Yet, victims can still create more victims. Despite Tee's efforts to change, it's a change that occurred far too late. Tee's death at New's hands would be an end to a cycle of violence and retribution that Tee inadvertently set in motion. If Tee dies in an attempt to save White, his willingness to sacrifice himself for White will represent a departure from the violence that defined his past. Ultimately, I think it underscores the harsh reality that, despite efforts to seek forgiveness or become a changed man, some sins cannot be undone.
Examining the Use of Movie Posters in Dead Friend Forever, Episode 8
So, for the past few weeks I've been paying attention to the different movie posters in Non's room and we finally got a clear shot of the posters in Episode 8! A big thank you to @lukaherehelp, @slayerkitty, and @fiction-is-queer for helping me identify, track down, and discuss all the movie posters and their possible significance.
Before we jump in, I think there are some interesting trends that have come from the chosen movie posters that have been plastered on the walls. First, all the movies either have kids dying or kids involved in some capacity. Second, two of the posters were in Spanish (does this hint that New was in a Spanish-speaking country?). Third, several seem to be in the horror films. Fourth, most seem to take place out in nature (a la cabin in the woods.)
El Fuera de la Ley -> The Outlaw Josey Wales (1976)
Interestingly enough, Clint Eastwood's The Outlaw Josey Wales is the only legitimate poster that I have been able to find that Be On Cloud has chosen to use. I'm attributing this to mainly be due to American copyright laws.
For those that aren't familiar with U.S. copyright laws or just copyright laws in general, the law protects any tangible, intellectual property. Under the Copyright Act of 1976, as amended in 1978, any work that is made for hire, the copyright endures for a term of 95 years since its first publication. Movie posters do fall under this category. But this term of 95 years only took effect starting from January 1st, 1978, meaning that any work prior to this amendment was still controlled by the 1976 act. Under the 1976 act, the initial term of copyright was 28 years from the date of publication or registration. After the initial term, it could then be extended for 67 years for a total 95 years, but the copyright holder would need to actively extend the term. The Outlaw of Josey Wales came out in 1976, and assuming that the did not pursue copyright for the next 67 years, the copyright term would have ended in 2004. Meaning that Be On Cloud would be able to use the original movie poster without having to pay for the right of use.
Now onto the actual relevant portion of the plot. Josey Wales, a Missouri farmer, seeks revenge after his wife and son are murdered by pro-Union militants led by Captain Terri. Refusing to surrender to the Union, after the war, he ends up with a bounty on his head. Captain Terrill hunts down Wales and opens fire on him. Struggle ensues, Terrill draws out his sword and tries to kill Wales, but instead Wales take control and forces the blade through Terrill's chest and finally avenges his family. There is still a bounty for Wales, but locals cover him and tell the Rangers that came looking for him that he had already been killed. Ultimately, Wales has found his peace and rides off in the sunset, while you're left being unsure whether he survived or died of his wounds.
Now, I'm thinking this is where we're heading for the ending. After it's all said and done, I think this may play out in two different ways: either we'll never really truly find out whether Non made it out alive or we'll never know who the actual killer is. Either way, with the ending of The Hidden Character and coupled with the ending of this movie, I really think we're heading towards the direction where we're going to end up with a rather ambiguous ending. And if Non is confirmed dead, will it be Phee to be the last one standing after having avenged him? If Non's the writer and Phee is the killer, by Non's new storyboard and following Wales' story, he would.
La Madre: Love Never Dies -> Mamá : El Amor De Una Madre Es Para Siempre (2013)
‘Mama’ is a supernatural horror film that follows two young girls, Victoria and Lilly, who disappeared the of their parents' deaths but are later found abandoned in a forest cabin after 5 years have passed. They are taken in by their uncle Lucas and his girlfriend Annabel, but strange occurrences reveal the presence of a malevolent entity they call "Mama." As Annabel struggles to bond with the girls, Mama becomes increasingly possessive and dangerous, threatening their safety. Annabel offers Mama her lost child's remains to soothe Mama's anger but Lily's call interrupts, leading to Mama's return as she attempts to take the girls. Victoria chooses to stay with Annabel, and Mama and Lily fall off a cliff, before becoming spirits that turn into moths. At the end, you see one of the moths land on Victoria, likely showing the Lily would always be with Victoria.
Now at first glance, I thought this was just in reference to Non's tumultuous relationship with his mother, which I'll get to that in another meta, but the more I think about it seems like it parallels the corruption of innocence and the monstrosity found in humanity. In ‘Mama’, the corruption of innocence occurs not only to the children but actually to Mama herself. She becomes a malevolent entity after the loss of her child and becomes obsessed with the sisters in a twisted form of motherly love. Meanwhile, Non's life is irrevocably altered by the actions of the THC gang. They initiate the beginning of Non's life imploding on him. He's rendered a victim of relentless harassment and violence. The psychological and physical trauma that the THC gang put him through eventually breaks him and what little of his sanity that he had left. They destroyed him, intentionally. There’s no true remorse from any one of them, sans (maybe) Jin. Monsters do not always come in the shape of supernatural entities and the THC gang has proven that. They relentlessly tormented Non, manipulated and exploited him for their own gain, while showing little regard for the life that they, quite literally, traded in return for their own success. They may be haunted by te supernatural, hunted by a killer, but they were the first monsters.
"A ghost is an emotion bent out of shape, condemned to repeat itself, time and time again until it rights the wrong that was done." This quote comes directly from the movie and really sums up everything that the THC gang has been living and fearing. Non's movie is has come full circle, it's finally being performed the way he wrote it. There's no more hijacking of his film and changing the ending depending on who is skimming through the script. Instead, who ever is laying out these murders is fixing the changes made and following what Non wanted. And if he gets his way, nobody is going to survive this time around.
Considering the ending once more, it's going to be interesting if the DFF's ending parallels Mama's. If so, who is going to be the hypothetical sacrificial lamb? Will it be Phee? Tan? White? Or, has it been Non this whole time?
Whisper (2007)
Quite frankly, I'm not familiar with this movie at all, but I'm going to do a quick recap from what I could find online. In "Whisper," Max Truemont and his fiancée Roxanne seek a fresh start by opening a diner, but face financial obstacles. Max agrees to join his former partner Sydney in kidnapping 8-year-old David, son of a wealthy woman, for ransom. After the abduction, tensions rise among the group as suspicions emerge, exacerbated by David's ability to manipulate minds. It's revealed that David's mother is the mastermind behind the plot, claiming David is a demon with mind control powers. She urges Max to kill David, but she dies by her own hand when he refuses. Max ultimately kills David, unintentionally causing Roxanne's death in the process.
I think the obvious parallel here is the kidnapping that occurs. Yet, in 'Whisper', trust and betrayal are central to the plot where Max places his trust in Sydney only to betrayed when loyalties are questioned. Meanwhile, Non gets dragged into the movie by Jin, the one who places himself to be the friendliest of the group and is the only one that seems to want to have Non around. Out of everyone, Jin appears to be the closest to Non. Hell, in the present Tee even states that if Non were to visit anyone after disappearing for so long, it would be Jin. But we know that's not true, arguably the biggest betrayal comes from Jin. First, he films him getting sexually assaulted. Second, he lets Non get kidnapped by Tee and Top. Thirdly, he completely lies to the police officer about not knowing what happened to Non and actively frames Non as a promiscuous kid that ran away with his teacher. Jin was actively a bystander to Non's torment. Both narratives highlight the fragility of trust and the consequences of betrayal.
With that, ‘Whisper’ also revolves around the consequences of Max's actions. Max's decision to participate in the kidnapping of David set off a chain of events that screws up his whole life, quite literally causing the death of his fiancée. Here, Non's choice to continuously get involved with the THC gang really was the beginning of an end for him. Same with the decision to repay Por with the mafia's horse accounts... his choice to fix a problem with another problem shaped what little future he had.
Rivarium -> Vivarium (2019)
Again, this is another movie that I had to research. In "Vivarium," the concept of brood parasitism is starkly depicted through the introduction of a cuckoo bird. Gemma and Tom, a young couple, become trapped in a surreal suburban neighborhood called "Yonder" after being led there by a mysterious real estate agent. As they struggle to escape, they discover they are part of an experiment conducted by an otherworldly entity, with a strange child named "The Boy" at the center. Ultimately, the film concludes with The Boy assuming the identity of the dying real estate agent Martin, perpetuating the cycle of captivity and manipulation.
‘Vivarium’ explores the theme of cycles and repetition, as Gemma and Tom find themselves trapped in a seemingly endless loop of confinement and captivity. Despite their repeated attempts to escape, they always return to the same house, number 9, mirroring the cyclical nature of brood parasitism found in nature. Non finds himself in the vicious cycle of abuse and retaliation, where every time that he tries to fix one problem, he gets in another. No matter what he tries to do to dig himself up from his hole, it only leads to further escalation and harm to himself. @lukaherehelp and @fiction-is-queer made good points that in this case, Non is the 'bird' that the 'cuckoos', the THC gang, used for their own benefit. And now that Non is gone, the loop restarts, only now it’s Phee and Tan’s turn to infiltrate the group that has caused Non’s ruin.
The Devil (2010)
Now, this is the only movie poster that is not found in Non's room, but is actually located in Jin's.
‘The Devil’ revolves around five strangers that become trapped in an elevator. As they struggle to escape, it becomes apparent that one among them is the Devil incarnate, manipulating events and tormenting the others with a series of disturbing manifestations. Meanwhile, outside the elevator, a detective investigates the strange occurrences, gradually piecing together the connection between the trapped individuals and the sinister presence haunting the building. As the situation inside the elevator becomes increasingly dire, the characters are forced to confront their darkest secrets and sins, each suspecting the others of being the Devil in disguise. Once they deny their sins, the devil is able to claim their soul. The Devil is unable to claim the last survivor's soul, because Tony confesses and repents for having killed a family in a car accident and fleeing the scene.
This one I find to be incredibly interesting, because I can't help but wonder if this is foreshadowing Jin's journey. To gain forgiveness, you first have to admit your faults. Jin has to first acknowledge the harm he has caused Non, since he constantly postures himself to be the 'nice guy'. Now the question is will he continue to be a coward and deny that he had any part in Non's disappearance, in Non's mental break down, or will he 'confess his sins' and face the consequences of the reality that he helped create?
Final Thoughts
If you read all the way through this... first off, thank you, because this might just be my longest meta.
I might just be reading way too into this show and maybe they just needed movie posters to demonstrate Non's interest in filmmaking, but Be On Cloud is known for paying attention to their minor details. Plus if Non's t-shirts can speak, why not his movie posters? Especially when they gave us such a clean shot of the foreground in today's episode.
Everything beyond The Outlaw Josey Wiles is pure speculation, since there's no exact movie poster that I could find. It’s going to be interesting to see if DFF's ending mirrors any of the endings in the referenced movies.
