Rachel Reckitt (British, 1908-1995), Queen Victoria Street, 1942. Oil on canvas, 76 x 116 cm.

seen from Germany
seen from Norway

seen from Brazil
seen from United States
seen from Germany
seen from United States
seen from Germany
seen from Türkiye
seen from China

seen from Netherlands
seen from United States
seen from Brazil

seen from Finland
seen from Türkiye
seen from United States

seen from United States
seen from United States

seen from United States
seen from Brazil
seen from Germany
Rachel Reckitt (British, 1908-1995), Queen Victoria Street, 1942. Oil on canvas, 76 x 116 cm.
Dover: Danger Keep Away looks like an Enid Blyton adventure
(David E. Scherman. 1941)
A Nuclear bomb damage calculator. (Via)
Bomb Damage, Alte Pinakothek, Munich, August 2018
I picked up a battered wallet of old photos at a car boot sale recently. The prints are 8.5 cm by 6 cm and marked Agfa Lupex on the back, they mostly show wartime bomb damage in city streets, possibly a port, and what looks like a railway goods yard.
I’d be interested to know where these were taken if anyone out there has any ideas
3 of 13 by an unknown photographer
Khaled Sabsabi (Australian, born Lebanon 1965), Guerilla, 2007-18. Acrylic, watercolour and gouache on dye diffusion thermal transfer prints, 15.2 x 10.2 cm.
I picked up a battered wallet of old photos at a car boot sale recently. The prints are 8.5 cm by 6 cm and marked Agfa Lupex on the back, they mostly show wartime bomb damage in city streets, possibly a port, and what looks like a railway goods yard.
I’d be interested to know where these were taken if anyone out there has any ideas
4 of 13 by an unknown photographer
‘Bomb Damage’.