#brooklyn white

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[brooklynrwhitegrier]

GOD 1st. on Instagram: “🙏🏾”

16.8k Likes, 238 Comments - GOD 1st. (@jstlbby) on Instagram: “🙏🏾”

JSTLBBY SHARED A COMPILATION I MADE OF HER ACRYLICS!!

I’ve been doing research and content curation that focuses on acrylic nails and Black nail pioneers for the past several years. The journalistic aspect of it started about 2 years ago, when I was working as a digital curator for @fuzedmag.

The inspiration behind all of this wasn’t a singular incident, but rather a series of events over the course of my life. My aunt was big on nail care and would take me to the salon with her before I knew how to write my whole name. I remember my first manicure, my first full set (courtesy of a family member) , and the first set of nails that I paid for. By the time I graduated from high school, a friend of mine had jokingly started calling my claws “dick grabbers”. 

While visiting my hometown in early 2016, I decided to get my first and only tattoo - praying hands with acrylic nails. I soon started working on one of my biggest pieces to date, a history of acrylics and appropriation for Bitch Media. 

“ Thinking about the symbolism of acrylics, I’ve come to realize that Black women are powerful beyond measure. We fearlessly create our own cool and as much as people resist and complain, the masses still follow suit. We rarely have to look beyond ourselves for the next big thing in fashion, art, or literature. Instead, we carve out our own lane and thus construct our own beauty ideals. Our collective confidence has and will continue to skyrocket due to our ability to x-out any naysayer and press forward in our journey toward self-love. Yet, while it is flattering that Black women have so much  influential power, the appropriation of acrylic nails is still negative at its core because the important and extensive history of acrylics is erased. Non-Black women get to reap the benefits of a good look while enduring little to none of the same critiques Black women face. Regardless, we know our collective history, and we will honor and share it as we continue to let our light and nails shine forever and ever.”

The piece has served as a source for multiple digital works on nails and has been referenced by Roxane Gay, MaliIbu Miitch (after I shared it with them), and AeeAzealia Banks

The journey nails have taken me on is a fulfilling one - I’m excited to see where it takes me next! 

Also, check out Pamela Council. She’s a visual artist who also has a lot of nail content in her archives. 

[isis-nicole]

[theisisnicolemag]

Darius Moreno for The IN Mag #6  Interview by Brooklyn White  Photography by Andre Uncut 

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Brooklyn White in the new issue of @theisisnicolemag available for order here !!

[strawberry-boogie]

(feature image by Shayan Asgharnia)

I first came in contact with Los Angeles based superhero Sama'an Ashrawi a few months back. I was at my 9-5 when he hit me up via email to talk about the Afrofuturistic web series that he was co-producing for DUST. He had found a piece I’d done on Missy Elliott’s love for spacey visuals and we soon started chatting about media, art, and futuristic Black life.

I figured out pretty quickly that Ashrawi was way more dope than I could’ve ever imagined. He’s met Herbie Hancock, Ladybug Mecca, Thundercat, and countless other legendary creative pillars. Since we’ve been in touch, he’s shared great stories about his life with me and I’m grateful that someone with his experience is that open. I mentioned that I wanted to interview him and he quickly and graciously accepted. So, without further ado, here is my chat with Sama'an Ashrawi, Trill Gladiator.

⭐️

Who are you?

My name is Sama’an, my friends often refer to me as “dad” because:

a) I like to make sure everyone stays hydrated when we go out dancing

b) my dance moves are pretty stiff (almost nailed a Milly Rock last weekend, but I’m not quite there yet), and

c) because I am very much into puns.

I also get called “William Miller” a lot because my hair and career have a lot of similarities to the kid from the movie Almost Famous. This clip = me. From a young age, I’ve been able to gain the trust of, and land interviews with, really big names. I was 20 when I interviewed Raekwon for the first time, 21 when I interviewed Kendrick Lamar and Damian Marley.

What sparked your interest in Afrofuturism?

The short answer is: a combination of things in my upbringing.

The long answer is:

Since I was a teenager, I was into the music of Hendrix and George Clinton and watched plenty of Star Trek thanks to my parents; they met in college as political activists and over the years have introduced me to their many friends who were veterans of various liberation movements. My parents and their friends taught me intersectionality before I was introduced to that term in college.

Though I can’t be sure if it happened on Twitter or in the classroom, I discovered the music of Sun Ra and Fela Kuti and the idea of Afrofuturism as I pursued a minor in African Diaspora Studies. The Af Am classes I took were hugely important in shaping my understanding of the uniqueness of the psychology of the African American experience, but I think it was my parents’ homegrown education that gave me the foundation to be aware of and open to those ideas.

(shot by Sarah Jasmine Montgomery)

College changed my life. It’s where I paid my dues. It’s where I met so many of the people who would open doors for me and help me set my sails. Many of them I still work with to this day. But I think the two most important things I did in college were: becoming a producer at, and eventually entertainment director of, Texas Student TV (our student-run TV station) & minoring in Africa & African Diaspora Studies.

I think when people try to downplay the history of racism in this country, pointing them to Sun Ra is a great rebuttal because it’s like… things were really so bad that Sun Ra wanted to take black people to a whole new planet. That Sun Ra’s escapism was so heavy and yet he could still present it in such a beautiful amd melodic way still blows my mind. In general, I think art that comes from marginalized communities has the ability to cut through the static in a way that is unparalleled— more than a speech ever could.

Have you learned anything in the last week?

Hmmmm what have I learned in the last week? I learn so much from my friends every day, you’re making me want to start a journal dedicated to the things my friends teach me. Some wisdom that my big brother Gary Clark Jr just imparted to me is: when you’re collaborating with someone, it’s like a dance; if you’re moving at two different speeds, you’re gonna trip each other up. So if you feel like you’re moving faster than the other person, pump your brakes.

(shot by Marco Torres)

How did you meet Bun B?

I just had the treat of witnessing him tell this story last time I was in Houston. It’s way more cinematic when he tells it, but, we met almost exactly 7 years ago, in July of 2010. It was the summer after my sophomore year at The University of Texas and I had just been handed the reins to produce the hip-hop show at our school’s student-run TV station, Texas Student TV. The show had formerly been called ATX Most Wanted, but our entertainment director at the time, the now Emmy-winning Tabitha Lipkin, said she wanted me to come up with a new name.

I had driven to Houston from Austin to cover Trae Day— underground legend Trae Tha Truth’s city holiday and its corresponding concert. (PS Trae gave me a lot of my first looks, and for that I am forever grateful—later, when I became entertainment director at the TV station, I would get his videos and cartoon sketches played on the station. PPS I may or may not have a cameo in this music video, I’ll let you find it though)

At any rate, Lupe Fiasco happened to be at Trae’s concert and so I went right up to him and introduced myself; my sister was with me and she got a great, sweaty picture of us together that I need to dig up. (As the years have gone by, Lupe has been a sort of enigmatic mentor figure, appearing a few times a year to give me encouragement or advice, and whenever I’ve needed to do an interview, he’s always said yes.)

Anyway, at Trae Day I also met a rapper named Troublesum; she and I struck up a conversation and she asked, “Are you going to Bun B’s album listening session tonight?”

I was like, “I had no idea that was even a thing.”

So she gave me the deets and a few hours later we met back up there. This was Bun’sTrill O.G. album which has the distinction of being the last album given 5 mics by The Source. Troublesum introduced me to one of Bun’s managers, Bone, I gave him my spiel and asked if I could interview Bun. He said, “Once we’re done listening to the album, I got you.”

You’ve gotta know that growing up in Texas, Bun is looked at as a Greek God, mythical and omnipotent. I thought it would take me years to meet the man, let alone interview him. Here I was, just a few months into my “career”, and I was in a studio sitting next to Lupe Fiasco and Young Buck (lol) waiting to interview Bun.

The new name for the show I had come up with was simple and to the point, “Longhorn Hip Hop”; Our school mascot is the Longhorns, so it made sense. I told myself, okay, if it sounds good coming out of Bun’s mouth, it’s gonna stick (Bun would tell me I should say “pause” here, but this isn’t his interview so I’m not gonna say it!) So we did the interview, it went well, and Bun said something like, “Shoutout to Longhorn Hip Hop; Hook ‘em Horns, baby,” and I was like, “Yup, that’s it.”

Then I ended up at a lot of events over the next few months that Bun also was at and built up a good rapport with the people around him; I think understandably Bun is wary of letting new people into his circle, so he kept his distance from me at first to see if I was a genuine person. But the way Bun likes to tell it is that the breakthrough moment was when I showed up to his bodyguard Truck’s birthday party the next year, that was what made him initiate me into the Trill Gladiators. When Bun tells the story he always emphasizes the fact that, “Sama’an came allll the way to the HOOD” haha but for me it was more about supporting the people who supported me. And to this day, Bone, Truck, and Bun, among others, have always been there for me.

Do you feel lit? You’re pretty poppin in my opinion, but how do you feel about yourself?

Haha you know, I’m not sure I’ve ever used the term “lit” un-ironically mainly because I’m not sure it’s for me to say. I think I’ve done a lot of cool stuff, can’t deny that, but I’ve still got a lot of growing to do. One person who inspires me a great deal is Hannibal Buress; I look at how long he grinded it out before he caught his big breaks and it motivates me to keep going.

How do I feel about myself? Truthfully, maybe this says a lot about me, but I never take selfies. Is that weird? Like if you follow me on snapchat, you’ll rarely if ever see me post selfie pics/videos. What does that say about me? Idk.

What’s the most important part of your creative process?

Movement. Going for a walk, or a drive to a far away place, or playing basketball. Something about taking in new surroundings helps me get my ideas out, especially if I’ve got writer’s block.  

Write three sentences. One for the past you, one for the current you, and one for super duper grown up you.

Past – Maybe don’t tweet so much.  

Present – Sometimes growth is stressful and crying is okay.

Super Duper Grown Up – Please tell me I grow up to be a late night talk show host.

That’s all folks! Thanks for reading~

-Brooklyn White

[packetbiweekly]

Brooklyn White in Issue #086

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brooklyn white on film for the new issue of @theisisnicolemag , available for order >>here :)