Brea Souders Untitled #35 (from Vistas), 2019 Unique archival pigment print with watercolour Courtesy Bruce Silverstein.

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Brea Souders Untitled #35 (from Vistas), 2019 Unique archival pigment print with watercolour Courtesy Bruce Silverstein.
Adams with Grunge IntensePeach pop SplitScreen and LightLeak Camera App Filters (IMG_6468), 2014, by Penelope Umbrico.
Image courtesy of David Smith Gallery, Bruce Silverstein and the artist
Marjan Teeuwen at Bruce Silverstein Gallery
Working with materials salvaged from destroyed buildings, Dutch artist Marjan Teeuwen creates abstract arrangements of forms that suggest paintings. Here, she worked in an abandoned school in Johannesburg, South Africa during a 2015 residency to create an installation that speaks to a key theme – the inevitability of destruction and but also the hope of renewal. (On view through April 14th at Bruce Silverstein Gallery in Chelsea.) Marjan Teeuwen, Archive Johannesburg, archival pigment print, 38 x 43 inches, 2015.
Brea Souders Untitled #26 (from Vistas), 2019 Unique archival pigment print with watercolour Courtesy Bruce Silverstein.
Walter Iooss Jr Archival pigment print, edition of 10 + 2AP Signed on verso Courtesy Bruce Silverstein.
Marjan Teeuwen, Destroyed House Gaza 10 (2017). Archival pigment print, edition of 5 + 2AP. 43 x 50 inches. 109.22 x 127 cm. Courtesy Bruce Silverstein.
Todd Hido, #9198 (2010). Archival pigment print. 38 x 30 inches. 96.52 x 76.2 cm. Signed on verso. Courtesy Bruce Silverstein.
Exhibition view: Alfred Leslie, Our Luminous Paradise, Bruce Silverstein (10 January–9 March 2019). Courtesy Bruce Silverstein.