Stan Getz & Charlie Byrd: Jazz Samba (1962)
Recorded in Pierce Hall, All Souls Unitarian Church, Washington D.C., February 13, 1962.
Verve Records

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Stan Getz & Charlie Byrd: Jazz Samba (1962)
Recorded in Pierce Hall, All Souls Unitarian Church, Washington D.C., February 13, 1962.
Verve Records
365 razones para amar el jazz: un tema. One Note Samba (Antonio Carlos Jobim, Newton Mendoça) [304]
365 razones para amar el jazz: un tema. One Note Samba (Antonio Carlos Jobim, Newton Mendoça) [304]
Un tema: “One note samba” (música: Antonio Carlos Jobim; letra: Newton Mendoça)
Seleccionado por Luis Escalante Ozalla
Stan Getz – Charlie Byrd: Jazz Samba (1962) Stan Getz, Charlie Byrd, Gene Byrd, Keter Betts, Buddy Deppenschmidt,, Bill Reichenbach. Grabación: 13 de febrero de 1962
Jazz Samba y otras grabaciones de Stan Getz sonaban en el podcast HDO en el especial dedicado al saxofonista.
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Stan Getz & Charlie Byrd - Samba De Uma Nota So (1962)
From Allmusic's album review:
Jazz Samba stands on its own artistic merit as a shimmering, graceful collection that's as subtly advanced -- in harmony and rhythm -- as it is beautiful. Getz and his co-billed partner, guitarist Charlie Byrd -- who was actually responsible for bringing bossa nova records to the U.S. and introducing Getz to the style -- have the perfect touch for bossa nova's delicate, airy texture. For his part, Byrd was one of the first American musicians to master bossa nova's difficult, bubbling syncopations, and his solos are light and lilting. Meanwhile, Getz's playing is superb, simultaneously offering a warm, full tone and a cool control of dynamics; plus, Byrd's gently off-kilter harmonies seem to stimulate Getz's melodic inventiveness even more than usual. But beyond technique, Getz intuitively understands the romanticism and the undercurrent of melancholy inherent in the music, and that's what really made Jazz Samba such a revelatory classic.
Let's ease that Monday ennui.