#bwv 161

[yagi-mk]

(Ensemble Bach-Consort. J.S.Bach, Cantata „Komm, du süße Todesstunde“, BWV 161 - YouTubeから)

ヨハン・セバスチャン・バッハ (Johann Sebastian Bach)

カンタータ第161番「来たれ、甘き死の時よ」 BWV 161  BC,A135

Yulia Mikkonen (alt)

Artem Volkov (tenor)

Ensemble Bach-Consort

[michaelrosa1979]

Komm, du süße Todesstunde, BWV 161

Komm, du süße Todesstunde (Come, o sweet hour of death), BWV 161, is a church cantata composed by Johann Sebastian Bach in Weimar for the 16th Sunday after Trinity Sunday, and probably first performed in 1716. The text, provided by the court poet Salomon Franck, was based on the prescribed gospel reading about the young […] from Komm, du süße Todesstunde, BWV 161

[michaelrosa1979]

Komm, du süße Todesstunde, BWV 161

Komm, du süße Todesstunde, BWV 161

Komm, du süße Todesstunde (Come, o sweet hour of death), BWV 161, is a church cantata composed by Johann Sebastian Bach in Weimar for the 16th Sunday after Trinity Sunday, and probably first performed in 1716. The text, provided by the court poet Salomon Franck, was based on the prescribed gospel reading about the young man from Nain, and reflected on longing for death, seen as a transition to a…

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Wikipedia article of the day is Komm, du süße Todesstunde, BWV 161. Check it out: http://ift.tt/1W35ftT

[rjbailey]

Wikipedia article of the day for October 19, 2016 -- Komm, du süße Todesstunde, BWV 161

The Wikipedia article of the day for October 19, 2016 is Komm, du süße Todesstunde, BWV 161. Komm, du süße Todesstunde (Come, o sweet hour of death), BWV 161, is a church cantata composed by Johann Sebastian Bach in Weimar for the 16th Sunday after Trinity Sunday, and probably first performed in 1716. The text, provided by the court poet Salomon Franck, was based on the prescribed gospel reading about the young man from Nain, and reflected on longing for death, seen as a transition to a life united with Jesus. The cantata in six movements opens with alternating arias and recitatives, leading to a chorus and a concluding chorale, a stanza of the hymn "Herzlich tut mich verlangen" by Christoph Knoll. The chorale tune appears in the first movement, played by the organ, providing a unity to the composition. Bach scored the work for alto and tenor soloists, a four-part choir, and a Baroque chamber ensemble of recorders, strings and continuo. In one recitative, he creates the images of sleep, of waking up, and of funeral bells. Although the libretto was published in a collection in 1715, Bach probably did not perform it until September 1716, due to a long period of public mourning in the duchy for the brother of Duke Ernst August.

[yagi-mk]

J.S.Bach.Cantata "Komm, du suesse Todesstunde" (BWV 161) "Bach-consort" (by bachconsort)

J.S.バッハ カンタータ161番 "Komm, du suesse Todesstunde"  BWV 161

Bach-consort

Liliya Gaysina (soprano), Yulia Mikkonen (alt), Paul Bentley (tenor), Anton Tutnov (bass)  Maurice van Lieshout (recorder), Svetlana Sheveleva (recorder), Vlad  Pessin (violine), Marina Katarzhnova (violine), Elizaveta Yartzeva  (viola), Alexander Gulin (cello), Anastasia Braudo (organ), Maxim  Emeliyanychev (cornetto) Live concert 11/06/2011 Moscow

[yagi-mk]

J. S. Bach - Cantata BWV 161 - Komm, du süsse Todesstunde - Aria (J. S. Bach Foundation) (by Bachstiftung)

J.S.バッハ カンタータ161番 "Komm, du süße Todesstunde" 第3曲Aria "Mein Verlangen ist, den Heiland zu umfangen"

Johannes Kaleschke (Tenor)

the J. S. Bach Foundation of St Gallen under Rudolf Lutz