#byrn

[actoons]

but in the end I’m a degenerate piece of shit

[snapling]

@actoons's byrn and my marcy but as furries lol

bonus cruddy mobian byrn:

[goatpaste]

💞 any character you want

these two flirt in front of each other in front of trainers at their gyms like teachers who are dating in highschool and its gross and cringe

also i lied about only doing these request today, i have more i wanna actually do but my friends just got engaged so im going to go over and see them lolll byeeee

[kcciny]

[solrhi]

Feed Your Anger Dredgen

[dboochie]

AGAHHHHHHHHHHHH

[phroyd]

Just A Random Posting Of Another 10 Pieces Of Music, Honorable Mentions, Which Made An Impact Upon My Life!

#8 - Brian Eno and David Byrne

‘My Life In The Bush Of Ghosts’

‘Mia Culpa’

My Life in the Bush of Ghosts is the first collaborative album by Brian Eno and David Byrne, released in February 1981. Borrowing its title from Amos Tutuola's 1954 novel of the same name, the album integrates sampled vocals and found sounds, African and Middle Eastern rhythms, and electronic music techniques.[4] It was recorded prior to Eno and Byrne's work on Talking Heads' fourth album Remain in Light (1980), but sample clearance problems delayed its release until several months after.

The extensive use of sampling on the album is widely considered innovative, though its influence on the sample-based music genres that later emerged is debated.[5][6] AllMusic critic John Bush describes it as a "pioneering work for countless styles connected to electronics, ambience and Third World music".[3] Pitchfork listed it as the 21st best album of the 1980s, while Slant Magazine listed the album at No. 83 on its list of the "Best Albums of 1980s".[7]

"Mea Culpa" – Inflamed caller and smooth politician replying, both unidentified. Radio call-in show, New York, July 1979.

Phroyd