#carved frames

[heavensdoorways]

‘La Soglia’ by Michelangelo Pistoletto,

Images: Michelangelo Pistoletto, La Soglia, exhibition views Galleria Continua San Gimignano, Courtesy: the artist and GALLERIA CONTINUA,

Photographer: Ela Bialkowska, OKNO Studio

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Elisabeth Vigée Le Brun, The Marquise de Pezay, & the Marquise de Rougé with her sons, Alexis & Adrien, 1787, National Gallery of Art, Washington. Photo: Marie Wise

[1-theframe-1-blog]

A Louis XV-XVI transition frame from the exhibition, Vigée Le Brun: Woman Artist in Revolutionary France, an exhibition: first shown at the Grand Palais, Paris, from Sept. 2015- January 2016

Elisabeth Vigée Le Brun, The artist’s brother, Louis-Jean-Baptiste-Etienne Vigée, post-1773, Saint Louis Art Museum

[1-theframe-1-blog]

Nicolas Poussin, The Crossing of the Red Sea, 1632-34, o/c, 155.6 × 215.3 cm., National Gallery of Victoria, Melbourne; Felton Bequest, 1948 (1843-4). Frame corner of French Régence frame, c.1710

[1-theframe-1-blog]

One of my favourite frames.

Tom Roberts, Penelope, 1919, o/c, 66.4 x 56.5cm., National Gallery of Victoria, Melbourne; Felton Bequest, 1920 (1059-3). Carved & gilded frame made by Lillie Williamson, 1919

[1-theframe-1-blog]

[1-theframe-1-blog]