Good news depending on how we look at it, it’s not Lawson recording an album 😂
Full disclosure I do love Erin’s CD’s at Christmas... yeah, I’ve got no shame
seen from Poland

seen from United States

seen from United States
seen from Brazil
seen from United States
seen from Argentina

seen from United States
seen from Kazakhstan

seen from United States
seen from Egypt
seen from Finland
seen from United Kingdom
seen from Kazakhstan

seen from Malaysia

seen from United States

seen from Chile
seen from China
seen from United States

seen from Kazakhstan
seen from Iraq
Good news depending on how we look at it, it’s not Lawson recording an album 😂
Full disclosure I do love Erin’s CD’s at Christmas... yeah, I’ve got no shame
On CD Quality...
By Bryan Geyer
When partners Sony and Philips initially teamed to develop the compact disc (1979) and the first CDs came to market (in early 1983, in the U.S.), the unveiling was widely hailed as the arrival of “perfect sound forever”. That infamous quote has long been derided by persistent doubters, and there have been plenty of hiccups en route, but much of the best unbiased opinion of today concludes that the Sony/Philips claim was effectively prescient, although premature. Assuming good playback mechanics and modern decoding technology, standard Red Book CDs are now aurally indistinguishable from the finest high resolution means of digital recording extant. While a select set of audiophiles might still dispute that opinion, and contend that some favored hi-rez digital streaming process presents audible advantage, their collective criticism has shriveled. Today, with obviously increasing consistency, dedicated audio connoisseurs concur that, finally, there’s little or no detectable difference between standard Red Book CD audio quality and the best of the other alternatives. Any aural quality gap, if such exists at all, is now too trifling to merit recognition when it comes to human perception.
To read the full article, click here:
https://classicalcandor.blogspot.com/2020/01/on-cd-quality.html
Bryan Geyer, Classical Candor
On Jonas' "L'Opéra," and Massenet's "Le Cid"
On Jonas’ “L’Opéra,” and Massenet’s “Le Cid”
Poster of Massenet’s “Le Cid,” also featured in “L’Opéra”
I have been listening rather obsessively to Jonas’ most recent album of French repertoire, L’Opéra. (That is, when I’m not obsessively relistening to passages from Don Carlos!) One can see and sample, at the previous link, the arias included in this album, from Gounod to…
View On WordPress