throws your bad guys into a washing machine until they come out different and wrong

seen from United States

seen from France
seen from Russia

seen from United States
seen from Australia

seen from Italy
seen from China
seen from France

seen from Malaysia
seen from Germany

seen from United States

seen from Malaysia
seen from China
seen from China
seen from United States

seen from United States

seen from United States
seen from Türkiye

seen from China
seen from Brazil
throws your bad guys into a washing machine until they come out different and wrong
Earth Centric AU Save-The-Future Team! aka cell 2.0 inserting himself forcibly into the friendgroup
i can become obsessed with my own au. its fine. i love Cell 2 and his babies
Caspian Terns in Cell 2 @ Tommy Thompson Park, Toronto (Late morning, mid-August, bright & sunny, 33°C).
The oldest known wild Caspian Tern lived to be more than 26 years old. Average life span of Great Lakes Caspian Terns is estimated to be 12 years.
A gull walked into the third shot...
123. Absalon /// Cell 2 (Zurich) /// 1993
OfHouses guest curated by Socks-Studio: “The inhabitation cells (“Cellules d’habitation“) are six living pods for a single person designed by Israeli-born artist Absalon. The “cellules” are his last and most famous work: conceived for himself, each one was to be placed in a public space of a different city (Paris, Tokyo, New York, Tel Aviv, Zurich and Frankfurt). The minimal living units were thought to let the artist embrace a nomadic lifestyle, and at the same time an ascetic and isolated existence, protected from an oppressive society. The cell is organized to fulfill Absalon’s exigences both in terms of “standard” daily living (there’s a kitchenette, a mattress, a work-space, a washroom and a toilet) and of his personal mental needs for hiding, contemplating, challenging himself and his habits. The notion of comfort is questioned because in the narrow space each acts demand specific efforts to be performed. Bending, stretching, climbing are required in order to “use” the cell: to inhabit becomes a problematic action, not a mundane activity. The complex geometries ultimately reflect a mental space, the artist’s tension and his interior research."