Aug 6, 2018
‘I RUN THE HILLS’
7/7 parts Comic A Love story at the beginning or end of time
Hope you have enjoyed it!
seen from United States
seen from Russia
seen from United States
seen from China
seen from United States
seen from Malaysia
seen from United States
seen from Switzerland
seen from Indonesia
seen from United States
seen from Indonesia
seen from China
seen from United States
seen from Russia
seen from United States
seen from Sweden
seen from Malaysia
seen from Slovenia
seen from Australia
seen from China
‘I RUN THE HILLS’
7/7 parts Comic A Love story at the beginning or end of time
Hope you have enjoyed it!
studies for backgrounds to be used in an upcoming animation project, #drawing #ioocollective #backgroundart #animation #cesdavolio #drawing #saudiarabia #artistoninstagram
Motion comic test (claire de lune)
in darkness we wait, style frame for Amnesty animation... #amnestyinternational #artistsoninstagram #styleframe #cesdavolio #drawing #animation
Storyboard panel for upcoming Amnesty Int. animation. The story is as bleak ad it looks... #artistsoninstagram #storyboard #cesdavolio #drawing #amnestyinternational
Drawing for The Warp and Weft of Memory. Online narrative and magical archive by Renée Turner. Www.warpweftmemory.net The work explores the wardrobe of Gisèle d’Ailly van Waterschoot van der Gracht, and the ways in which it reflects her life, work, and various histories through textiles and clothing.
-A Glove apart Drawing for The Warp and Weft of Memory. Online narrative and magical archive by Renée Turner. Www.warpweftmemory.net The work explores the wardrobe of Gisèle d’Ailly van Waterschoot van der Gracht, and the ways in which it reflects her life, work, and various histories through textiles and clothing.
My eyes glide across labels: costumes, kousen, taschen, chaussettes, and moccasins. Hovering between naming and narration, her taxonomical reflections jump from German to Dutch, French, and English. Objects appear to speak different languages to her. Maybe one garment brought her back to Austria; another had associations with Bergen; and another placed her somewhere on the plains of Oklahoma. I’m not a linguist or neurologist, but maybe if you’re a polyglot (which I’m also not), memories occupy different linguistic spaces of the brain. After all, stories are formed through the marriage of time and words. Temporality, languages, and landscapes shaped Gisèle’s neural architecture. Her taxonomies are an encoded map, but as an outsider it is one without a legend. - My drawing made for The Warp and Weft of Memory. The work explores the wardrobe of Gisèle d’Ailly van Waterschoot van der Gracht, and the ways in which it reflects her life, work, and various histories through textiles and clothing. www.warpweftmemory.net