Dominate him and make him kiss it
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Dominate him and make him kiss it
Transformers: Mosaic #132 - "Vantage Point"
Originally posted on April 16th, 2008
Story - Chad Lambert Art - Joe Gravel Colours - Mike Langdale Letters - Jim Keplinger
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wada sez: Checking in with Skyfire after the events of The Transformers: The Movie—while Starscream’s ghost watches on.
2015 Harvey Award Winners Announced
2015 Harvey Award Winners Announced
This year’s Harvey Awards were presented Saturday night at a banquet in conjunction with Baltimore Comic-Con, with comics from Image Comics, Dark Horse Comics, and BOOM! Studios bringing those US publishers the most awards. The Harvey Awards are nominated and voted on by comics professionals and the winners were: Best Writer: Mark Waid, Daredevil, Marvel Comics Best Artist: Fiona Staples, Saga,…
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Warlocks and magical researchers alike have all been perplexed by Chad Lambert and his shadow. No one is quite sure what happened, but after an incident during a transfiguration class in Lambert’s last year at Hemlock School of Magic, the shadow seemed to take a life of its own. Still always attached to Lambert, and still only visible when there’s enough light, the shadow seem to do everything in its power not to follow his movements. The Department of Obscurities have stated that they’re looking in to the matter, but after ten years no-one is closer to solving the case. Lambert has named his shadow Ray, and describes him as a merrier version of himself.
Review: Dark Horse Presents #33
New Post has been published on http://www.eatgeekplay.com/review-dark-horse-presents-33/Review: Dark Horse Presents #33
Dark Horse Presents #33
Writers:
Christopher Sebela, Dean Motter, Mike Baron, Phil Stanford, Michael T. Gilbert, Fred Van Lente, Riley Brown, Rich Johnson, Chad Lamber
Artists: Brian Churilla, Dean Motter, Steve Rude, Patric Reynolds, Michael T Gilbert, Fred Van Lente, Simon Rohrmuller, Christine Larsen
Publisher: Dark Horse Comics
Cover Price: $7.99
Buy on DarkHorse.Com
I love anthology comics, as you’ve probably seen from some of my reviews here, but sometimes, they can be an exercise in frustration. Nothing illustrates this more than Dark Horse Presents. It’s a great anthology book that has won a ton of awards, sure; good luck finding a place to jump on and follow the stories you like, though.
DHP #33 is a collection of ten stories from varying genres, from sci-fi to war to superhero stuff, to a lot of detective and crime stories from varying eras; this is great, you’re likely to find something you like in such a huge mixture of stories, but once you do, there’s a bit of an issue.
The starting points for these stories are all over the place. Every single one of the stories in the anthology is a continuing story, but they all start in different issues, so whatever issue you pick up is going to drop you in the middle (or end) of some of these stories.
Three of the ten stories highlighted debut this issue; the others range anywhere from part two to part twelve, so if you see something you like that you want to follow, you’re going to have to buy a lot of back issues.
There is a lot to like in here. You get Steve Rude channeling a mixture of Jack Kirby and Steve Ditko on Nexus, you get Mr. Monster vs. The Brain Bats of Venus which should sell you on title alone, but also has a great storytelling style, and St. George: Dragonslayer, which opens with George battling a dragon.
As a bonus, Mr. Monster is the first part of its story, and St. George is going to be starting a new story arc after this segment, so you can jump on now and actually know what’s going on. Don’t even try with Nexus, it lost me after about two panels, story wise, but the art was so great I had to keep going.
I really have to recommend checking out Patric Reynolds’ art in this issue. He’s the artist for Crime Does Not Pay: City of Roses. His work here reminds me of Jae Lee, but brighter; take one look at his stuff here and you’d agree with me that he would be the perfect artist for a Jonah Hex book. Again, I couldn’t take much out of that story segment other than the art, because it was chapter 12 of an ongoing story.
I think I need to go check out Reynolds’ work on Let Me In, another Dark Horse series, now.
In closing, DHP #33 is worth checking out if you keep in mind the caveat I’ve outlined above – a whole lot of it isn’t going to make sense, but it sure looks nice.
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