Dec 9, 2023
Charles Long & Stereolab
Buloop, Buloop, 1995
Edition of 3
Rubber, sound equipment, watercooler 48 x 15 x 14 in (121.9 x 38.1 x 35.6 cm)
seen from United States
seen from United Kingdom
seen from United States
seen from Maldives
seen from Singapore
seen from United States
seen from China
seen from United Kingdom
seen from Ireland
seen from Brazil
seen from Maldives
seen from United States
seen from Belgium
seen from United States
seen from China
seen from United States
seen from United States
seen from United States
seen from United States
seen from Maldives
Charles Long & Stereolab
Buloop, Buloop, 1995
Edition of 3
Rubber, sound equipment, watercooler 48 x 15 x 14 in (121.9 x 38.1 x 35.6 cm)
Charles Long - Azazel (after Rogier van der Weydenís Crucifixion with the Virgin and St. John, c. 1460)
Plaster, acrylic, paper mâché, wood, silver leaf, found objects, 218.4 × 221 × 55.9 cm, 2021
Charles Long https://www.artnews.com/art-in-america/aia-reviews/charles-long-60273/
Charles LONG Untitled 2012 steel, fabric, ecopoxy, and pigment 88 x 30 x 32 inches; 223.5 x 76.2 x 81.3 cm
Charles Long’s ritualistic ‘Paradigm Lost’ showed singular vision, at Tanya Bonakdar Gallery
Charles Long at Tanya Bonakdar Gallery
While sketching a tree stump in an area of trees lost to climate change near his home, California sculptor Charles Long was inspired by the devastation caused by patriarchal culture to merge a cross section of the dead plant with that of a human penis. Strangely humanoid, the transection is rendered in a huge scale at the back of Tanya Bonakdar Gallery, a plaintive and comedic monument to loss. (On view in Chelsea through Feb 9th). Charles Long, installation view of ‘Paradigm Lost’ at Tanya Bonakdar Gallery, January 2019.
Charles Long