Still thinking about Daniels’ Everything Everywhere All at Once: a strong anti-FOMO, anti-deconstructive-nihilist remonstrance. Through Yeoh’s character, Evelyn, we learn that to apprehend the absurd smallness of ourselves and the immeasurable granularity of the noisy infinite is not an equalizer or a devaluation of it all; but a high ceiling under which we can all continue to love, to play, and to seek the joyful specks of sense adhered to the mundane. ⦿⦿
During my personal geeking out about the film, I was happy to find these five promotional ‘verse posters shared by production company A24.
Keeping true to the stylistic influences of each ‘verse—from the Wong Kar-Waymond step-printing, to Kechiche with a side of ketchup—these posters, like the film, really take you [to preposterous, wonderfully-earnest] places. Mend your clay, and be kind out there.
