Chloé Robichaud
Gender: Female
Sexuality: Lesbian
DOB: 31 January 1988
Ethnicity: White - Canadian
Occupation: Director, screenwriter, producer

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seen from Malaysia

seen from Argentina
seen from United States
Chloé Robichaud
Gender: Female
Sexuality: Lesbian
DOB: 31 January 1988
Ethnicity: White - Canadian
Occupation: Director, screenwriter, producer
For sure, and less toxic than Lydia Tár.
Days of Happiness (Les jours heureux, Chloé Robichaud, 2023).
Season 2 trailer is available on our website!
AVAILABLE FEBRUARY 14 ON ICI TOU.TV IN CANADA AND ON STUDIO 4 IN FRANCE.
Féminin/féminin 導演 Chloé Robichaud 邀請包括Evelyne在內的眾家演員客串第二季 The director of f/f invited several actresses for quick appearance in s2 coming back in Feb 14 (CA: http://ici.tou.tv FR: Studio 4)
http://www.envedette.ca/stars/television/feminin-feminin-avec-sarah-jeanne-labrosse-de-retour-a-la-saint-valentin-1.3604775 …
S1 EN subbed http://femininfeminin.com
chloerobish: #tbt aux trois femmes merveilleuses de #payslefilm
Trop- Alice,Evelyne, Catherine,Chloe, photo by:BCalmeau
@Regrann from @cathfaucher - J'pense que je suis de "trop":-) photo bertandcalmeau #troplaserie,#chloerobichaud,#evelynebrochu,#mariealabbe #Regrann Le visage d'Evelyne 😂😂😂😂😂😂😍😍😍😍😍
Sarah Prefers to Run
dir. Chloe Robichaud Canada / 2013 / 97 min. / 1.78:1 World Premiere: Cannes Film Festival (2013)
The rigid world of competitive athletics, steeped in routine and almost robotic repetition, may seem a rather strange and sterile terminus from which to originate a story exploring the parameters of feminine identity. In Québécois director Chloé Robichaud’s debut feature, however, this seems to be precisely the point. Athletics—in this case track and field—are at a curious frontier where the traditional binaries that differentiate male from female converge almost asymptotically toward a normative condition that is at once hyper-masculine (in terms of physical aggression) and largely asexual (in that genders are kept entirely separate in virtually all instances). This paradox is exactly what makes Sarah such a fascinating character to watch as she navigates a baffling hormonal minefield over the course of her first year on a college track team. Away from the comforts of her predictable suburban home for the first time and playing the part in a sham marriage simply because it will afford her financial relief for school, becoming a self-aware, autonomous person is harder than she ever imagined. Small wonder that Sarah prefers to run.
Fearlessly played by 2014 RiverRun Spark Award honoree Sophie Desmarais, whom many of you may remember from Denis Côté’s 2011 offering Curling, Sarah is captured with an appropriately nervous restraint and a sly, deadpan humor that masks her inability to connect with most of her coeds. At times she’s so focused on competition and out of touch with the larger world around her that you begin to wonder if she’s in fact pathological. But then again aren’t most teenagers, after all? An uncertain romantic interlude with a fellow competitor, a jealous, emasculated faux-husband, and the arrival of a worrisome medical condition eventually force Sarah to search within herself for the path that will truly fulfill her. Partway through the film she’s interviewed by a zealous student journalist, who takes umbrage at the fact that she views Donovan Bailey as a role model for earning a medal at the Olympics with a Canadian flag draped over his shoulders. What bothers him about her statement is that he perceives it as an admission that she’s not an advocate for a sovereign Quebec, that she seems to identify with the larger national identity of Canada. What he fails to understand about her, however, is that what she really admires is simply his athletic achievement as an individual. Her singularity, for better or for worse, is asserted through her running, her own internal drive to outrace her previous self limitations. What could be more sovereign than that?
- Christopher Holmes