#chriscutler

[musicanywhere]

Art Bears - All Hail!

[nadapop]

One day I'll say Woke up to find a heap of a mess Running for the bus, I cry "Hold that bus called Happiness!" Why am I so slow? If I only knew... Say it isn't so I wondered what I'd want without you Through the back window I thought I saw the color of her dress Which way does it go? Hmm, buddy, that's the bus called Happiness Why am I so slow? If I only knew... Say it isn't so I wondered what I'd want without you One day I'll say Woke up to find a heap of a mess Running for the bus, I cry "Hold that bus called Happiness!" Why am I so slow? If I only knew... Say it isn't so I wondered what I'd want without you Why am I so slow? If I only knew... Say it isn't so I wondered what I'd want without you Pere Ubu ‎– Cloudland (Remastered & Expanded) (1989) Tracklist: 01. Breath 02. Race The Sun 03. Cry 04. Why Go It Alone? 05. Waiting For Mary 06. Ice Cream Truck 07. Bus Called Happiness 08. Monday Night 09. Love Love Love 10. Lost Nation Road 11. Fire 12. Nevada! 13. The Wire 14. Flat 15. The Waltz 16. Pushin'  Extras: 17. Breath (Alt Mix) 18. Wine Dark Sparks 19. Bang The Drum 20. Bus Called Happiness (Live) 21. Love Love Love (Cajun House Mix) #TonyMaimone #ChrisCutler #ScottKrauss #JimJones #StephenHague #AllenRavenstine #DavidThomas https://youtu.be/UVJ_Ac4flvw https://yadi.sk/d/VyP1AQnMG2miHQ https://www.instagram.com/p/ByQD9kAgu5Vd4Bjdbvk58btce7e4BugtdtjSqI0/?igshid=r1fco62x6vqf

[normals]

#FredFrith & #ChrisCutler on translucent ochre. I knew a collector once who only collected translucent ochre vinyl. He is now quite mad & cant hold a drinking cup. "Golden State" on ReR Megacorp. In nm jacket, $25. (at Normal's Books & Records)

[sturgis-antiques]

Henry Cow 1978 lp Western Culture Interzone records. Vinyl in NM $35 #sturisantiques #henrycow #chriscutler #fredfrith #vinylrecords #forsale (at Sturgis Antiques & Collectables)

[scuoladiradiofonia]

PROBES Curated by Chris Cutler on RWM Ràdio Web MACBA.

"In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned the certainties underpinning the world of Art music), and the invention of a revolutionary new form of memory, sound recording (which redefined and greatly empowered the world of popular music). A tidal wave of probes and experiments into new musical resources and new organisational practices ploughed through both disciplines, bringing parts of each onto shared terrain before rolling on to underpin a new aesthetics able to follow sound and its manipulations beyond the narrow confines of ‘music’. This series tries analytically to trace and explain these developments, and to show how, and why, both musical and post-musical genres take the forms they do. This first programme sets the scene and investigates early reconsiderations of pitch: probes that postulate new scales to be constructed through the ever-greater subdivision of the inherited intervals of equal temperament." (Chris Cutler) Curatorial is a series on RWM. RWM is a radiophonic project from the MACBA website that explores the possibilities of the internet and radio as spaces of synthesis and exhibition. The programs are available on demand, and as a podcast subscription. Twitter: @Radio_Web_MACBA Pinterest: radiowebmacba Thie Curatorial section explores the complex map of sound art from a variety of points of view, structured into different series and curated programs. VARIATIONS, led by Jon Leidecker reconstructs the history of sound appropriationism by looking at examples from 20th century composition, popular art and commercial media, and the convergence of all these trends today. Meanwhile, LINES OF SIGHT, curated by Barbara Held and Pilar Subirà, explores different ideas linked to transmission as a means of creative expression and in PARASOL ELEKTRONICZNY. RUMOURS FROM THE EASTERN UNDERGROUND, Felix Kubin leads us on a tour of underground sound production in Eastern Europe. Finally, PROBES by Chris Cutler examines the side-effects of the collapse of tonality in the 20th century and INTERRUPTIONS intermittently "interrupts”" the Curatorial series in order to explore the many possibilities of music-on-demand and mix formats.