Cinematic Essay Intro Review
A film essay (or "cinematic essay") consists of the evolution of a theme or an idea rather than a plot per se; or the film literally being a cinematic accompaniment to a narrator reading an essay. From another perspective, an essay film could be defined as a documentary film visual basis combined with a form of commentary that contains elements of self-portrait (rather than autobiography), where the signature (rather than the life story) of the filmmaker is apparent. The cinematic essay often blends documentary, fiction, and experimental film making using a tones and editing styles.[17]
Chris Marker, La Jetée - https://vimeo.com/46620661
The Wikipedia article on Le Jetée - http://en.wikipedia.org/wiki/La_Jet%C3%A9e
Le Jetée/12 Monkey's comparison film - http://blip.tv/renegadecut/22-12-monkeys-la-jet%C3%A9e-6595845
The Subconscious Art of Graffitti Removal - http://www.tudou.com/programs/view/WesVj4_lTCw
Kevin Lee, Elements of the Essay Film - https://vimeo.com/groups/35mmandrisdamburs/videos/90150897
Andrew Norman Wilson, Uncertainty Seminars - http://dismagazine.com/dystopia/66991/uncertainty-seminars/
Bill Domonkos - The Ends of Sleep - https://vimeo.com/73875213
Great film example created from found archival footage>>>>WATCH>>>>Joe P. Bear - https://vimeo.com/7826295
There are deeper strata of truth in cinema, and there is such a thing as poetic, ecstatic truth. It is mysterious and elusive, and can be reached only through fabrication and imagination and stylization.
-Werner Herzog lecture at Walker Art Center, Minneapolis, Minnesota (1999)
The essay (film)…strives to be beyond formal, conceptual, and social constraint…the essay film disrespects traditional boundaries, is transgressive both structurally and conceptually, is self-reflective and self reflexive. It also questions the subject positions of the filmmaker and audience as well as the audiovisual medium itself – whether film, video, or digital electronic.
-Nora Alter “The Political Im/perceptible in the Essay Film” (1996)
…cinema will gradually break free from the tyranny of what is visual, from the image for its own sake, from the immediate and concrete demands of the narrative, to become a means of writing just as flexible and subtle as written language…The cinema is now moving towards a form which is making it such a precise language that it will soon be possible to write ideas directly onto film.
-Alexandre Astruc, “The birth of a New Avant-Garde” (1948)